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FX and FX HD to premiere Lilyhammer

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MUMBAI: FX, the English entertainment channel is all geared up to premiere the first episode of the series Lilyhammer. The series airs on 10 December 2015 at 10 pm and revolves around Frank, a New York mobster played by Steven Van Zandt.

The lead is seen trying to start a new life in isolated Lillehammer, Norway as part of the Witness Protection Program after testifying against his former mafia associates. 

 

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Frank Tagliano (Van Zandt), a former underboss of the American Mafia, is placed in the Federal Witness Protection Program after testifying in a trial against Aldo Delucci (Thomas Grube), the new Mafia head who had ordered a hit on him after succeeding his recently deceased brother, Sally Boy Delucci. Frank requests that he be relocated to Lillehammer, where he believes no one will look for him. His new identity is Norwegian-American immigrant Giovanni “Johnny” Henriksen. On a train journey from Oslo to Lillehammer, Johnny impresses teacher Sigrid Haugli (Marian Saastad Ottesen), her son Jonas (Mikael Aksnes-Pehrson), and a man who later turns out to be a civil supervisor. However, soon he starts to feel lost in Lillehammer.

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English Entertainment

Ellison takes his Paramount-Warner Bros case straight to theater owners

The Skydance chief goes to CinemaCon with promises and a skeptical crowd waiting

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CALIFORNIA: David Ellison strode into a room packed with thousands of cinema owners and executives at CinemaCon in Las Vegas on Thursday and did something rather bold: he looked them in the eye and asked them to trust him.

The chief executive of Paramount Skydance vowed that his company would release a minimum of 30 films a year if regulators greenlight its proposed $110 billion acquisition of Warner Bros Discovery, a deal that has made theater owners deeply, and loudly, nervous.

“I wanted to look every single one of you in the eye and give you my word,” Ellison told the crowd. “Once we combine with Warner Bros, we are going to make a minimum of 30 films annually across both studios.”

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It was a confident pitch. Whether it landed is another matter. Cinema operators have already called on regulators to block the deal, and scepticism in the room was hardly concealed.

Ellison pushed back by pointing to recent form. Paramount, born from the merger of Paramount Global and Skydance Media last August, plans to release 15 films this year, nearly double the eight it put out in 2025. Progress, he argued, was already underway.

He also threw theater owners a bone they have long been chasing: all films, he pledged, would run exclusively in cinemas for a minimum of 45 days, drawing applause from a crowd that has spent years fighting for exactly that commitment across the industry.

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“People can speculate all they want,” Ellison said, “but I am standing here today telling you personally that you can count on our complete commitment. And we’ll show you we mean it.”

Fine words. The regulators, however, will have the last one.

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