Hollywood
Star Wars: Complete Saga is back on Star Movies!
MUMBAI: Star Wars: Episode I – The Phantom Menace is starting on 14 January at 12 noon, and Star Wars: Episode II – Attack of the Clones on 15 January at the same time.
From 1977 to 2017, Star Wars, a space film series created by George Lucas of “a long time ago in a galaxy far, far away” famous for its innumerable fans following The Complete Saga religiously. In first place this film series has multiple characters and secondly each character has its own little or big story which draws attention of the viewers.
There are so many facts about the Star wars that people love to debate. Merchandise like light saber, T-shirts, Star Wars Character figurines and bobble heads have always remained I the shelves of every 90s kid until now. With the Star Wars Saga making a comeback on Star Movies, a quikc look at some of the mind boggling facts of the Star Wars Saga.
. Anthony Daniels, who voiced C3P0 and climbed into the tin suit, is the only actor to appear in all 8 Star Wars films
. Bail Organa and Yoda step into the hallway of Organa’s ship and have a nice coversation about being rebels or something in Sith. It’s the actual ship that Darth Vader boards to capture Princess Leia Organa in the start of A New Hope.
. Clones age TWICE as fast as normal.
. According to Animation Director Rob Coleman, not a single clone trooper suit was ever built. Every single clone trooper seen in the film is computer generated, with motion capture performed by ILM employees, wearing only the helmet and sometimes the footwear of the suit. The rest is complete CG.
. In Jedi, listen very carefully as Darth Vader picks up the Emperor and throws him down the Death Star shaft. This is the only time the Jedi theme music plays over a shot of Vader, reflecting his return to the light side of the Force.
. Princess Leia was subject to one of the most famous ad libs in cinema history – that being Han Solo’s response to her declaration of love – “I know”. Harrison Ford apparently made it up at Irvine Kershner’s suggestion. Leia got to return the line in Jedi during the Battle of Endor.
Hollywood
Did the ballet and opera controversy cost Timothée Chalamet his Oscar?
The actor’s ‘dying art forms’ comments may have danced away his Oscar chances.
LOS ANGELES: Last night, the 98th Academy Awards delivered a performance that wasn’t in the script, as Michael B. Jordan clinched the Best Actor statue, leaving Timothée Chalamet’s widely predicted win to pirouette away into the night. While Chalamet was long considered the frontrunner for his starring turn in Marty Supreme, many are whispering that a singular, ill-timed performance, not on screen but on the campaign trail, may have rewritten the finale.
For months, the narrative surrounding the race had a singular star, Chalamet, the critics’ darling and the bookies’ bet. However, the closing numbers saw a dramatic plot twist. Chalamet found himself upstaged not just by his fellow nominees but by the ghost of public opinion, following remarks he made during a Variety and CNN actor-on-actor conversation in February.
What started as a breezy discussion turned distinctly frosty when Chalamet, the conversation’s designated trendsetter, took aim at some classical institutions. “I don’t want to be working in ballet or opera, where no one is interested anymore,” he said, before branding them “dying art forms.”
The backlash was swift and, unfortunately for Chalamet’s campaign, star-studded. For the film industry, an establishment that often fancies itself as the glamorous custodian of the high arts, the actor’s comments didn’t just strike a bum note. They sounded like a discordant symphony. Academy heavyweights, including Jamie Lee Curtis, Whoopi Goldberg and Steven Spielberg, publicly voiced their disapproval. Spielberg himself countered that the “cinematic experience” and classical performance are bound by a similar dedication to audience engagement, effectively suggesting that Chalamet’s view was perhaps a bit too modern for its own good.
The conversation quickly became a media maelstrom. In a masterstroke of high-culture clapback, renowned ballerina Misty Copeland didn’t just issue a statement. The Academy even choreographed a surprise performance by her for the ceremony itself, a powerful, wordless rebuttal that many saw as a direct riposte to Chalamet’s dismissive claims. Even regional arts institutions joined the choreography. The Seattle Opera offered a cheeky “TIMOTHEE” discount, granting a 14 percent markdown to prove that people do, in fact, care.
Did this cultural counterpoint truly cost Chalamet his win? While some industry insiders argue that Michael B. Jordan’s complex dual performance in Sinners, a performance that also swept the SAG Awards, had simply built up too much momentum, the timing of Chalamet’s comments was undeniably poor. Coming as final Oscar voting began, they arguably soured his narrative and made a vote for him feel, to some, like a vote against artistic unity.
Even the ceremony itself wasn’t finished with the narrative. Host Conan O’Brien, whose sharp tongue is a celebrated feature of these galas, didn’t miss a beat. “Security is extremely tight tonight,” O’Brien jibed during his opening monologue, glancing toward the front row. “I’m told there are concerns about attacks from both the opera and ballet communities. They’re just mad you left out jazz!”
The laughter that followed was pointed, a final public curtain call for a controversy that Chalamet likely wished had closed weeks ago. Whether it was a case of genuine peer disapproval, a sudden surge in support for Jordan’s powerhouse performance, or simply a case of poor footwork on the campaign stage, the ballet and opera debacle has now cemented its place in Oscar history. Chalamet’s experience serves as a clear memo to future contenders. Even when you are the headline act, a solo performance can still fall flat if you forget to play to the entire house.
