GECs
Zee posts higher Q3 revenue, but profit takes a slight hit
MUMBAI: Zee Entertainment Enterprises Limited (ZEEL) may trade in drama for a living, but its latest quarterly script proves the real fireworks are unfolding off-screen, somewhere between a London arbitration court and a crowded regulatory inbox.
On 22 January 2026, the broadcaster unveiled its third-quarter numbers for the period ended 31 December 2025, revealing a curious mix of rising revenue, sliding margins and a billion-dollar legal bouncer that refuses to be ducked.
The loudest noise came from Zee’s ongoing face-off with JioStar India Private Limited (formerly Star India) over ICC men’s cricket broadcasting rights. What was meant to be a partnership has turned into a full-blown legal test match at the London Court of International Arbitration, with JioStar claiming a staggering $1.003 billion, or roughly Rs 84,000 million, in damages for alleged breaches of the Alliance Agreement. Zee, however, insists the ball is firmly in the other court, counter-claiming $8.06 million plus interest and maintaining that JioStar itself violated contractual terms. Management has described the claims as legally untenable and unlikely to cause any material financial damage, even as proceedings continue
The financial script for the quarter ended 31 December 2025 shows a plot twist in profitability:
. Revenue from operations: Climbed to Rs 21,486 million, up from Rs 18,478 million in the previous quarter.
. Total income: Reached Rs 21,607 million, a healthy rise from the Rs 18,692 million seen in the sequential quarter.
. The profit pinch: Despite the top-line growth, net profit for the quarter sat at Rs 1,116 million, a slight dip compared to the Rs 1,260 million recorded in the same period last year.
. Exceptional items: The company recorded a restructuring cost of Rs 94 million during the quarter, relating to employee terminations and internal reshuffling.
Away from the balance sheet, regulatory and legal challenges continue to stack up. The Securities and Exchange Board of India has issued multiple show cause notices, the most recent dated 16 January 2026, alleging violations related to historical investments in inter-corporate deposits. Zee maintains that these amounts were fully provided for several years ago. A separate notice from August 2025, concerning an alleged property lien dating back to the 2018–19 financial year, has prompted the company to file a settlement application to avoid protracted litigation.
In other scenes from the boardroom:
. GST Dispute: Zee is contesting a Rs 1,736 million demand from indirect tax authorities regarding input tax credits.
. Insolvency Scuffles: The company is currently defending an application by IDBI Bank at the NCLT for initiation of insolvency proceedings, which Zee is vigorously seeking to dismiss.
. Studio Woes: Its subsidiary, Zee Studios Limited, is battling the cancellation of a land lease in Jaipur by RIICO, though management believes they have a “strong legal position” to reclaim the plot.
As the board, chaired by Uttam Prakash Agarwal, signed off the results after a meeting lasting nearly three and a half hours, the broader picture became clear. Viewership is improving, revenues are rising and digital subscriptions are gaining ground, but legal battles and swelling costs are stealing the spotlight. Whether Zee can quieten the courtroom noise and restore margin sparkle remains the unresolved cliffhanger heading into the next fiscal chapter.
MUMBAI: Lights, camera… connection because this time, the game isn’t just about winning, it’s about who’s with you. Sony Pictures Networks India is gearing up to launch a new reality game show, Tum Ho Naa, expanding its unscripted slate with a format that promises both emotion and engagement.
The show will premiere soon on Sony Entertainment Television and stream on Sony LIV, with Rajeev Khandelwal stepping in as host. Known for his measured screen presence and selective choices, Khandelwal’s return to television adds a layer of familiarity and credibility to the upcoming format.
While specific details of the gameplay remain under wraps, the positioning suggests a reality format that leans as much on emotional resonance as it does on competition, an increasingly popular blend in Indian television, where audiences are gravitating towards content that offers both stakes and storytelling.
Khandelwal, reflecting on his return, noted that his choices have often been guided by instinct rather than convention, describing Tum Ho Naa as a project that feels “close to the heart”. His association also signals Sony’s continued focus on anchoring new formats with recognisable faces who bring both relatability and depth.
The launch comes at a time when broadcasters are doubling down on original non-fiction formats to drive appointment viewing, even as digital platforms expand parallel reach. By placing the show across both linear television and OTT, Sony appears to be aiming for a dual-audience strategy capturing traditional viewers while engaging digital-first consumers.
As the countdown to premiere begins, Tum Ho Naa positions itself not just as another game show, but as a reminder that sometimes, the biggest prize on screen isn’t the jackpot, it’s the journey shared along the way.
