English Entertainment
Time of the yore, once more
MUMBAI: She must have raised many eyebrows for her provocative choices. But nobody could match Madonna’s style at her vixen-esque best. She inspired almost all the young girls in the eighties and most of the guys were awestruck by her sheer screen presence. Now, the viewers have a chance to know all about Madonna and a lot more about the 80s with a new show on NGC.
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Retro never really goes out of fashion, and when one looks back on this era through the yellow window, amazing content is assured, says John Abraham
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Since the era has had its own glory with neon pop colours, Diego Maradona’s ‘Hand of God’ punching Argentina to footballing glory, the launch of the first personal computer, the rise of Bollywood’s very own “Disco Dancer” and Jennifer Beal’s “Flash” dance, the channel gives an opportunity to explore that.
“National Geographic Channel provides factual entertainment that strives to give people something new and fascinating. The 80s is, at the very least – fascinating and quite trend setting. Trends that are still impacting our lives – in terms of fashion, gadgets, sports, music, etc. This not just makes for rich and interesting content, it is extremely refreshing for the whole genre as well,” says National Geographic and FOX International Channels, VP, marketing, Debarpita Banerjee.
However, since the show would feature multiple domains – from fashion, gadgets and sports to media and politics, the channel has done a great deal of legwork. To recreate the entire decade across various arenas wasn’t easy. “Legitimacy and accuracy had to be ensured, since every story is told through a string of first-hand interviews and accounts,” remarks Bannerjee, further adding that the 80s icons and newsmakers like high-tech titan Steve Wozniak, media mogul Ted Turner, renowned director Oliver Stone as well as Jane Fonda, Calvin Klein, Michael J Fox, Joan Collins, David Hasselhoff and Bruce Weber have been brought on board to share their insights about the decade. “While on the Indian front, Piyush Pandey, Mahesh Bhatt, Vinod Dua, Mark Tully and Subhash Ghai are a few of the big-wigs that have been roped in,” she adds.
“Retro” always interests people and that is what has got the channel interested in the concept. “Plus, this was the decade that witnessed the emergence of legends such as Sachin Tendulkar, rise of Rajiv Gandhi and the era that gave Madonna, in all her avatars, a manic fan-base and when the world was privy to a modern day fairytale – the wedding of Prince Charles and Princess Diana,” says Banerjee.
The 80s, according to the channel, has the best of ‘infotainment’ to offer to the discerning viewer, in way of fashion, technology, sports and some of the biggest moments in history. “So, while the decade may not be top of mind now, and may have acquired some dust, there is definitely a lot of sheen beneath it. We are quite confident that it will make a great watch,” she adds.
To promote the series well, it is being supported by an extensive online campaign which has been activated on social media and across websites. The channel is hosting a #Flashback80s week from 21 till 25 October on the Nat Geo Facebook page for the three million plus fans. “The week will also see an ‘80s Music Quiz’ contest hosted on Twitter, Facebook users can hashtag #Flashback80s and tell us any three things that made the 1980s a memorable decade for them, whether fun or emotional or plain nostalgic. Also, we will be sharing videos, pictures, faux pas, gadgets, sporting events from the decade for people to relive a slice of the 80s,” says Bannerjee.
Besides, actor John Abraham, the face of the channel, has also been going gung-ho about the concept. “The cherry on the cake would definitely be the show’s overriding theme! ‘Retro’ never really goes out of fashion, and when one looks back on this era through the yellow window, amazing content is assured. It was the decade that throbbed to the sounds of the Boombox, witnessed the death of Indira Gandhi and rise of Rajiv Gandhi and also the decade that saw the world holding its breath as the Chernobyl nuclear reactor went up in flames. I have no doubt that the show would appeal to people across all age-groups and is just as relevant today, as it ever was.”
The show will air on Thursday and Friday at 10 pm every week.
UK: The aerial is losing its grip. As broadband becomes the default way Britons watch television, the UK is edging towards a decisive, and divisive, question: should Freeview be switched off by 2034? The issue, highlighted in reporting by The Guardian, has exposed deep fault lines over access, affordability and the future of public service broadcasting.
For nearly 25 years, Freeview has delivered free-to-air television from the BBC, ITV, Channel 4 and Channel 5 to almost every corner of the country. Even now, it remains the UK’s largest TV platform, used in more than 16m homes and on around 10m main household sets. Yet the same broadcasters that built it are now pressing for its closure within eight years.
