iWorld
Guest Article: The Gen Z radio listener: Preferences, habits, and the love for Indie music
Mumbai: In an environment dominated by the convenience of streaming services and the tailored precision of digital playlists, radio’s unexpected rebirth has become a notable phenomenon, particularly capturing ‘Generation Z.’ Contrary to the common perception, radio has demonstrated extraordinary durability in responding to the dynamic challenges offered by the digital age. Instead of fading into the background, it has emerged as a steadfast daily companion for many young listeners, defying expectations and cementing its position in the hearts of Generation Z.
For Gen Z, radio is more than just a channel; it’s a journey. The new era of radio has resulted in a melodic blend of Indie-pop, hip-hop beats, alternative, and electronic sounds. It’s like a musical tour guide, taking Gen Z on a musical journey beyond mainstream songs.
One genre that has found a welcoming home on the airwaves is ‘Indie music’ – the non-mainstream, innovative sound that breaks the mold. Radio has evolved into a platform for Indie musicians, allowing Generation Z to experiment with sounds that might not make it onto mainstream playlists. It’s a breath of fresh air for people looking for something different.
However, radio isn’t just a DJ playing tracks; it’s a connector. It creates a unique link between artists and their Gen Z followers through intimate interviews, jam sessions, and real-time interactions. Radio broadcasters are more than simply music curators; they are companions who share stories and insights that go beyond the beats.
Radio has evolved beyond the field of music to become a focus for social change. Discussions about current events, societal issues, and cultural trends give Gen Z a place to have meaningful interactions. Radio stands out in a world overwhelmed with digital noise as a medium that entertains and informs, as well as a platform for true discussion.
Additionally, the thriving world of podcasts demonstrates radio’s adaptation to the digital revolution. These podcasts act as a bridge, engaging with Gen Z in a language that seems comfortable, covering themes ranging from love and relationships to finance and technology. Radio is transformed into an ally, not just leading the musical journey but also digging into a broader spectrum of interests and concerns that resonate with Generation Z.
Radio keeps its value in the midst of the digital revolution by offering a sense of connection, discovery, and community to Generation Z. It promotes new music, encourages important exchanges, and fosters meaningful connections, transforming into a support system that reflects Gen Z’s independent attitude.
Let’s not forget about podcasts. Everything from personal relationships to the global economy to cutting-edge technologies; radio has enthusiastically embraced the digital revolution with open arms. It’s like having a companion with whom you can discuss anything as you drive or while you relax on the weekend.
To sum up, radio is a road map that takes Gen Z into the dynamic world of Indie music. It creates a narrative by revealing the backstories of the songs and the independent musicians who performed them. Consider it the timeless narrator of Gen Z’s passion for Indie music in the world of media. So, next time you tune in, remember, it’s not just about the music; it’s about the journey.
This article has been authored by Radio City CEO Ashit Kukian.
iWorld
Prime Video bets big on India with global originals, films and franchise expansion
Execs highlight scale, travelability and new IP bets as India anchors global strategy
MUMBAI: At Prime Video Presents 2026, the message was clear and confident. India is not just part of the plan, it is central to it.
In a lively fireside chat hosted by filmmaker Karan Johar, Kelly Day, vice president of prime video and amazon mgm studios international, Nicole Clemens, vice president of international originals, and Gaurav Gandhi, vice president for Apac and Anz, laid out an ambitious roadmap. Think bigger stories, wider reach and a sharper focus on building franchises that travel.
Kelly Day, a regular visitor to India, set the tone early. Calling the country “one of the most important markets globally”, she pointed to the sheer scale and diversity of audiences as a driving force behind Prime Video’s growth. Indian Originals, she said, are not just local hits but global engines powering subscriptions and engagement.
That global appeal is already visible. According to Clemens, around 25 percent of viewership for Indian content now comes from outside the country. Shows rooted deeply in local culture are finding fans worldwide, proving that specificity, when paired with universal themes, travels well. From gritty dramas to sharp thrillers, Indian storytelling is increasingly crossing borders with ease.
Clemens, who joined recently to lead international originals, was particularly upbeat about India’s creative range. She highlighted a growing slate of over 100 shows in development and production, with more than 60 percent returning for multiple seasons. For her, the formula is simple. Authentic stories, told well, resonate everywhere.
Adding to the buzz, she teased new and returning titles, alongside a fresh superhero universe, the Kalyug Warriors. It signals a push into new genres while doubling down on familiar fan favourites.
If content is king, distribution is the clever courtier. Day outlined Prime Video’s layered business model in India, which blends subscription, rentals, add on channels and ad supported viewing through Amazon MX Player. The idea is straightforward. Give viewers choice, whether they want premium, free or pay per view.
India, she noted, has also become a testing ground for innovation. Tiered pricing, mobile only plans and language diversity have all been sharpened here before being exported to other markets. In many ways, the India playbook is now influencing global strategy.
For Gaurav Gandhi, the next chapter is about scale with intent. He outlined four priorities. Making Prime Video more accessible, pushing Indian content globally, building stronger franchises and supercharging the films business.
On films, the platform is moving beyond licensing into co productions and now theatrical releases in partnership with amazon mgm studios. These films will eventually stream on Prime Video, creating a full circle from cinema halls to living rooms across 240 countries.
Franchise building remains another key pillar. With hits like The Family Man, Mirzapur and Panchayat already enjoying multi season success, the focus is now on creating the next wave of enduring IP. Newer titles are already lining up for second seasons, signalling a steady pipeline.
What stood out through the conversation was a shared belief. Streaming in India is still in its early innings, and the runway is long. With a mix of local flavour and global ambition, Prime Video is betting that stories from India will not just stay at home, but travel far and wide.
Or as the executives seemed to suggest, the world is watching and India has plenty more to show.
