English Entertainment
Colors Infinity to premiere ‘The Royals’ on 19 May
MUMBAI: Colors Infinity is all set to air British dramedy titled The Royals. The show will premiere on 19 May every Monday to Friday at 10 pm.
Commenting on the new show VP programming head of English entertainment Hashim D’Souza says, “The Royals is a unique spin on the lives of royalty. The entertaining and glamorous series makes for good storytelling, which reflects Colors Infinity’s core programming ideal of constantly introducing fresh and bold content. Queen Helena and her family will fit right in to the Indian context of familial ties and relationships.”
Elaborating on the marketing campaign, vice president marketing head of English entertainment Sabrina D’Souza says, “The Royals, being an internationally acclaimed series, fits right in to the Colors Infinity’s banner. The scale and grandeur of the series demands the extensive campaign that we have launched, with our marketing innovations and premium partnerships. We are taking the essence of the series and serving it to the consumers as a first-hand ‘Royal’ experience.”
Set in modern-day England, the show follows the lives of a fictional British Royal family who inhabit a world of opulence and regal tradition that caters to any and every desire, but one that also comes with the price tags of duty, destiny and intense public scrutiny. Prince Liam is thrust into the spotlight after the death of his older brother puts him next in line to the throne. When King Simonannounces that he is considering abolishing the monarchy the manipulative Queen Helena will do whatever it takes to remain in power. This elite drama stars the Elizabeth Hurley, who is back on the small screen with this series as the fierce and alluring Queen Helena along with William Moseley, Vincent Regan and Alexandra Park amongst others.
The channel has announced the show with an extensive and exhaustive campaign, including an innovative newspaper jacket cover on a leading daily. From billboard innovations with paparazzi flash-lights, resembling a red carpet walkthrough for the Royals to radio campaigns including special programming where the jockeys talking about the scandals of the Royal families of various countries,the campaign extends across markets to various cities. Apart from partnerships with premium salons and Hokey Pokey outlets, the channel has partnered with premium bars and pubs in Mumbai and Delhi for a royal themed party on the weekends.
The social media fans can look forward to a unique contest where the winner will not only receive a once-in-a-lifetime VIP experience in London, but will also get a glimpse of the Royal life at Buckingham Palace. Viacom18 network’s massive on-air reach further adds muscle to this integrated campaign, through spots on their popular channels like Comedy Central, Vh1 and MTV.
UK: The aerial is losing its grip. As broadband becomes the default way Britons watch television, the UK is edging towards a decisive, and divisive, question: should Freeview be switched off by 2034? The issue, highlighted in reporting by The Guardian, has exposed deep fault lines over access, affordability and the future of public service broadcasting.
For nearly 25 years, Freeview has delivered free-to-air television from the BBC, ITV, Channel 4 and Channel 5 to almost every corner of the country. Even now, it remains the UK’s largest TV platform, used in more than 16m homes and on around 10m main household sets. Yet the same broadcasters that built it are now pressing for its closure within eight years.
Their case rests on a structural shift in viewing. Smart TVs, superfast broadband and the Netflix-led streaming boom have pulled audiences online. Advertising economics have followed. By 2034, the number of homes using Freeview as their main TV set is forecast to fall from a peak of almost 12m in 2012 to fewer than 2m, making digital terrestrial television, or DTT, increasingly costly to sustain.
But critics say the rush to switch off risks abandoning those least able, or least willing, to move online.
“I don’t want to be choosing apps and making new accounts,” says Lynette, 80, from Kent. “It is time-consuming and irritating trying to work out where I want to be, to remember the sequence of clicks, with hieroglyphics instead of words. If I make a mistake I have to start again.”
Lynette is among nearly 100,000 people who have signed a “save Freeview” petition launched by campaign group Silver Voices. She fears the government is about to “take [Freeview] away from me and others who either don’t like, can’t afford, or can’t use online versions”.
Official figures underline the fault lines. A report commissioned by the Department for Culture, Media and Sport estimates that by 2035, 1.8m homes will still depend on Freeview. Ofcom’s analysis shows those households are more likely to be disabled, older, living alone, female, and based in the north of England, Wales, Scotland and Northern Ireland.
Freeview is owned by the public service broadcasters through Everyone TV, which also operates Freesat and the newer streaming platform Freely. After two years of review, DCMS is expected to set out its position soon, drawing on three options proposed by Ofcom: a costly upgrade of Freeview’s ageing technology; maintaining a bare-bones service with only core PSB channels; or a full switch-off during the 2030s.
The broadcasters have rallied behind the third option. They argue that 2034 is the logical cut-off, when transmission contracts with network operator Arqiva expire. By then, they say, the cost of broadcasting to a dwindling audience will far outweigh the returns from TV advertising.
Ofcom agrees a crunch point is approaching. In July, the regulator warned of a “tipping point” within the next few years, after which it will no longer be commercially viable for broadcasters to carry the costs of DTT.
Others see risks beyond economics. Questions remain over whether internet TV can reliably deliver emergency broadcasts, such as the daily Covid updates, in the way that universally available DTT can. The UK radio industry has also warned that an internet-only future for TV could push up distribution costs and force some radio stations off air if PSBs no longer share Arqiva’s mast network.
“It is a political hot potato,” says Dennis Reed, founder of Silver Voices, who says he has “dissociated” his organisation from the government’s stakeholder forum, which he believes is “heavily biased” towards streaming.
The Future TV Taskforce, representing the PSBs, counters that moving online could “close the digital divide once and for all”. “We want to be able to plan to ensure that no one is left behind,” a spokesperson says, adding that rising DTT costs could otherwise mean cuts to programme budgets.
The numbers show the scale of the challenge. Of the 1.8m Freeview-dependent homes projected for 2035, around 1.1m are expected to have broadband but not use it for TV. The remaining 700,000 are forecast to lack a broadband connection altogether.
Veterans of the analogue switch-off, completed in 2012 after 76 years, recall similar fears of “TV blackout chaos”. Around 6 per cent of households were labelled “digital refuseniks”, yet a targeted help scheme and a national campaign, fronted by a robot called Digit Al voiced by Matt Lucas, delivered a largely smooth transition.
This time, the BBC is less keen to foot the bill. Tim Davie, the outgoing director general, has said the corporation should not fund a comparable support programme for a Freeview switch-off.
Research for Sky by Oliver & Ohlbaum suggests that with early awareness campaigns and digital inclusion measures, only about 330,000 households would ultimately need hands-on help ahead of a 2034 shutdown.
Meanwhile, viewing habits continue to fragment. Audience body Barb says 7 per cent of UK households no longer own a TV set, choosing to watch on other devices. In December, YouTube overtook the BBC’s combined channels in total UK viewing across TVs, smartphones and tablets, albeit measured at a minimum of three minutes.
That shift may accelerate. YouTube has recently blocked Barb and its partner Kantar from accessing viewing session data, limiting transparency just as online platforms consolidate power.
“When the government chose British Satellite Broadcasting as the ‘winner’ in satellite TV it was Rupert Murdoch’s Sky instead that came out on top,” says a senior TV executive quoted by The Guardian. “There already is such an outsider ready to be the winner in the transition to internet TV; it is YouTube.”
Freeview’s future now hangs on a familiar British dilemma: modernise fast and risk exclusion, or protect universality and pay the price. Either way, the aerial’s days as king of the living room look numbered.