Their case rests on a structural shift in viewing. Smart TVs, superfast broadband and the Netflix-led streaming boom have pulled audiences online. Advertising economics have followed. By 2034, the number of homes using Freeview as their main TV set is forecast to fall from a peak of almost 12m in 2012 to fewer than 2m, making digital terrestrial television, or DTT, increasingly costly to sustain.
But critics say the rush to switch off risks abandoning those least able, or least willing, to move online.
“I don’t want to be choosing apps and making new accounts,” says Lynette, 80, from Kent. “It is time-consuming and irritating trying to work out where I want to be, to remember the sequence of clicks, with hieroglyphics instead of words. If I make a mistake I have to start again.”
Lynette is among nearly 100,000 people who have signed a “save Freeview” petition launched by campaign group Silver Voices. She fears the government is about to “take [Freeview] away from me and others who either don’t like, can’t afford, or can’t use online versions”.
Official figures underline the fault lines. A report commissioned by the Department for Culture, Media and Sport estimates that by 2035, 1.8m homes will still depend on Freeview. Ofcom’s analysis shows those households are more likely to be disabled, older, living alone, female, and based in the north of England, Wales, Scotland and Northern Ireland.
Freeview is owned by the public service broadcasters through Everyone TV, which also operates Freesat and the newer streaming platform Freely. After two years of review, DCMS is expected to set out its position soon, drawing on three options proposed by Ofcom: a costly upgrade of Freeview’s ageing technology; maintaining a bare-bones service with only core PSB channels; or a full switch-off during the 2030s.
The broadcasters have rallied behind the third option. They argue that 2034 is the logical cut-off, when transmission contracts with network operator Arqiva expire. By then, they say, the cost of broadcasting to a dwindling audience will far outweigh the returns from TV advertising.
Ofcom agrees a crunch point is approaching. In July, the regulator warned of a “tipping point” within the next few years, after which it will no longer be commercially viable for broadcasters to carry the costs of DTT.
Others see risks beyond economics. Questions remain over whether internet TV can reliably deliver emergency broadcasts, such as the daily Covid updates, in the way that universally available DTT can. The UK radio industry has also warned that an internet-only future for TV could push up distribution costs and force some radio stations off air if PSBs no longer share Arqiva’s mast network.
“It is a political hot potato,” says Dennis Reed, founder of Silver Voices, who says he has “dissociated” his organisation from the government’s stakeholder forum, which he believes is “heavily biased” towards streaming.
The Future TV Taskforce, representing the PSBs, counters that moving online could “close the digital divide once and for all”. “We want to be able to plan to ensure that no one is left behind,” a spokesperson says, adding that rising DTT costs could otherwise mean cuts to programme budgets.
The numbers show the scale of the challenge. Of the 1.8m Freeview-dependent homes projected for 2035, around 1.1m are expected to have broadband but not use it for TV. The remaining 700,000 are forecast to lack a broadband connection altogether.
Veterans of the analogue switch-off, completed in 2012 after 76 years, recall similar fears of “TV blackout chaos”. Around 6 per cent of households were labelled “digital refuseniks”, yet a targeted help scheme and a national campaign, fronted by a robot called Digit Al voiced by Matt Lucas, delivered a largely smooth transition.
This time, the BBC is less keen to foot the bill. Tim Davie, the outgoing director general, has said the corporation should not fund a comparable support programme for a Freeview switch-off.
Research for Sky by Oliver & Ohlbaum suggests that with early awareness campaigns and digital inclusion measures, only about 330,000 households would ultimately need hands-on help ahead of a 2034 shutdown.
Meanwhile, viewing habits continue to fragment. Audience body Barb says 7 per cent of UK households no longer own a TV set, choosing to watch on other devices. In December, YouTube overtook the BBC’s combined channels in total UK viewing across TVs, smartphones and tablets, albeit measured at a minimum of three minutes.
That shift may accelerate. YouTube has recently blocked Barb and its partner Kantar from accessing viewing session data, limiting transparency just as online platforms consolidate power.
“When the government chose British Satellite Broadcasting as the ‘winner’ in satellite TV it was Rupert Murdoch’s Sky instead that came out on top,” says a senior TV executive quoted by The Guardian. “There already is such an outsider ready to be the winner in the transition to internet TV; it is YouTube.”
Freeview’s future now hangs on a familiar British dilemma: modernise fast and risk exclusion, or protect universality and pay the price. Either way, the aerial’s days as king of the living room look numbered.
