GECs
IBN7 goes on Ram Ki Khoj with a special series
MUMBAI: One of the world’s most popular epic, Ramayana has always been an integral part of the Indian mythology. From generations, it has been told and retold through TV series, movies, cartoons and animation films. And now, IBN7, India’s channel of impact, is all set to explore Sri Lanka with its new series – Ram Ek Khoj recalling the legends and tales associated with the island nation and the Ramayana.
From someone claiming to have supernatural powers and being descendant of Ravana to miraculous waters of the stream next to Ashok Vatika, from the places indicating the existence of Ravana and Lord Hanuman to validating whether a city of gold actually existed, this special series will showcase these and many similar mysteries for the first time in the history of Indian news channels. The channel has lined up five one-hour episodes that attempts to discover and decode the mysteries that have been around for centuries.
Focussing on the historical significance of places, people and culture of Sri Lanka along with the religious relevance, the IBN7 team will also connect with locals who worship Ravana as their deity.
MUMBAI: Lights, camera… connection because this time, the game isn’t just about winning, it’s about who’s with you. Sony Pictures Networks India is gearing up to launch a new reality game show, Tum Ho Naa, expanding its unscripted slate with a format that promises both emotion and engagement.
The show will premiere soon on Sony Entertainment Television and stream on Sony LIV, with Rajeev Khandelwal stepping in as host. Known for his measured screen presence and selective choices, Khandelwal’s return to television adds a layer of familiarity and credibility to the upcoming format.
While specific details of the gameplay remain under wraps, the positioning suggests a reality format that leans as much on emotional resonance as it does on competition, an increasingly popular blend in Indian television, where audiences are gravitating towards content that offers both stakes and storytelling.
Khandelwal, reflecting on his return, noted that his choices have often been guided by instinct rather than convention, describing Tum Ho Naa as a project that feels “close to the heart”. His association also signals Sony’s continued focus on anchoring new formats with recognisable faces who bring both relatability and depth.
The launch comes at a time when broadcasters are doubling down on original non-fiction formats to drive appointment viewing, even as digital platforms expand parallel reach. By placing the show across both linear television and OTT, Sony appears to be aiming for a dual-audience strategy capturing traditional viewers while engaging digital-first consumers.
As the countdown to premiere begins, Tum Ho Naa positions itself not just as another game show, but as a reminder that sometimes, the biggest prize on screen isn’t the jackpot, it’s the journey shared along the way.
