News Broadcasting
Fremantlemedia makes additions to drama catalogue ahead of MipTV
MUMBAI: Televisioon format owner and distributor FremantleMedia Enterprises (FME) has announced the acquisition of two drama shows which will launch at the television trade event MipTV in April.
The shows are Love You To Death and The Best Years. They join FME’s expanding drama portfolio.
The dark, funny Love You To Death stars filmmmaker John Waters Pink Flamingos, Hairspray in his television series debut as the ‘Groom Reaper’. It and tells the twisted, inspired-by-reality tales of spouses who have killed their loved, or not-so-loved ones.
The series is scheduled later this year in the US on Court TV as ‘Til Death Do Us Part and Global Television in Canada. It will be on offer to buyers worldwide from FME at MipTV for both TV (excluding the US) and DVD (excluding Canada).
As the ‘Groom Reaper’, Waters guides viewers through bizarre stories and cases of wedded woe, with his trademark wry sense of humour and definite macabre sensibility. Each episode – inspired by true crimes – dramatises the stories of ill-fated husbands and wives and reveals the flaws in what the killers thought was the perfect crime – like in the case of the ‘spend-a-holic’ spouse, who poisoned their other half to claim the life insurance, only to find that the cheque for the poison bounced! In each episode, viewers follow a murderous trail to find out whodunit and will be on the edge of their seats until the very end, as things are not always as they seem.
The Best Years follows a group of friends through the ups and downs of college life. It’s an insight into the real-life drama that is university – the excitement and pressures that go hand in hand with newfound independence.
Leaving her foster-home past behind, Samantha Best (Charity Shea) arrives on a scholarship for freshman year at the prestigious Charles University in Boston, MA and sets about finding her feet in the hallowed halls; not to mention finding a whole new set of friends – and ‘frenemies’ – along the way.
As Samantha learns to juggle academic pressures, the perils of the social scene, friction with roommates and liaisons with lovers, The Best Years will be compulsive viewing as she and this sometimes dysfunctional college family make their way together.
FME CEO David Ellender says, “We are delighted to add these two unique dramas from Blueprint Entertainment to our burgeoning portfolio of fine scripted entertainment, which we are committed to expanding further throughout 2007. We are thrilled to be launching both Love You To Death and The Best Years at MipTV. This gives broadcasters from around the world the chance to be the first on board with what will be very highly-prized additions to any schedule line-up for 2007.”
News Broadcasting
GenNext takes charge as Network18 reshuffles leadership
With Avinash Kaul bowing out, Network18 hands reins to younger leaders, streamlines operations, and pushes data-driven growth across TV, digital and regional markets
MUMBAI: Network18 is redrawing its leadership map just as a long-time lieutenant bows out. Avinash Kaul, a central figure in the broadcaster’s rise since 2014, is leaving after 12 years to pursue “professional and personal goals”, triggering a broad-based reshuffle that puts a younger cohort directly under the top brass.
Kaul joined at a pivotal moment during the company’s transition and went on to scale the television business, combining strategic nous with data-led decision-making and a sharp read of the news landscape. “Avinash has been an integral part of the Network18 story,” the company said, thanking him for his leadership of the broadcast business and wishing him the best for the future.
In his wake, Network18 is betting on what it calls a “young and restless” leadership bench. “The team has taken charge and proved its mettle in quite adverse circumstances,” the note said, adding that “GenNext has seamlessly stepped in as we continue to outperform our peers.”
Operationally, the structure is being flattened. Smriti Mehra, S Shivakumar and Mitul Sangani will work directly with the top leadership, as they did in the fourth quarter. Ganesh Iyer and Abhinay Chauhan continue in their existing roles, while younger executives are being handed wider mandates across social, digital, connected TV and linear.
The reporting lines are being tightened to drive revenue and product momentum. Prabhat Chatterjee, business head–Forbes, and Arun Thapar, president–content and communication for AETN-18, will report to Smriti Mehra, alongside Mallika Nath Handa, who will lead special projects spanning new shows and non-linear properties. Jayesh Gokalgandhi, CFO for AETN-18, will report to Ramesh Damani.
Mitul Sangani will oversee expansion in Hindi and regional markets, with Sidharth Newatia, CRO–ILC, focusing on reach and revenue growth, particularly in tier-II and III markets. Pankaj Soni, head of marketing–ILC, will also report to Sangani while working functionally with Ganesh Iyer.
The group is also consolidating its branded content play. Moneycontrol’s branded content business will be folded into News18 Studio, with Don Zarrar moving to work with Shivakumar while continuing to lead existing studio and Focus teams.
International and platform growth are being bundled together. Pranav Bakshi takes on additional charge of the international business alongside connected TV and social platforms, with Naveen Mathur, who leads revenue management for the international unit, reporting to him. Bakshi continues to report to Puneet Singhvi.
On the technology and operations side, Rajesh Sharma, head of broadcast technology and IT; Rahul Singh, head of events and technical operations; and Bhupender Bhardwaj, head of IT security, will now report to Singhvi. Darshil Parekh, head of sales strategy, planning and operations, will work directly with Ramesh Damani and the top leadership, with Stanley Cyril, who manages digital sales operations, reporting to him.
Data is being pushed to the centre of decision-making. Jitamitra Mohanty, who leads research and analytics, will now work with Santosh Menon to turn audience data into “actionable insights that drive content strategy, product innovation and sustainable viewership growth”.
The message is clear: fewer layers, faster calls, sharper bets. With Kaul’s exit closing one chapter, Network18 is handing the wheel to a younger crew and doubling down on scale across screens. The race, it signals, will be run at full tilt.
