iWorld
Value of Rs 499 plan not limited to Radhe, says Zee5’s Manish Kalra
KOLKATA: The Covid2019 pandemic has rewritten many rules of the media and entertainment sector. One of the most noticeable trends has been direct-to-digital releases throughout 2020 in India as well as globally. While Salman Khan’s upcoming blockbuster Radhe was supposed to release in theatres only, it has turned out to be the first film in India to take multi-format route. With the moving coming to be showcased on Zee5, the platform has rolled out a new yearly subscription pack at Rs 499, bundling Radhe to boost its subscriber base.
The OTT has also scored 50+ theatrical releases across languages for the year. Moreover, it will launch 40-50 original shows throughout 2021. Hence, the entertainment value of the new plan is much higher than only one view of Radhe, Zee5 India chief business officer Manish Kalra said.
Inquired about the promotion plans for the new subscription plan, it is all about Salman Khan and his equity, Kalra commented. “Obviously Radhe is a big driver. Indian consumers have been starved of good quality content for last few months with such a big blockbuster coming and consumer getting access to it, we want to ensure that we are able to reach out to all the fan of the franchise and give them this high value package. That will happen 360 degrees – that is TV or digital or any medium where the consumers are. We want to ensure we send the message out that with Radhe, they also get access to the entire library,” he noted.
“The assumption is if you are a fan and you want to buy a good value added package, you will buy the subscription and watch it. The objective remains to leverage the asset to create a win-win situation for all of us. Consumers get to watch content from the comfort of their home, we get to tie-up with new users and it kind of becomes a long-term relation for us,” said Kalra when asked if the plan will increase the subscriber base of the platform.
Along with a wider library, Zee5 is looking at a deeper language library too. The platform is focusing highly on Bengali, Tamil, Telugu, Kannada market and will launch original series, movies, bring theatrical releases. Kalra is of the view that the next round of growth for Zee5 will come from these markets. While Hindi continues to lead, Telugu, Bengali, Tamil are the highest growing languages for the platform in terms of consumption, time spent, number of users coming in.
To reach the hinterlands of India, the streamer is not only strengthening its content library but looking at financial inclusion. It entered a partnership with retail network Sahaj to get access to more than 76,000 gram panchayats, and over 96,000 tier-3 and tier-4 rural locations. Kalra said more such retail partnerships are in offing.
“The objective is to reach out to people in a format they are comfortable with. The intent from our perspective is to enable the users, empower them with more and more access whether it is through their internet provider or telecom provider or they directly want to pay and subscribe. The objective remains how we reach more and more users across India,” he noted.
iWorld
Asha Bhosle, the unforgettable voice that sang a thousand emotions
The melody that defined generations has fallen silent, but her songs will echo forever.
MUMBAI: The voice that once lit up countless silver screens and brought rhythm to millions of hearts has stilled. Legendary singer Asha Bhosle, one of the most versatile and prolific vocalists in Indian film music, passed away at the age of 92 in Mumbai on Sunday. She was admitted to Breach Candy Hospital on Saturday night after suffering cardiac and respiratory issues and had reportedly been unwell for several months.
Her son, Anand Bhosle, confirmed the news on Sunday afternoon. The last rites will be performed on Monday.
Born in 1933 into the illustrious Mangeshkar musical family, Asha began her journey in the golden era of Hindi cinema. She recorded her first film song at the age of nine in 1943 and, by the 1950s, had already carved a distinct space for herself in Bollywood. While her elder sister Lata Mangeshkar often took the more melodic, heroine-centric numbers, Asha quickly became the go-to voice for energetic cabaret tracks, dance numbers, and later, the full spectrum of emotional expression.
The 1950s–60s: Rise of the Cabaret Queen In the early decades, Asha was frequently typecast for “item songs” and Western-style numbers. Yet even within those constraints, she delivered unforgettable hits such as “Aaja Aaja” from Teesri Manzil and “O Haseena Zulfon Wali” from the same film. Her playful, sassy delivery gave these tracks a magnetic energy that still feels fresh today.
The 1970s: Peak Versatility This was the decade that cemented her legendary status. Songs like “Dum Maro Dum” (Hare Rama Hare Krishna), “Piya Tu Ab To Aaja” (Caravan), “Chura Liya Hai Tumne” (Yaadon Ki Baaraat), and “Yeh Mera Dil” (Don) became cultural touchstones. Asha proved she could swing from seductive to soulful with equal ease, working with almost every major composer of the era.
The 1980s: Emotional Depth and Ghazals After marrying composer R.D. Burman in 1980, Asha explored more nuanced, introspective territory. Her National Award-winning performances in Umrao Jaan (“Dil Cheez Kya Hai”) and Ijaazat (“Mera Kuch Saamaan”) showcased a matured, velvety voice capable of profound emotion. These tracks remain among the most cherished ghazals in Indian cinema.
The 1990s–2000s: Global Collaborations and Reinvention Even as newer voices emerged, Asha refused to fade. She collaborated internationally with the Kronos Quartet and released experimental albums. Later in her career, she lent her voice to younger composers and continued performing live, often sharing the stage with her granddaughter Zanai Bhosle.
A Life Beyond the Microphone Asha’s personal journey was as dramatic as her filmography. At 16, she eloped with Ganpatrao Bhosle, her personal secretary. The marriage ended in separation in 1960 after they had three children. In 1980, she married R.D. Burman in a union that faced family opposition but brought creative synergy. RD passed away in 1994.
Throughout her life, Asha remained grounded, often crediting classical music and ghazals for keeping her voice sharp. In a 2023 interview, she admitted she rarely listened to contemporary film songs, preferring the timeless works of Bhimsen Joshi and classic ghazals to stay inspired.
Her seven Filmfare Awards and two National Film Awards are merely numbers; the true measure of her legacy lies in the thousands of songs that still play in homes, cars, and hearts across generations. From the foot-tapping energy of “Dum Maro Dum” to the haunting beauty of “Mera Kuch Saamaan”, Asha Bhosle gave Indian cinema a voice that was simultaneously bold, tender, playful, and profound.
The golden era has lost one of its brightest stars, but the music she created will continue to refresh souls for decades to come. As the final notes of her extraordinary journey fade, India bids farewell to a voice that truly defined an era.
