Special Report
Sony Six: gunning for pole position
MUMBAI: If you saw the 2013 film Rush about the fierce rivalry between 70s Formula One racing drivers James Hunt and Niki Lauda, Sony Six seems to be getting into the fast lane too now along with arch rival Star Sports.
Not only does the channel have a diverse sports bouquet on offer, it boasts some of the biggest international sporting properties including The Pepsi Indian Premiere League (IPL), UEFA EURO 2016, Qualifiers for UEFA EURO 2016, European Qualifiers for 2018 FIFA World Cup Russia, Total Non-Stop Action (TNA), The Australian Open Tennis Championship, The NBA, The Ultimate Fighting Championship (UFC) as well as The Indian Open Super Series and The India Open Grand Prix Gold in badminton.
Yes, arch rival Star Sports has some hot cricket properties featuring India’s official team and other niche Indian sports tournaments, but the idea at Sony Six is to stand out from the competition and break the clutter by bringing in a wide array of sports which have their own loyal fan base.
Says Sony Six business head Prasana Krishnan: “We believe in picking up sports that have a lot of latent potential – like basketball – as we really believe that in terms of infrastructure, it’s easily available all over the country and will slowly gain popularity.”
As for content like UFC and TNA, he reasons that traditionally, the country has always had an active fight sports culture, with some of the best international performances emanating from this sphere.
Sony Six has a full programming slate with a good mix of sports and is also making a statement in terms of content acquisition with back-to-back announcements of global sporting properties.
Speaking of the rights’ acquisition of the FIFA World Cup 2014 and 2018, Krishnan expounds: “If we look at the trend in ratings, every time there is a big event like a EURO or FIFA, we see tremendous growth in interest for football in the country. So, keeping that aspect in mind, football is really an area that has not been explored to its full potential thus far.”
Sony Six is looking to position itself as the home for international football for the next five years. “So be it whichever country that is playing like France, Germany, Argentina or Spain. Every time any of these countries play, the viewers get an opportunity to see their favorite stars and it helps build the brand and audience base further,” adds Krishnan.
Besides, the channel has big plans for a 360 degree marketing campaign to promote FIFA comprising outdoor, print, digital, radio and television. “Six will be the main platform for the on-air promotion and we will also use the whole Sony network to spread the awareness. It’s too early to elaborate on the product as it is still six months away, but we will surely make it viral,” explains Krishnan.
Kicking off Sony Six’s events’ calendar is the channel’s very first live international sporting event – India’s tour of New Zealand starting this Sunday, with five ODIs and two test matches.
“Our portfolio for the current year is quite extensive, starting off with India’s tour of New Zealand, followed by FIFA, then European Central Qualifiers and the Australian Open. Thus, if you see in terms of competition, we certainly consider ourselves among the top sports broadcasters in the country. And all this in just under a year,” says Krishnan.
At just 10 per cent, consumption of other sports vis-?-vis cricket is very marginal, leaving a wide space for other sports to build on their following.
“The Indian market is huge and the way it’s structured is enormous; there is certainly potential in this country for various sports beyond cricket, and we as a channel would like to cash in on this opportunity,” stresses Krishnan.
Are there any plans to infiltrate Hindi speaking markets (HSMs)? “Well, we certainly have a lot of plans in the pipeline as we want to penetrate into that market as well and I know it has been a recent trend for running simulcast of events with Hindi and English commentary. But if you just go back in time, Sony has already tried and tested this proposition during last year’s IPL. So if things work well, I really don’t see any problem in doing so. We have taken the rights for multiple languages’ broadcast as well,” concludes Krishnan.
MUMBAI: Some friendships are made in heaven; others are coded in Mumbai. Hamara Vinayak, the first-ever digital original from Siddharth Kumar Tewary’s Swastik Stories, turns the divine into the delightful, serving up a story that’s equal parts start-up hustle and spiritual hustle.
Some tech start-ups chase unicorns. This one already has a god on board. Hamara Vinayak takes the leap from temple bells to notification pings and it does so with heart, humour and a healthy dose of the divine.
At its core, the show asks a simple but audacious question: what if God wasn’t up there, but right beside you, maybe even debugging your life over a cup of chai?
The show’s tagline, “God isn’t distant… He’s your closest friend” perfectly captures its quirky soul. Across its first two episodes, screened exclusively for media in Mumbai, the series proves that enlightenment can come with a good punchline.
The series follows a group of ambitious young entrepreneurs running a Mumbai-based tech start-up that lets people around the world book exclusive virtual poojas at India’s most revered shrines. But as their app grows, so do their ethical grey zones. Into this chaos walks Vinayak, played with soulful serenity and sly wit by the charming Namit Das, a young man whose calm smile hides something celestial.
