iWorld
Media maverick Uday Shankar on risk, AI and reinvention
MUMBAI: Twenty-five years ago, Uday Shankar was planning a 24-hour Hindi news channel that didn’t exist anywhere in the world. Ten years ago, as Star TV’s CEO, he bet big on streaming when data cost over 50 rupees per gigabyte and WiFi was virtually non-existent. Today, he’s got his sights set on artificial intelligence.
Speaking candidly at the CII Big Picture Summit 2025, the media veteran who transformed Indian entertainment shared what drives his legendary risk appetite and how he’s built some of India’s most successful content businesses.
“I’ve always believed that skills are not important,” Shankar declared, catching many off guard. “I’m a huge believer in developing the skill to acquire skills. Skills have finite lifespans.”
The liberal arts student turned political journalist has never been trained for anything he eventually mastered. From television to entertainment, sports, streaming and profit-and-loss statements, Shankar admits he wasn’t prepared for any of it. His secret? Learning how to learn and surrounding himself with the best people.
When his CFO once suggested he should study financial dashboards more closely, Shankar’s response was characteristic: “Even if I try, maybe in one year’s time I’ll be a third-class student of the dashboard. But I believe you are the first-class student. You better read it and make sure I don’t miss out on anything.”
His hiring philosophy rejects cookie-cutter approaches. “I don’t need someone who has 85 per cent in all ten subjects. Give me a person who has 100 per cent in one subject and maybe has failed in every other subject. Then I know that for this particular subject, this is the best person I can find.”
He compares his method to how cricket coaches build teams, specifying exactly what they need rather than asking for generic talent. The result? Teams of rockstars who excel in specific areas. “They’re difficult people,” he admits. “But they elevate the quality of discussion.”
His track record speaks volumes. From Aaj Tak’s 24-hour coverage to creating Hotstar years before Disney Plus, to producing the groundbreaking Satyamev Jayate, Shankar has consistently disrupted the status quo.
The Satyamev Jayate story is particularly telling. Star Plus was thriving when Shankar decided to shake things up. “There is an innate restlessness in me. If everything is working fine, I get very restless and tinker around with it.”
The show broke every rule. Instead of prime-time slots, it aired Sunday mornings. It wasn’t candyfloss entertainment but intense social documentary. And it commanded ad rates more expensive than IPL. “All my successes have come from this commitment to disrupt status quo,” Shankar reflected.
Failures? He’s had plenty. His first big show, Panchvi Pass, bombed spectacularly. Convinced he might have to buy his own return ticket after presenting it to Rupert Murdoch, Shankar was surprised when nobody mentioned it. Unable to bear the tension, he brought it up himself. Murdoch’s response? “That’s the nature of the beast. Don’t allow it to haunt you. Go and do the next experiment.”
His optimism about the industry remains undimmed, though he challenges how it defines itself. People consume more content than ever, he notes. The problem is self-imposed limitation. “We’ve got obsessed around distribution and formats. The whole world is making billions with small-size content and we’re saying no, we’re premium.”
But what keeps him restless now? “I’m feeling incredibly excited about what AI can do. We’ve been limited by talent, production capacity and money. Now if there’s technology that makes all this more accessible, it’s a liberating force.”
The possibilities thrill him. Even actors shouldn’t fear the technology, he argues. “An actor could do only one show at a time. Now you can do six shows simultaneously.”
For Shankar, the choice is stark: “You either swim or you try to hold on to the ground and get swept away. There is no third option.”
Drawing from advice his first editor gave him, Shankar concluded: “Treat every day as the last day of your life. I don’t think too much about successes and failures. I think about doing something that’s not been done before. And I think there’s a lot of power in that.”
iWorld
Prime Video unveils biggest India originals slate yet
Nearly 55 titles across languages signal deeper push into films, series
MUMBAI: Prime Video is turning up the volume on Indian storytelling, unveiling its largest-ever Originals slate at the ‘Prime Video Presents’ showcase, with close to 55 series and films spanning languages, genres and formats.
The new lineup, which stretches across Hindi, Tamil and Telugu, signals a clear intent: go bigger, go wider, and meet audiences wherever they are watching, whether on streaming screens or in cinemas. Alongside Originals, the platform also announced a fresh theatrical slate under Amazon MGM Studios, marking a deeper step into the big-screen business.
Among the headline acts is The Revolutionaries, a large-scale drama from Nikkhil Advani starring Bhuvan Bam and Rohit Saraf. The slate also features Matka King with Vijay Varma, Raakh starring Ali Fazal and Sonali Bendre, and Lukkhe, which marks rapper King’s acting debut. Adding a genre twist is Vansh – The Kalyug Warriors, positioned as India’s first homegrown Hindi superhero series for streaming.
Familiar favourites are also making a return, with new seasons of Farzi, Panchayat, Call Me Bae, Dupahiya, Dahaad and The Traitors in the pipeline, reinforcing the platform’s bet on established franchises.
Regional storytelling gets a notable push. Highlights include a Telugu adaptation of The Traitors hosted by Teja Sajja, the drama Guvvala Cheruvu Ghat, and Tamil titles such as Exam and returning seasons of Vadhandhi and Inspector Rishi.
The slate also opens new creative partnerships. Hrithik Roshan’s HRX Films steps into streaming with Storm and Mess, while Alia Bhatt’s Eternal Sunshine Productions backs Don’t Be Shy. Production houses including Excel Entertainment, Tiger Baby Films and The Viral Fever further deepen the creative bench.
On the theatrical front, the platform is lining up five films, including Raftaar starring Rajkummar Rao and Keerthy Suresh, VIBE directed by Kunal Kemmu, Dilkashi with music by A. R. Rahman, Nayyi Navelli featuring Yami Gautam, and Kuku Ki Kundli starring Wamiqa Gabbi.
According to Prime Video India director and head of Svod business Shilangi Mukherji, India remains central to the platform’s global growth, ranking among its top markets for new subscribers. She noted that nearly two-thirds of users watch content in more than four languages, underlining a growing appetite for diverse storytelling.
Prime Video India director and head of originals Nikhil Madhok, said the new slate reflects a continued push towards bold, culturally rooted narratives with global appeal.
In short, Prime Video is not just adding titles, it is widening the lens. From small-town dramas to superhero sagas and cinema-ready spectacles, the message is simple: more stories, more voices, and far more ways to watch them.
