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Technicolor launches 3D broadcast services
MUMBAI: Technicolor has launched what it says is the first independent broadcast services platform ready to broadcast 3D channels out of its Chiswick facility in London.
Technicolor has developed its Broadcast 3D service offering to ensure optimal viewing and distribution technologies are being used. The company is now ready to offer this service to its cable, television, and satellite network service provider clients.
Technicolor’s Digital Content Delivery business president Chuck Parker says, “With the availability of 3D televisions, we are very excited to be the first to offer this new Broadcast 3D service to our customers. Broadcast 3D is a natural extension of the many services we’re already providing, including upstream in production and post production, as well as delivering the highest quality 3D images to theatres and to the home via Blu-ray Disc, broadcast, and digital delivery.”
Technicolor is able to manage live or pre-recorded content, from post production through encoding for satellite, cable, IPTV or terrestrial distribution. The company is also able to generate logos and other visual effects for 3D broadcasts. The Broadcast 3D transmission suite at Technicolor’s Chiswick Park offices features equipment from Sensio, Orad and Miranda.
Technicolor offers a variety of 3D services to its content creator customers. In addition to Broadcast 3D, the company provides a low cost and high quality film-based theatrical 3D solution, services for Blu-ray 3D, automated 3D subtitling, and auto-stereoscopic content delivery on mobile phones.
Applications
With 57 per cent single new users, Ashley Madison rebrands as discreet dating platform
Platform says majority of new members now identify as single
INDIA: Ashley Madison is shedding the “married-dating” label that defined it for two decades, repositioning itself as a platform for discreet dating in what it calls the post-social media age.
The rebrand, unveiled in India on 27 February, 2026, marks a structural shift in business model and identity. Once synonymous with married dating, the company now describes itself as the “premier destination for discreet dating” under a new tagline: Where Desire Meets Discretion.
The pivot is data-driven. Internal figures show that 57 per cent of global sign-ups between 1 January and 31 December, 2025 identified as single: a notable departure from the platform’s married core. The company argues that its community has already evolved beyond its original positioning.
“In an age where our lives have been constantly put on public display, privacy has become the new luxury,” said Ashley Madison chief strategy officer Paul Keable. He framed the platform’s offering as “ethical discretion” for singles, separated, divorced and non-monogamous users seeking private connections.
The shift also taps into wider digital fatigue. A global survey conducted by YouGov for Ashley Madison, covering 13,071 adults across Australia, Brazil, Canada, Germany, India, Italy, Mexico, Spain, Switzerland, the UK and the US, found mounting discomfort with hyper-public online lives.
Among dating app users, 30 per cent cited constant swiping and messaging as a source of fatigue, while 24 per cent pointed to pressure to curate public-facing profiles and early personal disclosure. Some 27 per cent said fears of screenshots or information being shared contributed to exhaustion; an equal share cited unwanted attention.
The retreat from oversharing appears broader. According to the survey, 46 per cent of adults actively try to keep most aspects of their life private online. Only 8 per cent feel comfortable sharing most aspects publicly, while 35 per cent say they are becoming more selective about what they disclose.
Ashley Madison is betting that this cultural recalibration towards controlled visibility can be monetised. By doubling down on privacy infrastructure and reframing itself around discretion rather than infidelity, the company is attempting to convert reputational baggage into a premium proposition.
