Hindi
‘Finding Fanny’ wins at the BO
MUMBAI: Creature 3-D has not been appreciated. At 135 minutes, the film is found to be rather too long and taxing for a horror film with repetitive sequences. The makers have got carried away with their newfound creature.
The film opened to poor response and failed to improve on Saturday and Sunday. While its main face, Bipasha Basu, is out of favour with the audience, the Pakistani actor, Imran Abbas Naqvi, failed to make an impression. Also, 3-D is no more a novelty. It ended its opening weekend with Rs 10.7 crore. Not very encouraging.
Finding Fanny (English with dubbed Hindi version) did well at select multiplexes at major metros. In fact, it has done better than the other releases of the week, Creature 3-D. Deepika Padukone has proved to be the main attraction as well as the sustaining star in this film. The film has collected Rs 16.8 crore for its first weekend.
Mary Kom has remained below par despite much hype and gone the way most sports biopics do: mostly ignored. The film managed to collect Rs 42.2 crore in its first week, the drop having started after the opening weekend.
Raja Natwarlal proves to be a nonperformer at the box office with the audience rejecting the routine, run of the mill Emraan Hashmi fare dished out on regular basis. The film, which opened to poor response continued to be so through first week and, then, adding a mere Rs 2.75 crore in its second week to take its two week total to Rs 23.75 crore.
Hindi
Dhurandhar the revenge storms past Rs 1,000 crore in a week, rewrites box office records
Aditya Dhar’s spy thriller sets fastest run to Rs 1,000 crore with record-breaking weekday hold
MUMBAI: The box office has a new juggernaut—and it is moving at breakneck speed. Dhurandhar the revenge has smashed past the Rs 1,000 crore mark worldwide in just a week, clocking a staggering Rs 1,088 crore and resetting the rules of the blockbuster game.
Backed by Jio Studios and B62 Studios, and directed by Aditya Dhar, the spy action sequel opened to the biggest weekend ever for an Indian film globally—and then refused to slow down. Unlike typical tentpole releases that taper off after Sunday, this one powered through the weekdays with rare muscle, posting Rs 64 crore on Monday, Rs 58 crore on Tuesday, Rs 49 crore on Wednesday and Rs 53 crore on Thursday.
The numbers stack up to a formidable first-week haul. India collections stand at Rs 690 crore nett and Rs 814 crore gross, while overseas markets have chipped in Rs 274 crore, taking the worldwide total to Rs 1,088 crore in just eight days.
The film’s opening weekend alone delivered Rs 466 crore, laying the foundation for what is now being billed as the fastest climb to the Rs 1,000 crore club in Indian cinema. Every single day of its first week has set fresh benchmarks, from the highest opening weekend to the strongest weekday hold—metrics that typically separate hits from phenomena.
A sequel to the earlier hit Dhurandhar, the film has not just built on its predecessor’s momentum but obliterated previous records, emerging as the biggest global blockbuster run by an Indian film to date.
At this pace, the film is not merely riding a wave—it is creating one.
