Regional
Bengali film viewing has dropped: CII & IMRB report
KOLKATA: Majority of Bengali film viewers in Kolkata have not been in theatres in the last one year to watch a Bengali film, despite proliferation of multiplexes. However, it is interesting to note that in the districts, around two thirds have visited movie theaters to catch a Bengali film, but the frequency of visits are quite low, not even three films in a year, reveals a report ‘Bengal Bioscope: A Big Picture Outlook for Sustainable Growth’ launched jointly by the Confederation of Indian Industry (CII) and IMRB.
The report further reveals that around 30 per cent of Bengali cinema viewers do not contemplate watching a Bengali film in a hall in near future and an additional 10 per cent have stopped watching Bengali films on big screens in the last one year.
This is further corroborated by IMRB’s primary survey of 35 single screen theatres across Kolkata and West Bengal revealing 30 per cent occupancy on weekends and around 20 per cent on weekdays.
The tastes and preference of viewers in Kolkata and rest of Bengal are quite different which is echoed by only handful of releases successfully straddling both geographies.
While original engaging content, a larger pool of good actors and directors and better in hall experience can drive Bengalis back to cinema halls.
The report was launched at CII Big Picture Summit – Vision Bengal, 2014 on 12 December. The CII has partnered with IMRB International to conduct a study on Bengali film industry that focuses on understanding the emerging business models, importance of internet and innovative viewer engagement methods that are vital for the growth of the industry.
As a part of this project, IMRB conducted a first of its kind consumer survey across eight districts in urban West Bengal to learn the changing nature of film viewership and the general perception of Bengali films among its target audience. In addition to the consumer survey, a series of interviews were conducted to understand the trade insights of the film industry through in depth interactions with producers, actors, directors, distributors, exhibitors and broadcasters of Bengali cinema, it is further learnt.
“With the increasing investment in infrastructure and production as well as growing consumer interest in regional cinema, we see a very bright future for Bengali film industry which has always been a flag bearer of creative excellence. The study encompasses the key constituents of the industry – producers, creative artists, distributors- as well the opinions of consumers who decide the fate of the creative products,” said IMRB International SVP media & retail Hemant Mehta.
CII director General Chandrajit Banerjee said, “CII’s vision is to take the Indian Media and Entertainment sector towards achieving $100 billion by the year 2020. We expect that this growth will also come from regional media and entertainment markets across India.”
“Regional is the new national and it fits well for the media and entertainment sector. Bengali Cinema has an enviable past and it continues to be one of the most vibrant regional film industries in the country,” Banerjee concluded.
Regional
GTC Punjabi launches Sweety Beauty Parlour, a bold small-town drama
New show blends ambition, love and grit in a story rooted in Punjab’s heart
MOHALI: GTC Punjabi has premiered its latest fiction series, Sweety Beauty Parlour, a coming-of-age drama that places the dreams and dilemmas of small-town Punjabi women firmly in the spotlight.
Airing from today at 6:30 PM, Monday to Friday, the show follows Sweety, a young woman determined to build her own beauty parlour and carve out an independent life despite social pressures that quietly push her to aim lower. The narrative blends ambition, love and vulnerability, offering a portrait that feels both intimate and familiar.
At the heart of the story is the dynamic between Sweety, played by Mannat, and Goldy, portrayed by Navdeep. Their relationship adds emotional texture to the show, shifting between warmth, tension and tenderness as their lives intertwine.
The series is directed by Gaurav Rana, known for his work on acclaimed Punjabi films Chauser and Mohre. Rana brings a cinematic sensibility to television, with a focus on character depth and understated storytelling. The beauty parlour setting becomes more than just a backdrop, doubling as a space where personal stories unfold and unspoken truths surface.
Speaking about the show, GTC Network founder and MD Rabindra Narayan said, “Sweety is not a character. She is every girl from every small Punjabi town who has sat in her room at night and imagined a bigger life and then woken up the next morning and actually tries to build it. Gaurav Rana has brought cinematic craft to this story that Punjabi television has never quite seen. Mannat and Navdeep make you believe every word. We are proud of this show the way you are proud of something that tells the truth.”
The launch also signals a broader content push by GTC Punjabi. The network has announced a new singing reality show, Surtaaj of Punjab, and confirmed additional fiction series and short film projects in development, pointing to an ambitious programming slate ahead.
Available across DTH platforms and streaming services including JioTV and YuppTV, the show is positioned to reach both domestic and global Punjabi audiences.
With Sweety Beauty Parlour, GTC Punjabi appears to be betting on authenticity over spectacle, telling stories that feel lived-in rather than staged, and in doing so, giving voice to a generation that refuses to shrink its dreams.