He’s got the peaceful look of a saint but the wit of someone who could out-think your favourite stand-up comic. Around him spins a crew of dream-driven youngsters – Luv Vispute, Arnav Bhasin, Vaidehi Nair and Saloni Daini who run a Mumbai-based tech start-up offering devotees across the world the chance to book “exclusive” poojas at India’s most sacred shrines. It’s a business plan that blends belief and broadband – and, as the story unfolds, also tests the moral compass of its ambitious founders.
“The first time I read the script, I found the character very pretty,” Namit joked at the post-screening interaction. “It’s a beautiful thought that God isn’t distant, he’s your closest friend. And playing Vinayak, you feel that calm but also his cleverness. He’s the friend who makes you think.”
The reactions to the series ranged from smiles to sighs of wonder. Viewers were charmed by the show’s sincerity and sparkle, a quality that stems from its creator’s belief that faith can be funny without being frivolous.
Among the cast, Luv Vispute shines brightest, his comic timing adding sparkle to the show’s more reflective beats. But what keeps Hamara Vinayak engaging is the easy rhythm of its writing – one moment touching, the next teasing, always gently reminding us that spirituality doesn’t have to be solemn.
Luv spoke fondly of his long association with Swastik. “Since my first show was with Swastik, this feels like home,” he said. “Every project with them is positive, feel-good, and this one just had such a different vibe. I truly feel blessed.”
Saloni Daini, who brings infectious warmth to her role, added that she signed up the moment she heard the show was about “Bappa.”
“We shot during the Ganpati festival,” she recalled. “The energy on set was incredible festive, faithful, and full of laughter. It’s such a relatable story for our generation: chaos, friendship, love, kindness, and faith all mixed together.”
Vaidehi Nair and Arnav Bhasin complete the ensemble, each representing different shades of ambition and morality in the start-up’s journey. Their camaraderie is easy and believable, a testament to how much the cast connected off-screen as well.
This clever fusion of mythology and modernity plays to India’s two enduring loves, entertainment and faith. Mythology has long been the comfort zone of Indian storytellers, from the televised epics of the 1980s to the glossy remakes that still command prime-time TRPs. For decades, gods have been our most bankable heroes. But Hamara Vinayak tweaks the formula not by preaching, but by laughing with its characters, and sometimes, at their confusion about where divinity ends and data begins.
Creator Siddharth Kumar Tewary, long hailed as Indian television’s myth-maker for shows like Mahabharat, Radha Krishn and Porus, explained the show’s intent with characteristic clarity, “This is our first story where we are talking directly to the audience, not through a platform,” he said. “We wanted to connect young people with our culture to say that God isn’t someone you only worship; He’s your friend, walking beside you, even when you take the wrong path. The story may be simple, but the thought is big.”
That blend of philosophy and playfulness runs through the show. “We had to keep asking ourselves why we’re doing this,” Tewary added. “It’s tricky to make something positive and spiritual for the OTT audience, they’ve changed, they want nuance, not sermons. But when the purpose is clear, everything else aligns.”
For the creator of some of Indian TV’s most lavish spectacles, Hamara Vinayak marks a refreshing tonal shift. Here, Tewary trades celestial kingdoms for co-working spaces and cosmic battles for office banter. Yet his signature remains: an eye for allegory, a love for faith-infused storytelling, and an understanding that belief is most powerful when it feels personal.
Hamara Vinayak, after all, feels less like a sermon and more like a conversation over chai about what success means, what faith costs, and why even the gods might be rooting for a start-up’s Series A round.
As Namit Das reflected during the Q&A, “Life gives us many magical, divine moments we just forget to notice them. Sometimes even through a phone screen, you see something that redirects you. That’s a Vinayak moment.”
The series also mirrors a larger cultural pivot. As audiences migrate from television to OTT, myth-inspired tales are finding new form and flexibility online. The digital screen lets creators like Tewary reinvent the genre, giving ancient ideas a modern interface, without losing the emotional charge that’s made mythology India’s storytelling backbone for decades.
In a country where faith trends faster than any hashtag, Hamara Vinayak feels both familiar and refreshingly new, a comedy that’s blessed with heart, humour and just enough philosophy to keep the binge holy.
For a country where mythology remains the oldest streaming service, Tewary’s move from TV to OTT feels both natural and necessary. Indian storytellers have always turned to gods for drama, guidance and TRPs from Ramayan and Mahabharat on Doordarshan to glossy mytho-dramas on prime time. But digital platforms allow creators to remix reverence with realism, and in Hamara Vinayak, faith gets an interface upgrade.
The result is a show that feels like a warm chat with destiny, part comedy, part contemplation. And in an age of cynicism, that’s no small miracle.
As Tewary put it, smiling at his cast, “The message had to be positive. We just wanted to remind people that even in chaos, God hasn’t unfriended you.”
With 5 episodes planned, Hamara Vinayak promises to keep walking that fine line between laughter and light. It’s mythology with memes, devotion with dialogue, and a digital-age reminder that even the cloud has a silver lining or perhaps, a divine one.
If the first two episodes are any sign, the show doesn’t just bridge heaven and earth, it gives both a Wi-Fi connection.
