Hindi
Anushka Sharma to appear in the next PK poster
MUMBAI: Aamir Khan is leaving no stone unturned in promoting his upcoming film PK. The first poster of PK garnered enough buzz in the market with the actor posing almost nude in the first look of the film.
In order to keep the buzz alive, it was being speculated that Khan will be looking at releasing about seven to eight posters of the film before the trailer. The posters until now have had Khan and the recent one had Sanjay Dutt as a part of it. It is only now that the leading lady of the film, Anushka Sharma revealed that she will be giving us a glimpse of her avatar in the film’s next poster.
Recently, the actress took to Twitter to talk about the release of the next poster of the film. She tweeted this video saying, “Mujhe tukur tukur dekhna hai? Toh pehle isse dekho” Sharma described that the next poster will be released on WhatsApp and it will only be available if you put up a phone number on a group of ten or more people.
Directed by Rajkumar Hirani and also produced by Hirani in association with Vidhu Vinod Chopra and UTV, PK also stars Sushant Singh Rajput and Boman Irani. The film is slated to release on December 19.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
