English Entertainment
LF presents MasterChef Australia season 8 now in hindi
MUMBAI: From transforming taste buds around the world, MasterChef Australia is a show that needs no introduction.A cult show that inspires many to don their chef hats and fasten their aprons, the show has inspired many and brought international kitchen and cooking style closer to home. Capturing the excitement, delicacies and trepidation of the participants, LF-the reputed lifestyle entertainment brand with a presence in TV, Digital and Events brings MasterChef Australia Season 8 to the Indian turf in Hindi. LF is the only channel to have the rights for the current season of MasterChef Australia and promises to provide mass entertainment to the Indian audience with this popular franchise with a Hindi language feed as well.
Roping in celebrated guests who have enriched the industry with their creditworthy contributions, prepare to be excited as seasoned icons such as Nigella Lawson, Marco Pierre White, Jason Atherton, Maggie Beer, Heston Blumen and Kylie Kwong become regulars on your television screens. This season will also welcome Luke Nguyen, Curtis Stone, Peter Gilmore, Javier Plascencia, Flynn McGarry and Victor Liong with their recipes to be replicated on the show – an absolute honour for the Chefs and a dream come true for the contestants.
With LF at the helm of captivating content, MasterChef Australia Season 8 is the perfect addition to their bouquet,splendid and marvelous to say the least. Enticing Indian audiences to open up to a world of international terminology and recipes, this show is an opportunity for LF’s Indian viewers to not miss out on quality international content. Whether be it with words like ‘sous vide’, ‘roux’, ‘deglaze’, ‘ballotine’, ‘macerate’,or ‘bisque’ or new recipes, impressive descriptions and informative techniques that could make it to your kitchen and drawing room conversations; LF invites its viewers on a journey – of learning and wholesome entertainment
Presented in a reality show format, each season of MasterChef Australia has featured the exploits of 24 individuals as they compete in a series of cooking challenges to win the title of "MasterChef", prize money of $250,000 and a feature column in the monthly cooking magazine "DELICIOUS".Like its previous editions on LF, this season too promises to leave you wanting more amongst the challenges and immunity tests, as it gets tougher than before.
Watch as the clock ticks and the contestants whip up delectable dishes to impress the world loved trio of Gary, Matt and George as they look for the best – amongst the best. With a mixture of both indoor and outdoor challenges, Masterchef Australia Season 8 promises to keep the culinary curious audience in India entertained and engrossed as you guess who will be eliminated next.
Hold on to that immunity pin and get set to ace that pressure test or mystery box challenge along with your favorite contestants, only on LF.
English Entertainment
The end of Freeview? Britain debates switching off aerial tv by 2034
UK: The aerial is losing its grip. As broadband becomes the default way Britons watch television, the UK is edging towards a decisive, and divisive, question: should Freeview be switched off by 2034? The issue, highlighted in reporting by The Guardian, has exposed deep fault lines over access, affordability and the future of public service broadcasting.
For nearly 25 years, Freeview has delivered free-to-air television from the BBC, ITV, Channel 4 and Channel 5 to almost every corner of the country. Even now, it remains the UK’s largest TV platform, used in more than 16m homes and on around 10m main household sets. Yet the same broadcasters that built it are now pressing for its closure within eight years.
Their case rests on a structural shift in viewing. Smart TVs, superfast broadband and the Netflix-led streaming boom have pulled audiences online. Advertising economics have followed. By 2034, the number of homes using Freeview as their main TV set is forecast to fall from a peak of almost 12m in 2012 to fewer than 2m, making digital terrestrial television, or DTT, increasingly costly to sustain.
But critics say the rush to switch off risks abandoning those least able, or least willing, to move online.
“I don’t want to be choosing apps and making new accounts,” says Lynette, 80, from Kent. “It is time-consuming and irritating trying to work out where I want to be, to remember the sequence of clicks, with hieroglyphics instead of words. If I make a mistake I have to start again.”
Lynette is among nearly 100,000 people who have signed a “save Freeview” petition launched by campaign group Silver Voices. She fears the government is about to “take [Freeview] away from me and others who either don’t like, can’t afford, or can’t use online versions”.
Official figures underline the fault lines. A report commissioned by the Department for Culture, Media and Sport estimates that by 2035, 1.8m homes will still depend on Freeview. Ofcom’s analysis shows those households are more likely to be disabled, older, living alone, female, and based in the north of England, Wales, Scotland and Northern Ireland.
Freeview is owned by the public service broadcasters through Everyone TV, which also operates Freesat and the newer streaming platform Freely. After two years of review, DCMS is expected to set out its position soon, drawing on three options proposed by Ofcom: a costly upgrade of Freeview’s ageing technology; maintaining a bare-bones service with only core PSB channels; or a full switch-off during the 2030s.
The broadcasters have rallied behind the third option. They argue that 2034 is the logical cut-off, when transmission contracts with network operator Arqiva expire. By then, they say, the cost of broadcasting to a dwindling audience will far outweigh the returns from TV advertising.
Ofcom agrees a crunch point is approaching. In July, the regulator warned of a “tipping point” within the next few years, after which it will no longer be commercially viable for broadcasters to carry the costs of DTT.
Others see risks beyond economics. Questions remain over whether internet TV can reliably deliver emergency broadcasts, such as the daily Covid updates, in the way that universally available DTT can. The UK radio industry has also warned that an internet-only future for TV could push up distribution costs and force some radio stations off air if PSBs no longer share Arqiva’s mast network.
“It is a political hot potato,” says Dennis Reed, founder of Silver Voices, who says he has “dissociated” his organisation from the government’s stakeholder forum, which he believes is “heavily biased” towards streaming.
The Future TV Taskforce, representing the PSBs, counters that moving online could “close the digital divide once and for all”. “We want to be able to plan to ensure that no one is left behind,” a spokesperson says, adding that rising DTT costs could otherwise mean cuts to programme budgets.
The numbers show the scale of the challenge. Of the 1.8m Freeview-dependent homes projected for 2035, around 1.1m are expected to have broadband but not use it for TV. The remaining 700,000 are forecast to lack a broadband connection altogether.
Veterans of the analogue switch-off, completed in 2012 after 76 years, recall similar fears of “TV blackout chaos”. Around 6 per cent of households were labelled “digital refuseniks”, yet a targeted help scheme and a national campaign, fronted by a robot called Digit Al voiced by Matt Lucas, delivered a largely smooth transition.
This time, the BBC is less keen to foot the bill. Tim Davie, the outgoing director general, has said the corporation should not fund a comparable support programme for a Freeview switch-off.
Research for Sky by Oliver & Ohlbaum suggests that with early awareness campaigns and digital inclusion measures, only about 330,000 households would ultimately need hands-on help ahead of a 2034 shutdown.
Meanwhile, viewing habits continue to fragment. Audience body Barb says 7 per cent of UK households no longer own a TV set, choosing to watch on other devices. In December, YouTube overtook the BBC’s combined channels in total UK viewing across TVs, smartphones and tablets, albeit measured at a minimum of three minutes.
That shift may accelerate. YouTube has recently blocked Barb and its partner Kantar from accessing viewing session data, limiting transparency just as online platforms consolidate power.
“When the government chose British Satellite Broadcasting as the ‘winner’ in satellite TV it was Rupert Murdoch’s Sky instead that came out on top,” says a senior TV executive quoted by The Guardian. “There already is such an outsider ready to be the winner in the transition to internet TV; it is YouTube.”
Freeview’s future now hangs on a familiar British dilemma: modernise fast and risk exclusion, or protect universality and pay the price. Either way, the aerial’s days as king of the living room look numbered.








