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Western Digital collaborates with ‘Jawan’ as the official digital storage partner

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Mumbai: Western Digital has partnered with Red Chillies Entertainment as the official storage partner for the film ‘Jawan’, starring Shah Rukh Khan, Nayanthara, Vijay Sethupathi, and Deepika Padukone (in a special appearance).

The Jawan team trusted the premium and pro-grade storage solutions from SanDisk Professional brand for editing, post-production, and backup needs of this exciting action thriller.  With the help of SanDisk Professional products, the filmmakers efficiently handled an enormous amount of data—over thousand terabytes—with remarkable ease and dependability.

Western Digital – senior director – marketing – India Middle East and TIA Jaganathan Chelliah said, “We’re thrilled to join forces with Red Chillies Entertainment, once again, for their film Jawan. Shot in various location across India, Jawan movie is very rich with its extraordinary visuals. Their creative team needed a digital storage solution that can catalog several terabytes of video footage for seamless postproduction work. I am glad that our SanDisk Professional storage products were able to help them accomplish the task and deliver excellent content.”

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The partnership reinforces Western Digital’s promise to provide high-quality and highly reliable storage solutions that cater to intense workload requirements, such as movie production.

Western Digital senior director- sales India Khalid Wani said, “We are excited to partner with a movie like Jawan. I am pleased that through our brand SanDisk professional we are offering specialized high-performance, scalable, and reliable storage solutions that enable Jawan team to actualize their aspirations and inspire others.”

Western Digital and Red Chillies Entertainment had previously joined forces for acclaimed films such as Darlings, Happy New Year, Bob Biswas and Dilwale. SanDisk Professional storage solutions are the go-to brand for Bollywood’s media and entertainment industry and are purpose-built to empower the biggest inspiration.

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Jawan is one of the most ambitious films, produced at a never seen before scale for an Indian film, it is backed by an exceptional cast, including some of the biggest names in the entertainment industry from all parts of India along with Shah Rukh Khan starting from, Nayanthara, and Vijay Sethupathi in lead roles, and Deepika Padukone in a special appearance, along with Sanya Malhotra, Priyamani, Girija Oak, Sanjeeta Bhattacharya, Lehar Khan, Aaliyah Qureshi, Ridhi Dogra, Sunil Grover and Mukesh Chhabra will be seen in pivotal roles, broadening its appeal to audiences across all Indian languages, making it a true PAN India film Jawan is a Red Chillies Entertainment presentation, directed by Atlee, Produced by Gauri Khan and co-produced by Gaurav Verma. The film released worldwide on 7 September in Hindi, Tamil and Telugu languages.

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Remembering Gyan Sahay, the lens behind film, television and advertising

From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.

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MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.

A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.

For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.

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His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.

On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.

In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.

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Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.

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