I&B Ministry
India to digitise all services, says I&B MoS Rathore
NEW DELHI: Minister of State for Information & Broadcasting Rajyavardhan Rathore has said that the government is making all efforts to digitalise the whole spectrum of services available to the citizens. He said that convergence of array of services to empower citizens through mobile technology was already happening.
Speaking after giving away the awards at the conclusion of the 47th International Film Festival of India in Panaji in Goa yesterday evening, Rathore said the Film Facilitation Office (FFO) set up by the government was a step towards facilitating single window clearance for filmmakers, promote India as a filming destination and provide the platform for film tourism in the country.
He said films were not only a means for entertainment but a powerful art form which heralded social change. He added that it was a testament to the power of fluency and persuasion that cinema was the only art form that is deemed fit to be regulated by an Act of Parliament.
The role of Cinema to bridge cultures was experienced in IFFI with the partnership between India and the focus country for the year 2016 – South Korea — through films which acted as gateway for further cultural exchanges.
Rathore said multiplexes had revolutionised the film-viewing experience with the top films grossing box office returns due to the multiplex boom. A paradigm shift in technology also enabled the mobile viewing boom in the country. This enabled individuals to shoot films based on one’s taste and perception of the given environment. This acted as a big fillip to young filmmakers and it was evident from the record number of entries at the Swachh Bharat Film Festival organised by the ministry.
(Speaking at another event earlier in the day, Rathore said IFFI provided a unique platform for experts from across the globe to share their behind the screen experiences and stories. The effort was to provide a rich experience for all the delegates and film fraternity.
Rathore said Films were an effective tool as a medium of communication and appreciated the efforts of NFAI in depicting the struggle of freedom fighters through this exhibition on cinema. Linking the issue of films with the demonetisation scheme of the Government, Rathore said this initiative of the Government would bring transparency in the film industry and would curb the use of black money.)
Iranian film “Daughter” bagged the Golden Peacock for best feature film at the Festival with a certificate and a cash prize amount of Rs Four million, shared between the Director and the Producer equally. Iranian actor Farhad Aslani won the ‘Best Actor’ award for his portrayal of the strict father in the same film, picking up the Silver Peacock and Rs 1 million in cash prize. The film had also won the best film award in the Moscow International Film Festival earlier this year.
The awards were given away by Rathore in the presence of the Goa governor Mridula Sinha, the chief minister Laxmikant Parsekar and the chief guest S S Rajamouli.
The ‘Best Director’ award was given to Baris Kaya for the film “Rauf”, who bagged the Silver Peacock Trophy and cash prize of Rs 1.5 million. Elina Vaska won the Best Actress Award for the film “Fellow Mud”, getting the Silver Peacock Trophy and cash Prize of Rs One million. The Special Jury award was given to Lee Joon-ik for the Direction of the movie “The Throne” with the Silver Peacock Award and a cash prize of Rs 1.5 million.
The ICFT –UNESCO Gandhi Medal was awarded to Turkish film maker Mustafa Kara’s ‘Cold of Kalandar’. This award, instituted by the International Council for Film & Television, Paris, and UNESCO is given to a film that portrays the Gandhian values of peace and harmony. ‘Cold of Kalandar’, set in a mountain village in the Black Sea region is also Turkey’s official entry for ‘Best Foreign Language Film’ category of Oscar Awards.
The Canadian multi-lingual entry ‘The Apology’ by Toronto based Tiffany Hsiung won the Special Mention under the ICFT-UNESCO Gandhi Medal competition. In all seven films, including an Indian film ‘Allama’ by T S Nagabharana, were in the fray for this award.
Earlier, Parsekar said that collaboration between the central and state governments and the film industry made this edition of IFFI a great success which not only promoted Indian Film Industry but also promoted Goa as a creative hub.
Rajamouli said the biggest beneficiaries of such film festivals are young filmmakers who gets a platform to see the best of films across the globe and learn from the vision of reputed film makers around the World.
I and B additional secretary Jayashree Mukherjee said IFFI besides showcasing films also provided a large number of avenues for learning in form of workshops and master classes.
The closing ceremony witnessed glitz and glamour through the scintillating musical performances representing a rich musical culture of India composed by Sachin Jigar.
I&B Ministry
CBFC speeds up film certification; average approval time cut to 22 days
Over 71,900 films cleared in five years as digital system shortens approval timelines
MUMBAI: The Central Board of Film Certification (CBFC) has significantly reduced the time taken to certify films, with the average approval timeline now down to 22 working days for feature films and just three days for short films.
Operating under the Ministry of Information and Broadcasting, the statutory body certifies films for public exhibition in line with the Cinematograph Act, 1952 and the Cinematograph (Certification) Rules, 2024. The rules prescribe a maximum certification period of 48 working days, though the adoption of the Online Certification System has sharply accelerated the process.
Over the past five years, from 2020-21 to 2024-25, the board certified a total of 71,963 films across formats. Of these, the majority fell under the U category with 41,817 titles, followed by UA with 28,268 films and A with 1,878 films. No films were certified under the S category during the period.
Film approvals have also steadily risen in recent years. The CBFC cleared 8,299 films in 2020-21, a figure that peaked at 18,070 in 2022-23 before settling at 15,444 films in 2024-25. During the same period, 11,064 films were certified with cuts or modifications.
Despite the high volume of certifications, outright refusals remain rare. Only three films were denied certification over the last five years, with one refusal recorded in 2022-23 and two in 2024-25.
The board may recommend cuts or modifications if a film violates statutory parameters relating to the sovereignty and integrity of India, security of the state, friendly relations with foreign states, public order, decency or morality, defamation, contempt of court or incitement to an offence.
Filmmakers can challenge CBFC decisions in court. Data shows that such disputes remain limited but have seen some fluctuation. Between 2021 and 2025, a total of 21 certification decisions were challenged before High Courts, with the number rising to 10 cases in 2025.
Responding to a question in the Rajya Sabha, minister of state for information and broadcasting L. Murugan shared the data. The question was raised by Mallikarjun Kharge.
With faster timelines and a largely digital workflow, the certification process appears to be moving at a far brisker pace, signalling a shift towards quicker clearances for India’s growing film output.
