Film Production
Lionsgate extends deal with Emmett-Furla for 10 movies
MUMBAI: Lionsgate and its Grindstone Entertainment Group have extended their long-term partnership with Emmett/Furla Films for another 10 movies, several of which will be released through the newly-launched Lionsgate Premiere label.
Grindstone’s collaboration with Emmett/Furla has generated a string of successful star-driven event films, including the Bruce Willis, Josh Duhamel and Rosario Dawson action adventure Fire With Fire, the crime thriller Empire State, starring Dwayne ‘The Rock’ Johnson and The Hunger Games franchise’s Liam Hemsworth, and the serial killer thriller Frozen Ground, featuring Nic Cage and John Cusack.
The partnership’s eagerly-anticipated upcoming slate includes the heist film Bus 657, starring Robert DeNiro and Kate Bosworth, the CIA action thriller The Extraction, teaming Bruce Willis, Kellan Lutz and Gina Carano, and the thriller Daughter of God, featuring an all-star cast led by John Wick’s Keanu Reeves and Mira Sorvino. The first film to release through Lionsgate’s new Premiere specialty distribution label will be The Extraction.
“Grindstone is an important contributor to the Lionsgate Motion Picture Group, and they have established one of the industry’s most enviable track records of consistency and profitability as well as a dynamic pipeline of star-driven event films. We’re delighted to extend their productive collaboration with Emmett/Furla for another 10 films that we expect to be distinguished by the high-octane excitement, A-list talent and commercial success that have become their trademarks,” said Lionsgate co-chief operating officer and Motion Picture Group president Steve Beeks.
“Randall Emmett and George Furla are among the most consistently exciting film producers in the world today, and we’re thrilled to extend and expand our partnership for another 10 films. Emmett/Furla is recognized by audiences around the world as a truly global brand synonymous with big stars, box office excitement and outsized commercial results. Our pipeline of films from world-class producers like Randall and George, combined with our access to Lionsgate’s tremendous marketing and distribution infrastructure, is an unbeatable combination,” added Grindstone president Barry Brooker and Grindstone partner Stan Wertlieb.
“We’ve been part of the Lionsgate family since the earliest days of the studio, and our partnership has grown with their success. Lionsgate has emerged as a powerful creative force in the global marketplace, and we’re thrilled to continue our collaboration with Steve Beeks, Barry Brooker and the rest of the Lionsgate team as well as to help launch Lionsgate Premiere, the Company’s newest label,” said Emmett and Furla.
Emmett/Furla partnered with Lionsgate on the theatrical films Rambo, Wonderland, Narc and last year’s Escape Plan, starring Sylvester Stallone and Arnold Schwarzenegger in an action thriller that became a box office blockbuster in China and Russia on its way to grossing nearly $140 million around the world.
Film Production
Disney to cut 1,000 jobs under new chief executive
The entertainment giant’s freshly installed boss inherits a restructuring already in motion, with marketing and corporate roles bearing the brunt
CALIFORNIA: Walt Disney is preparing to slash up to 1,000 jobs in the coming weeks, the Wall Street Journal reported, as the entertainment giant’s freshly installed chief executive moves swiftly to trim fat and tighten the ship.
The cuts, less than 1 per cent of Disney’s global workforce of 231,000, will fall hardest on marketing and corporate roles. The planning, notably, began before D’Amaro formally took the top job in March, suggesting the new boss inherited a restructuring already in motion rather than one of his own making.
Driving the push is Asad Ayaz, Disney’s newly appointed chief marketing officer, who in January assumed command of a unified, company-wide marketing operation spanning film, television and streaming. His consolidation drive has been given a suitably cinematic internal name: Project Imagine.
The move is modest by Disney’s recent standards. Between 2023 and 2025, under former chief executive Bob Iger, the company eliminated roughly 8,000 positions across several brutal rounds of cuts, saving $7.5 billion, comfortably exceeding its own targets. As recently as June 2025, several hundred more jobs were axed across Disney Entertainment, hitting film and television marketing, publicity, casting, development and corporate finance.
Disney’s structural headaches are well-documented: shrinking streaming margins, a weakened box office, and fierce competition from Amazon and YouTube gnawing at its flanks. The company is merging its Disney+ and Hulu teams into a single app, has brought in consultants from Bain & Co to guide its broader cost strategy, and is betting heavily on digital growth.
The wider entertainment industry offers little comfort. Sony Pictures, Paramount and Warner Bros. Discovery have all taken the knife to their workforces in recent years, and further cuts loom if Paramount’s acquisition of Warner goes through.
For D’Amaro, the message is clear: there will be no honeymoon period. The magic kingdom still has some cost-cutting spells left to cast.
