GECs
Zee, Kher square up for further battle after court verdict
The courts have decided for the present but the battle lines are still drawn between peeved actor Anupam Kher and Zee Telefilms over his summary dismissal from the flop game show Sawaal Dus Crore Ka.
After the Mumbai High Court on Wednesday turned down his petition against Zee, Kher is now exploring options of filing a damage or a defamation suit against Zee. “I have left it all to my lawyers. They will decide whether it will be a damage suit or defamation suit, or to apply for compensation according to the arbitration clause in the letter the court has given us,” Kher said at a hurriedly called press meet in New Delhi on Thursday.
Zee, meanwhile, served a legal notice on Kher on Thursday asking him to apologise within 10 days for allegedly making defamatory statements against the company or face a Rs1,000 million defamation suit. It states that Kher had defamed the company in the press by saying the studio set up for the game show allegedly did not have proper electricity and that the programme was bad.
He had also allegedly said there was no coordination between the organisers and participants. The contract did not provide for any of the parties to talk to the press regarding the game show, Zee sources added.
SDCK will air its last episode on Friday with Kher and Manisha Koirala as hosts before taking a break to possibly emerge in a new avatar.
MUMBAI: Lights, camera… connection because this time, the game isn’t just about winning, it’s about who’s with you. Sony Pictures Networks India is gearing up to launch a new reality game show, Tum Ho Naa, expanding its unscripted slate with a format that promises both emotion and engagement.
The show will premiere soon on Sony Entertainment Television and stream on Sony LIV, with Rajeev Khandelwal stepping in as host. Known for his measured screen presence and selective choices, Khandelwal’s return to television adds a layer of familiarity and credibility to the upcoming format.
While specific details of the gameplay remain under wraps, the positioning suggests a reality format that leans as much on emotional resonance as it does on competition, an increasingly popular blend in Indian television, where audiences are gravitating towards content that offers both stakes and storytelling.
Khandelwal, reflecting on his return, noted that his choices have often been guided by instinct rather than convention, describing Tum Ho Naa as a project that feels “close to the heart”. His association also signals Sony’s continued focus on anchoring new formats with recognisable faces who bring both relatability and depth.
The launch comes at a time when broadcasters are doubling down on original non-fiction formats to drive appointment viewing, even as digital platforms expand parallel reach. By placing the show across both linear television and OTT, Sony appears to be aiming for a dual-audience strategy capturing traditional viewers while engaging digital-first consumers.
As the countdown to premiere begins, Tum Ho Naa positions itself not just as another game show, but as a reminder that sometimes, the biggest prize on screen isn’t the jackpot, it’s the journey shared along the way.
