GECs
What keeps Life Ok ticking…?
MUMBAI: In December 2011, when Star India launched its second Hindi GEC christened Life OK, the network made a promise to its viewers that through the channel they will see not only different but also out-of-the-box content.
And keeping to it, the channel is launching a new show wherein the wife is the “other” woman. Gustakh dil portrays the life of a simpleton (Laajo) from a village whose husband (Nikhil) continues to be madly in love with his childhood sweetheart (Ishana).
Commenting on how the show stands apart from the rest Life OK general manager Ajit Thakur asserts, “Disruption has always been a key thrust for us at Life OK and with Gustakh Dil we are aiming to bring out the other side of a love triangle. We are confident that people will accept this unique storyline and will appreciate our modest attempt at providing quality entertainment.”
This is not for the first time that the channel has tried to do something different. In the past too, the channel has tried to grab eyeballs through it shows. It recently launched a reality crime-based show Police Dial 100 where the channel took a completely different track. Here, the team from Endemol follows policemen in Delhi, as they attempt to solve crimes and face different situations.
“Police Dial 100 is Life OK’s effort to delve deeper into the functioning of law enforcing agencies and capturing on camera the highly stressful lives of our police forces lead”, Thakur had expressed earlier during the show’s launch in Delhi.
Apart from it, another major property by the channel has been Savdhan India. However, one cannot deny that the crime based shows have done well for the genre.
On the other hand, unlike the other channels which have failed to garner ratings and viewership through mythology, the channel struck gold with its mythological show – Mahadev – which is the most popular show on the channel.
HavasMedia, MD, Mohit Joshi emphasis on it and adds, “Mahadev has set the grounding for the channel. And with good production quality and new shows every now & then, the channel has been able to grow significantly as well as make a mark for itself in the market. What even sets it apart from sister-concern Star Plus is the fact that it’s more contemporary.”
What is interesting is that the channel not only brings out innovative shows but also has interesting FPCs. On 23 June, the channel showed non-stop 12 hours of fresh content comprising of crime, terror, mythology programming and Bollywood movies. Life OK plans to make it a regular initiative at least once a month as it feels that such kind of experimentation will make it a game changer. Before baara-se-baara, it had experimented with 6 a.m. – 6 p.m. and that too had worked well with the channel.
Moreover, Life OK has acquired the format of the popular US reality dating game show The Bachelor and has commissioned the Zodiak owned SOL Productions to produce the Indian version – The Bachelorette India – Mere Khayalon ki Mallika which is expected to be on-air in September.
“The series will strengthen Life OK’s programming and set another benchmark in quality entertainment”, states Thakur optimistically.
However, Helios Media MD Divya Radhakrishnan resounds, “Though Life OK has been taking a lot of initiatives to make a name for itself among the leading Hindi GECs, it still has to do a lot more. Today the Hindi GEC cluster is leaving no stone unturned to come up with new shows, but are not moving any boulders. It’s just like any other GEC.”
MUMBAI: Lights, camera… connection because this time, the game isn’t just about winning, it’s about who’s with you. Sony Pictures Networks India is gearing up to launch a new reality game show, Tum Ho Naa, expanding its unscripted slate with a format that promises both emotion and engagement.
The show will premiere soon on Sony Entertainment Television and stream on Sony LIV, with Rajeev Khandelwal stepping in as host. Known for his measured screen presence and selective choices, Khandelwal’s return to television adds a layer of familiarity and credibility to the upcoming format.
While specific details of the gameplay remain under wraps, the positioning suggests a reality format that leans as much on emotional resonance as it does on competition, an increasingly popular blend in Indian television, where audiences are gravitating towards content that offers both stakes and storytelling.
Khandelwal, reflecting on his return, noted that his choices have often been guided by instinct rather than convention, describing Tum Ho Naa as a project that feels “close to the heart”. His association also signals Sony’s continued focus on anchoring new formats with recognisable faces who bring both relatability and depth.
The launch comes at a time when broadcasters are doubling down on original non-fiction formats to drive appointment viewing, even as digital platforms expand parallel reach. By placing the show across both linear television and OTT, Sony appears to be aiming for a dual-audience strategy capturing traditional viewers while engaging digital-first consumers.
As the countdown to premiere begins, Tum Ho Naa positions itself not just as another game show, but as a reminder that sometimes, the biggest prize on screen isn’t the jackpot, it’s the journey shared along the way.
