Movies
Bhojpuri Cinema now available on Tata Sky and Den Network
The No.1 Bhojpuri Movie Channel – Bhojpuri Cinema,hasstrengthened its distribution with India’s leading Direct to air platform – Tata sky. With Tata Sky,Bhojpuri Cinema will now benefit with deep penetration across the regions of the country. This move will gradually fortify the channel’s position in other markets also, making it easily available for discerning viewers throughout the country.
Bhojpuri Cinema is now available on Tata sky Channel No. 1115.
Apart from the new DTH entry, the channel is also now available on Den network in the state of UP/Uttarakhand,Bihar & Jharkhand on channel number 827.
With these associations, Bhojpuri Cinema will mark the beginning of new prospects for the channel in terms of increased viewership, new audience base, robust expansion plan, etc. The channel will engage with viewers and trade partners locally and nationally through a multimedia campaign across multiple platforms.
Amongst the Bhojpuri regional channel in Bihar & Jharkhand, Bhojpuri cinema derives a 26 percent of market share in 4 plus TG.
Bhojpuri Cinema is the only Bhojpuri channel that delivers round the clock entertainment with the scheduling of 42 fresh Bhojpuri movies every week including world television premiers. Its library of over 350 Bhojpuri movies is the biggest Bhojpuri movie library of the world.
Bhojpuri Cinema is available across DTH platforms such as Tata Sky,Airtel, DD Free Dish, Dish TV along with all cable operators of the region.
Speaking on the occasion, Enter 10 Television Pvt. Ltd, Founder and Managing Director, Mr. Manish Singhal said, “We are happy to announce our availability on Tata Sky and Den Network, which allows the channel to immediately grow its reach across the geography. We are confident that our content will be thoroughly enjoyed by the new audiences, further enhancing our reach and position. Strengthening our distribution is a strategic move which will not only widen our audience base and popularity but will also give better value to our advertisers.”
Enter 10 Television Pvt. Ltd. (ETPL) is an Indian media and entertainment company based in Indore, Madhya Pradesh, India. The company’s founder and managing director is Mr. Manish Singhal. The Company has 4 channels serving Indian content across India. Enter 10 Television Pvt. Ltd. was incorporated 11 March 2004. Enterr10 Television, the flagship channel of Enter10 Television Pvt. Ltd. was launched in October 2006. Then it came out with three channels namely Dangal, which is a General Entertainment channel, Bhojpuri Cinema, which is a 24 hours Bhojpuri Movie channel &Fakt Marathi , which is a 24 hours Marathi Movie channel.
Hollywood
Disney to cut 1,000 jobs in major restructuring drive
Layoffs span ESPN, studios and tech as company pivots to growth
MUMBAI: The magic isn’t disappearing but it is being reorganised. The Walt Disney Company has announced plans to cut around 1,000 jobs as part of a sweeping restructuring effort aimed at sharpening its edge in an increasingly unpredictable entertainment landscape. The move, led by CEO Josh D’Amaro, reflects a broader internal reset as the company rethinks how it operates, allocates resources and competes in a fast-evolving industry. In a memo to employees, D’Amaro acknowledged the difficulty of the decision but framed it as a necessary step to ensure Disney remains “efficient, innovative, and responsive” to rapid shifts in consumer behaviour and technology.
The layoffs will span multiple divisions, including marketing, film and television studios, ESPN, technology teams and corporate functions. Notifications have already begun, signalling that the restructuring is not a distant plan but an active transition underway.
Importantly, the company has clarified that the cuts are not performance-driven. Instead, they form part of a wider transformation strategy aimed at building a leaner, more agile organisation, one better equipped to respond to streaming dynamics, digital disruption and evolving audience expectations.
The timing is telling. The global entertainment industry is in the middle of a structural shift, with traditional television revenues under pressure and box office returns becoming increasingly volatile. Meanwhile, streaming platforms and digital-first competitors continue to redraw the rules of engagement, forcing legacy players to rethink scale, speed and storytelling formats.
For Disney, long synonymous with blockbuster franchises and timeless storytelling, the pivot is both strategic and symbolic. The company is doubling down on technology, direct-to-consumer services and content ecosystems that align with modern viewing habits, where audiences expect immediacy, personalisation and cross-platform experiences.
Even as the restructuring unfolds, D’Amaro struck a note of optimism, reiterating Disney’s commitment to creativity and long-term growth. Support measures for affected employees are expected as part of the transition, though details remain limited.
In essence, this is less about cutting back and more about reshaping forward. As Disney redraws its organisational map, the message is clear, in today’s entertainment world, even the most magical kingdoms must evolve or risk being left behind.
