I&B Ministry
Waves anti-piracy challenge sparks digital security revolution
MUMBAI: Piracy is the digital equivalent of sneaky pickpocketing—except here, it’s entire films, shows, and creative works vanishing into the dark web. But India has decided to put an end to this digital thievery with the Waves anti-piracy challenge, an ambitious initiative aimed at safeguarding digital content in an era where technology evolves faster than your favourite streaming algorithms. Organised as part of the Create in India Challenges, this competition has drawn a staggering 1,296 registrations, proving that fighting piracy is not just a noble cause—it’s an urgent one.
The challenge, backed by the ministry of information and broadcasting in partnership with the Confederation of Indian Industry (CII), zeroes in on fingerprinting and watermarking technologies to combat unauthorised distribution, piracy, and content manipulation. And it’s not just a contest; it’s a digital battleground where individuals, research teams, startups, and established organisations are vying to create the ultimate piracy-proof tech.
A core segment of the World Audio Visual and Entertainment Summit (Waves), this anti-piracy initiative is set to unfold in Mumbai from 1-4 May 2025, where the global media & entertainment (M&E) industry will converge to witness the next wave of content protection. With four key pillars—Broadcasting and infotainment, AVGC XR (Animation, Visual Effects, Gaming, Comics, Extended Reality), digital media and innovation, and films—this summit is India’s bold declaration that it’s ready to lead the fight against digital piracy.
Why does it matter? Because piracy is no longer just about grainy bootleg DVDs or sketchy torrent sites—it’s an evolving beast that threatens content creators and industries alike. The Waves Anti-Piracy Challenge is a clarion call to India’s brightest minds, encouraging them to develop indigenous solutions that will protect digital content integrity.
The create in India challenges have already attracted over 73,000 registrations, a testament to the country’s booming interest in media security. With a clear focus on fingerprinting and watermarking, this initiative aims to:
. Provide a launchpad for homegrown companies to showcase their security solutions.
. Foster novel techniques that improve digital content traceability and protection.
. Ensure seamless integration of anti-piracy technologies into media workflows.
. Support the development of cutting-edge solutions addressing both current and future piracy challenges.
Piracy has evolved from sneaky DVD sellers at traffic signals to sophisticated cyber operations threatening billion-dollar industries. India’s response? Unleashing an army of innovators through Waves. This initiative ensures that content creators—from Hindi cinema studios to indie game developers—can secure their intellectual property with robust, state-of-the-art technologies.
As the Waves summit approaches, anticipation builds for the groundbreaking ideas that will emerge. Supported by industry leaders, policymakers, and tech pioneers, this challenge doesn’t just showcase innovation—it paves the way for real-world applications that will safeguard India’s digital future.
I&B Ministry
CBFC speeds up film certification; average approval time cut to 22 days
Over 71,900 films cleared in five years as digital system shortens approval timelines
MUMBAI: The Central Board of Film Certification (CBFC) has significantly reduced the time taken to certify films, with the average approval timeline now down to 22 working days for feature films and just three days for short films.
Operating under the Ministry of Information and Broadcasting, the statutory body certifies films for public exhibition in line with the Cinematograph Act, 1952 and the Cinematograph (Certification) Rules, 2024. The rules prescribe a maximum certification period of 48 working days, though the adoption of the Online Certification System has sharply accelerated the process.
Over the past five years, from 2020-21 to 2024-25, the board certified a total of 71,963 films across formats. Of these, the majority fell under the U category with 41,817 titles, followed by UA with 28,268 films and A with 1,878 films. No films were certified under the S category during the period.
Film approvals have also steadily risen in recent years. The CBFC cleared 8,299 films in 2020-21, a figure that peaked at 18,070 in 2022-23 before settling at 15,444 films in 2024-25. During the same period, 11,064 films were certified with cuts or modifications.
Despite the high volume of certifications, outright refusals remain rare. Only three films were denied certification over the last five years, with one refusal recorded in 2022-23 and two in 2024-25.
The board may recommend cuts or modifications if a film violates statutory parameters relating to the sovereignty and integrity of India, security of the state, friendly relations with foreign states, public order, decency or morality, defamation, contempt of court or incitement to an offence.
Filmmakers can challenge CBFC decisions in court. Data shows that such disputes remain limited but have seen some fluctuation. Between 2021 and 2025, a total of 21 certification decisions were challenged before High Courts, with the number rising to 10 cases in 2025.
Responding to a question in the Rajya Sabha, minister of state for information and broadcasting L. Murugan shared the data. The question was raised by Mallikarjun Kharge.
With faster timelines and a largely digital workflow, the certification process appears to be moving at a far brisker pace, signalling a shift towards quicker clearances for India’s growing film output.
