Hindi
SRK meets Vicente Fox, discusses films, education and much more
MUMBAI: Bollywood is becoming popular across the globe with every passing day and one of the harbingers is actor Shah Rukh Khan whose almost all the movies get good responses internationally.
Recently, it was a moment of pride when former Mexican President Vicente Fox met SRK on the sets of Red Chillies Entertainment’ film Happy New Year. The film is being shot at RK Studios in Mumbai and Fox was accompanied there by his wife, Martha Fox and the current Mexican ambassador to India Jamie Nualart.
They discussed everything from Bollywood films, to things about Mexico and the importance of education. The meeting was organised by KidZania, in whose Indian franchise SRK owns about 26 per cent stake.
Fox said, “We have been visiting many places, but meeting SRK and talking to him we feel he is a great person. The set is fabulous and the activity is just amazing. We hope that Mr Shah Rukh Khan would visit us at Mexico some day. India is a great country with great people, he has always admired India. Also proud that KidZania is Mexican and I am glad that it has SRK’s blessings and that he is looking into the Indian franchise of this wonderful way of educating kids with entertainment.”
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
