I&B Ministry
Prasar Bharati looks at digitizing archives; to seek Rs 250 crore from govt
MUMBAI: Pubcaster Prasar Bharati is taking another stab at digitizing and monetising the huge archival content catalogue that is lying in the shelves of All India Radio and Doordarshan. And it is all set to make a formal request to the ministry of broadcasting and broadcasting (MIB) for nearly Rs 250 crore to help it achieve what it intends to do. It says included in this archive are prominent speeches of national leaders, popular programmes and music.
Prasar Bharati officials recently made a presentation to the MIB enumerating why it needs to do this. Sources say both Doordarshan and All India Radio have millions of hours of both audio and video content. In fact, All India Radio had digitized some of its content around a decade ago and even monetized some of it by selling CDs. The UK pubcaster BBC is amongst the world’s largest exporters of TV content with worldwide sales of around 400 million Euros. If Prasar Bharati manages even 10 per cent of that, it will more than recover its digitization costs.
The problem, however, is that its archive has not been maintained in the best manner and is on beta and VHS tapes, many of which could be damaged or unrecoverable. And some of it could be have been stolen or lost.
It is also looking at drafting a syndication policy to sell its content worldwide to other media outlets or online directly to consumers.
Says a media observer: “Hopefully, it takes up the task seriously this time and the MIB helps it see it through to conclusion. DD is in danger of becoming a dinosaur; digitisation will allow it to bring new legs to old content which a generation has not seen. It could be put out online or on mobile for consumption apart from finding customers for its clips worldwide.”
I&B Ministry
CBFC speeds up film certification; average approval time cut to 22 days
Over 71,900 films cleared in five years as digital system shortens approval timelines
MUMBAI:Â The Central Board of Film Certification (CBFC) has significantly reduced the time taken to certify films, with the average approval timeline now down to 22 working days for feature films and just three days for short films.
Operating under the Ministry of Information and Broadcasting, the statutory body certifies films for public exhibition in line with the Cinematograph Act, 1952 and the Cinematograph (Certification) Rules, 2024. The rules prescribe a maximum certification period of 48 working days, though the adoption of the Online Certification System has sharply accelerated the process.
Over the past five years, from 2020-21 to 2024-25, the board certified a total of 71,963 films across formats. Of these, the majority fell under the U category with 41,817 titles, followed by UA with 28,268 films and A with 1,878 films. No films were certified under the S category during the period.
Film approvals have also steadily risen in recent years. The CBFC cleared 8,299 films in 2020-21, a figure that peaked at 18,070 in 2022-23 before settling at 15,444 films in 2024-25. During the same period, 11,064 films were certified with cuts or modifications.
Despite the high volume of certifications, outright refusals remain rare. Only three films were denied certification over the last five years, with one refusal recorded in 2022-23 and two in 2024-25.
The board may recommend cuts or modifications if a film violates statutory parameters relating to the sovereignty and integrity of India, security of the state, friendly relations with foreign states, public order, decency or morality, defamation, contempt of court or incitement to an offence.
Filmmakers can challenge CBFC decisions in court. Data shows that such disputes remain limited but have seen some fluctuation. Between 2021 and 2025, a total of 21 certification decisions were challenged before High Courts, with the number rising to 10 cases in 2025.
Responding to a question in the Rajya Sabha, minister of state for information and broadcasting L. Murugan shared the data. The question was raised by Mallikarjun Kharge.
With faster timelines and a largely digital workflow, the certification process appears to be moving at a far brisker pace, signalling a shift towards quicker clearances for India’s growing film output.
