iWorld
Vod users in the US tuning in to reality shows: Study
MUMBAI: US market research firm Scarborough Research, which works in the area of identifying the shopping, media and lifestyle patterns of Americans, has released an analysis of video-on-demand (VOD) users – those consumers who live in households that used VOD during the past month.
The analysis found that VOD users are 27 per cent more likely than all consumers to cite reality programmes as a television genre that they typically watch.
Across America seven per cent of consumers live in a household that used VOD during the past month. VOD users are 24 per cent more likely to tune in to music videos. 22 per cent more likely than all consumers to watch news magazine shows, science fiction (21 per cent more likely) and dramas (18 per cent more likely), round out the top television genres among VOD users as compared to the general population.
Today’s VOD users hail from upscale, young families. According to the Scarborough analysis, VOD users are 27 per cent more likely than all consumers to be between the ages 18-24; 20 per cent more likely to have two or more children in the household; and more than twice as likely as all consumers to have an annual household income of more than $150,000. VOD users are 27 per cent more likely than all consumers to be African-American.
VOD users are avid consumers of entertainment and information technologies. VOD users are 50 per cent more likely than all consumers to spend 20 or more hours online weekly. They have high-speed Internet connections, and are more likely than all consumers to have a cable modem, DSL or wireless Internet connection. VOD users are 38 per cent more likely than all consumers nationally to have purchased something on the Internet in the past year. 39 per cent of VOD users use online services for travel reservations and 47 per cent of VOD users use on-line services for news. VOD users are almost three times as likely as all consumers to have purchased pay-per-view (PPV) five or more times during the past year.
When it comes to advertising categories, home improvement is a top category among VOD users. 73 per cent of VOD users live in a household that has bought hardware, building, paint, or lawn and garden items in the past year. They are 15 per cent more likely than all consumers across the US to have spent $3,000 or more on all home improvements in the past year.
iWorld
Veto onboards B4U Network channels to boost its entertainment offering
Partnership adds films, music and regional fare as platform sharpens its large-screen pitch
NEW DELHI: Veto is stacking its content deck. The family-first CTV-focused OTT platform has onboarded B4U Network, plugging in a slate of Bollywood, music and regional programming to widen its appeal in India’s living rooms.
The tie-up brings B4U Movies, B4U Music, B4U Kadak and Bhojpuri+ onto Veto, offering a broader mix of films, songs and vernacular content aimed at diverse audience cohorts. The move is designed to deepen engagement and nudge growth as competition in connected TV heats up.
Ritu Dhawan, managing director, Veto, framed the partnership as a scale play. “At Veto, our vision is to redefine large-screen entertainment for Indian households by creating a trusted, free, and unified viewing experience. Partnering with B4U Network strengthens our ability to offer deeply engaging and regionally relevant content, helping us connect more with audiences across India,” Dhawan said. “As we grow, our focus remains on delivering relevant, high-quality entertainment that families can enjoy together.”
The integration is expected to expand Veto’s audience base while improving content discovery and depth. The platform positions itself as a no-login, large-screen-first service, bundling live TV, news, sports, movies, music, podcasts and on-demand programming into a single interface tailored for connected TVs.
As streaming fragments and screens multiply, Veto is betting on aggregation and simplicity. More content, fewer clicks, broader reach—the pitch is clear, and the living room is the battleground.
