MAM
Neo@Ogilvy enters into JV with Smile Group, appoints Sanjay Ramakrishnan as country head
MUMBAI:Ogilvy India has announced a joint venture between Neo@Ogilvy and Smile Group. The move will strengthen the agency’s performance marketing, e-commerce and mobile offerings. The JV will also set up a global media delivery hub to service Neo@Ogilvy’s global media operations.
Not only this, Neo@Ogilvy India has also announced the appointment of Sanjay Ramakrishnan as country head.
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Talking on the JV, Ogilvy South Asia chairman and creative director Piyush Pandey said, “This JV is one more step ahead in our digital journey. Harish’s experience in Digital Media and eCommerce will help drive rapid growth in these areas. And Sanjay Ramakrishnan is a fantastic young business leader with the right skills to lead Neo@Ogilvy in India.”
Elaborating on the vision of the partnership Smile Group chairman Harish Bahl said, “The JV will help offer world class services to local and global clients of Ogilvy and Neo respectively, using the expertise and experience of Smile in the areas of performance marketing, e-commerce and mobile.” Adding he said, “Sanjay, who will be the country head of Neo@Ogilvy India, brings on board a good blend of e-retail and performance marketing expertise both in internet & mobile and is best positioned to build a leadership position for Neo India around this business focus, which we believe are the future high growth areas for digital agencies.”
Ramakrishnan has over 15 years experience across digital media, e-commerce, mobile, telecom and consumer technology. He moves in from Vizury where he was the GM for India, S.E. Asia and MENA; prior to this, he was SVP marketing at Myntra. He has also held senior marketing roles at Google, Intel, Geodesic and Worldspace.
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The aim is to recast Neo@Ogilvy as one of the most effective digital media companies in the country says Ramakrishnan
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OgilvyOne India president and country head Vikram Menon said, “We’re really excited with the JV with Smile Group. Strategically this fits perfectly into our plans to offer the best capability across digital to our clients. The Neo-Smile JV, with Sanjay at its helm, will do just that. He will ensure that Ogilvy is able to deliver the best across digital media, performance marketing, e-commerce and mobile.”
While OgilvyOne drives all digital strategy and creative services for clients in India, Neo@Ogilvy’s specific focus is on digital media, performance marketing, e-commerce and mobile marketing. Neo@Ogilvy’s client roster in India includes IBM, Diageo, British Airways, The Economist and The Which Group, among others.
On his appointment, Ramakrishnan said, “I am excited to be part of Ogilvy and drive this JV with the Smile Group. The aim is to recast Neo@Ogilvy as one of the most effective digital media companies in the country with a clear focus on performance marketing, mobile and e-commerce. I have been a marketer all my life and I believe there is a gap in the way paid digital media is intergrated with traditional marketing and communication.The goal is to change that through Neo@Ogilvy. End-to-end e-commerce solution is another unique offering that this JV brings to the table and I’m keen to use the skills I have to drive it.”
Digital
Content India 2026 opens with a copro pitch, a spice evangelist and a £10,000 prize for Indian storytelling
Dish TV and C21Media’s three-day summit puts seven ambitious projects before an international jury, and two walk away with serious development money
MUMBAI: India’s content industry gathered in Mumbai this March for Content India 2026, a three-day summit organised by Dish TV in partnership with C21Media, and it wasted no time making a statement. The event opened with a Copro Pitch that put seven scripted and unscripted television concepts before an international panel of judges, and by the end of it, two projects had walked away with £10,000 each in marketing prize money from C21Media to support development and international promotion.
The jury, comprising Frank Spotnitz, Fiona Campbell, Rashmi Bajpai, Bal Samra and Rachel Glaister, evaluated a shortlist that ranged from a dark Mumbai comedy-drama about mental health (Dirty Minds, created by Sundar Aaron) to a Delhi coming-of-age mystery (Djinn Patrol, by Neha Sharma and Kilian Irwin), a techno-thriller about a teenage gaming prodigy (Kanpur X Satori, by Suchita Bhatia), an investigative crime drama blending mythology and modern thriller (The Age of Kali, by Shivani Bhatija), a documentary on India’s spice heritage (The Masala Quest, hosted by Sarina Kamini), a documentary on competitive gaming (Respawn: India’s Esports Revolution, by George Mangala Thomas and Sangram Mawari), and a reality-horror competition merging gaming and immersive fear (Scary Goose, by Samar Iqbal).
The session was hosted by Mayank Shekhar.
The two winners were Djinn Patrol, backed by Miura Kite, formerly of Participant Media and known for Chinatown and Keep Sweet: Pray & Obey, with Jaya Entertainment, producers of Real Kashmir Football Club, also attached; and The Masala Quest, created and hosted by Sarina Kamini, an Indian-Australian cook, author and self-described “spice evangelist.”
The summit also unveiled the Content India Trends Report, whose findings made for bracing reading. Daoud Jackson, senior analyst at OMDIA, set the tone: “By 2030, online video in India will nearly double the revenue of traditional TV, becoming the main driver of growth.” He noted that in 2025, India produced a quarter of all YouTube videos globally, overtaking the United States, while Indians collectively spend 117 years daily on YouTube and 72 years on Instagram. Traditional subscription TV is declining as free TV and connected TV gain ground, forcing broadcasters to innovate. “AI-generated content is just 2 per cent of engagement,” Jackson added, “highlighting the dominance of high-quality human content. The key for Indian media companies is scaling while monetising effectively from day one.”
Hannah Walsh, principal analyst at Ampere Analysis, added hard numbers to the picture. India produced over 24,000 titles in January 2026 alone, with 19,000 available internationally. The country now accounts for 12 per cent of Asia-Pacific content spend, up from 8 per cent in 2021, outpacing both Japan and China. Key exporters include JioStar, Zee Entertainment, Sony India, Amazon and Netflix, delivering over 7,500 Indian-produced titles abroad each year. The top importing markets are Saudi Arabia, the UAE, Egypt, the United States and the Philippines. Scripted content dominates globally at 88 per cent, with crime dramas and children’s and family titles performing particularly strongly.
Manoj Dobhal, chief executive and executive director of Dish TV India, framed the summit’s ambition squarely. “Stories don’t need translation. They need a platform, discovery, and reach, local or global,” he said. “India produces more movies than any country, our streaming platforms compete globally, and our tech and creators win international awards. Yet fragmentation slows growth. Producers, platforms, and tech move in different lanes. We need shared spaces, collaboration, and an ecosystem where ideas, technology, and people meet. That is why we built Content India.”
The data, the pitches and the prize money all pointed to the same conclusion: India is not waiting for the world to discover its stories. It is building the infrastructure to sell them.
