Hindi
SRK’s Ra.one in copyright row
MUMBAI: Bollywood actor Shah Rukh Khan‘s upcoming superhero film Ra.one has landed in the court. The Bombay High Court has observed that prima facie there had been a copyright violation, while reserving the final verdict for later date.
The division bench of Chief Justice Mohit Shah and Justice Roshan Dalvi directed the defendants (Sharukh Khan, his production house Red Chillies Entertainment and Eros Entertainment) to deposit Rs 10 million with the court before releasing the movie.
“The defendants are directed to deposit a sum of Rs 10 million as pay-order to the court and then release the movie,” PTI reported, quoting the bench.
The court was hearing the petition filed by Beyond Dreams CEO Yash Patnaik, who said that he is the original copyright owner of the concept and the content of RA.One‘, produced by SRK‘s Red Chillies Entertainment.
The court ordered that if the defendants failed to deposit the money, an injunction against the movie‘s release would become operational.
“It is the most unfortunate part of the film industry that people use others‘ concepts and then don‘t want to pay or give them credit,” the bench remarked.
The court has kept the final decision on the issue of copyright violation pending, and would hear arguments in due course of time.
The movie is to release on 26 October and stars Khan, Kareena Kapoor and Arjun Rampal.
Patnaik had sought a stay to the film‘s release until he was given credit for the concept or 10 per cent of the profits, in case he was not given the credit.
Patnaik‘s lawyer, senior advocate Ravi Kadam, said that the superhero character resembled the one in Patnaik‘s concept of 2006, in ‘attributes and appearance‘.
“The super-villain of Patnaik‘s script was called ‘One‘, which has been used by SRK in the movie‘s title,” Kadam said.
Meanwhile, SRK‘s lawyer, senior advocate Virendra Tulzapurkar, said that his client‘s script was completely different. Also, “Patnaik cannot claim copyright as he had developed his concept with a team of experts he had engaged,” Tulzapurkar argued.
Meanwhile, Eros Entertainment‘s lawyer, senior advocate Janak Dwarkadas, argued that the company has acquired world distribution rights at Rs 1.50 billion and has already started transporting prints to theatres, so no stay should be granted at the last moment.
Hindi
Kridhan Infra enters film production with AI-led feature film
Infra firm debuts AI-powered film marking RSS centenary
MUMBAI: Kridhan Infra Limited is swapping hard hats for headsets. The infrastructure company has announced its entry into film production and media technology through its subsidiary, Kridhan Mediatech Private Limited, with the nationwide theatrical release of Shatak: Sangh Ke 100 Varsh, an AI-led feature film.
With Shatak, the company is not just stepping into cinema but staking a claim in what it describes as one of the world’s early full-length AI-driven feature films. Artificial Intelligence has been embedded across the creative and production process, from script visualisation and environment creation to modelling and production design.
The film commemorates 100 years of the Rashtriya Swayamsevak Sangh, tracing defining moments, personalities and historical phases that shaped its journey. By combining archival storytelling with algorithm-powered creativity, the project attempts to blend heritage with high technology.
For Kridhan Mediatech, this is only the opening scene. The subsidiary’s broader ambition spans AI, CGI, virtual production systems and scalable content models for both theatres and digital platforms. The move signals a strategic diversification for Kridhan Infra, traditionally rooted in engineering and construction.
The timing aligns with India’s growing push to become a global AI powerhouse. At the 2026 AI Impact Summit, prime minister Narendra Modi urged innovators to design in India and deliver to the world. Kridhan Mediatech’s initiative positions itself squarely within that narrative, aiming to export technology-enabled storytelling beyond domestic audiences.
India’s media and entertainment industry, valued at over Rs 2.5 lakh crore, alongside a rapidly expanding AI economy projected to cross Rs 1.4 lakh crore in the coming years, offers fertile ground at the intersection of cinema and code.
“With Shatak, we proudly present one of the world’s first AI-led full-length feature films while marking our strategic entry into film production and media technology through our subsidiary,” the company said in a statement. “Our vision is to combine India’s rich narrative heritage with forward-looking innovation. This is just the beginning of building globally competitive, technology-enabled cinematic experiences.”
From infrastructure to imagination, Kridhan’s latest venture suggests that in today’s India, even storytelling can be engineered.
