GECs
Canal+ backs HITS model for CAS rollout
NEW DELHI: HITS (headend in the sky), pushed by Zee Telefilms, seems to have become a hit with conditional access technology providers with the France-based Canal+ Technologies (C+T) today reiterating it’s the most financially viable model for conditional access in India.
“The HITS concept is the best model suited for a price-sensitive market like India for (introducing) conditional access system. Investments on headends amongst others would come down substantially,” C+T Asia Pacific general manager sales Nicolas Andrieu told indiantelevision today in an interview at the ongoing Exhibitions India-organised Convergence India 2003 here.
C+T, one of the biggest operators of pay television in Europe and some other parts of the globe, have been working with Zee Telefilms for the last few years on the company’s direct-to-operator project.
However, when asked whether Siti Cable, the cable arm of Zee Tele, would formalise an agreement with C+T for CAS, Andrieu preferred to give a noncommittal answer. “We, as other players in this business, are talking to everybody,” he added.
According to Andrieu, the company is also talking to vendors and others related with CAS for forging partnerships in India as the market offers huge potential. “The India market initially may be small for CAS products, but in the coming years, it would turn out to be a huge market,” he said.
Why are companies like C+T so bullish on India ? It is not difficult to fathom the reason.
With two companies (Space TV and ASC Enterprises Ltd.) poised to get the Indian government nod for a direct-to-home TV service in India and the government also pushing for the rollout of CAS, Fusion Consulting, a Singapore and Hong Kong-based business intelligence consultancy, feels that India’s pay TV subscriber households are likely to increase 1.5 times by 2007, up from 40 million in 2002.
Growing at CAGR of 8 per cent, India would have 61 million pay TV subscribing households, second to China’s 113 million.
C+T is also looking at offering Indian customers, mostly formed of cable operators and multi-system operators (MSOs), a “package deal” that would include technology from it and the matching hardware from another group entity already operating in India.
“As we are part of the Thomson group, we may also look at offering package deals to people here whereby the technology would be Canal Plus’ and, if possible, the hardware (the set-top boxes) for CAS may be from Thomson. There is certainly a possibility of this happening,” says Andrieu.
Electronics goods manufacturer, Thomson India, has been operating out of Bangalore and has been in the forefront of CAS lobbying for lower duties on import duties on set-top boxes for CAS.
Andrieu said that the company is “very proactive” in India and has also worked out very “various price models” for the Indian market that would deliver an integrated subscriber management system and hardware.”In a price sensitive market like India we have to develop a viable model that would be attractive to cable operators and others,” he added.
Ruling out C+T setting up a separate subsidiary in India in the near future, he explained, “The market is not yet sufficiently big enough to justify investments on a subsidiary here.”
Though C+T’s technology for CAS makes it a strong candidate to offer services to multiple clients in India, Andrieu said, “These are commercial decisions and the question on exclusivity can be considered when the negotiations reach that stage of finality.”
C+T of France, represented in India by Recreate Solutions, had already announced that it would stage a live demo, the first of the its kind in India, of its CAS, Mediaguard, during the 11th Convergence India 2003 in New Delhi.
C+T will also showcase Mediahighway, its middleware, which enables the set-top box software to interpret and execute interactive applications. Mediaguard provides digital broadcasters with business-critical reliability, ease of use and secure conditional access. The system also offers maximum flexibility for the introduction of multiple programme offerings to segmented audiences, coupled with transaction management, such as pay-per-view and e-commerce.
C+T is a leading international provider of interactive TV software solutions offering a range of flexible open standard solutions to broadcasters and digital operators around the world. C+T also claims that it has achieved leadership through innovation as it has the ability to integrate both head-end and set-top boxes.
GECs
Zee tops fiction charts across six languages with strong show lineup
Broadcaster secures nearly half of top 10 spots as fiction strategy pays off
MUMBAI: Fiction is proving to be Zee Entertainment Enterprises Ltd’s winning script. The broadcaster has emerged as the dominant force in television fiction, occupying an average of five spots in the top 10 charts across six major language markets.
Across Hindi (Pay), Marathi, Bangla, Odia, Kannada and Telugu general entertainment channels, the company commands a 48 per cent share of the top 10 fiction rankings, according to BARC data for weeks four to seven of 2026 among urban audiences aged 15 and above.
The strong showing reflects the company’s renewed focus on storytelling driven by cultural insight and local relevance. With family viewing still centred around prime time, Zee continues to attract more than 20 per cent viewership share across genres in this high engagement window, outperforming competitors.
Zee Entertainment Enterprises Ltd, chief content officer Raghavendra Hunsur, said the results underline the effectiveness of the company’s sharply defined multilingual content strategy.
“The achievement is a firm testament to our content strategy across languages, which is clearly resonating with viewers,” Hunsur said. “Fiction shows remain the heart of entertainment. We will continue building both fiction and non fiction offerings that are authentic, engaging and rooted in local storytelling.”
The company’s Hindi flagship channel Zee TV has placed four relatively new launches among the top 10 shows in the Hindi Pay GEC category. These include Tumm Se Tumm Tak, Ganga Mai Ki Betiyan, Vasudha and Lakshmi Nivas, all introduced within the past 18 months.
Regional markets are delivering equally strong performances. Zee Marathi has recorded a 470 basis point rise in market share to 34.7 per cent in January 2026 compared with January 2025. Four of its shows, Kamli, Taarini, Veen Doghatli Hi Tutena and Lakshmi Nivas, feature among the top 10 in the Marathi GEC genre.
In eastern India, Zee Bangla has reclaimed leadership in the Bangla GEC segment in week seven of 2026, driven by five shows in the top 10 including Parineeta, Taare Dhori Dhori Mone Kori, Jowar Bhata, Amader Dadamoni and Chirodini Tumi Je Amar. The top ranked show Parineeta draws inspiration from Gen Z insights, reflecting changing audience sensibilities.
Zee Sarthak continues its five year leadership streak in the Odia GEC space with shows such as Sathi Sata Janmara, Suna Jhia, Tu Khara Mu Chhai, Tuma Bina and Bhagya Rekha occupying the top positions.
In the south, Zee Kannada maintains its long standing dominance, leading the Kannada GEC market for seven consecutive years. Seven fiction titles including Karna, Lakshmi Nivasa, Annayya, Amruthadhaare, Naa Ninna Bidalaare, Adi Lakshmi Purana and Brahmagantu form the top 7 shows in the category.
Zee Telugu is also gaining ground, emerging as the biggest channel across genres in Hyderabad while strengthening its position in the Telugu GEC segment across Andhra Pradesh and Telangana. Shows such as Jagadhatri, Meghasandesam, Jayam and Chamanthi occupy four of the top 10 spots.
With its regional channels gaining traction, Zee says it will continue sharpening its content playbook, focusing on stories that reflect everyday lives while tapping into evolving viewer preferences across markets.





