iWorld
The Legend of Hanuman breaks through India’s OTT top 50
MUMBAI: In a streaming universe crowded with gritty thrillers, star-led dramas and global franchises, one animated epic has quietly but decisively crashed the party.
The Legend of Hanuman – Season 6 has ranked at number 11 in Ormax Media’s Top 50 Streaming Originals in India: The 2025 Story, making it the only animated series to feature on the list. With an estimated 16.2 million viewers, it stands shoulder to shoulder with heavyweights such as The Family Man S3, Panchayat S4, Paatal Lok S2, Special Ops S2, and international juggernauts including Squid Game S3 and Stranger Things S5.
That context matters. Ormax’s annual list is widely regarded as the industry’s gold standard, built on independent, nationwide audience research that measures real individuals who actually watched a title. In other words, this is not hype, this is hard viewing data.
Produced by Graphic India and created by Sharad Devarajan, Jeevan J. Kang and Charuvi P. Singhal, The Legend of Hanuman has been rewriting the rules for Indian animation since its debut. Earlier seasons frequently topped Ormax’s weekly charts, with Season 1 holding the number one spot for three straight weeks. It was also the first animated series ever to appear on Ormax rankings, a space long dominated by live action fare.
Six seasons in, the momentum has not slowed. Season 6 marks the franchise’s biggest mainstream breakthrough yet, proving that animation in India is no longer confined to children’s viewing or niche fandoms. The show currently boasts a 4.9 Google audience score and a 9.2 rating on IMDb, rare numbers in the crowded OTT ecosystem.
Available on Jio Hotstar, the series continues to draw audiences across age groups and regions, streaming in multiple languages including Hindi, Tamil, Telugu, Marathi, Bengali, Malayalam and Kannada.
Commenting on the milestone, creator, co-writer and producer Sharad Devarajan, said the ranking reflects a broader shift in how Indian audiences view animation. What began as a passion project rooted in mythology has evolved into a cultural mainstay, combining emotional storytelling with cinematic ambition.
Being the sole animated title in Ormax’s Top 50 is more than a win for one show. It signals a turning point for Indian animation itself, where locally rooted stories told at global production standards can now compete, and win, in the mainstream streaming race.
For Graphic India, the achievement reinforces its long-term bet on original Indian animated IP. For the industry at large, The Legend of Hanuman has delivered a clear message. Animation has officially arrived at the grown-ups’ table.
iWorld
Epic Company launches unified Epic Studio for films and OTT
Vivek Krishnani to head films business; Samar Khan leads OTT & Television.
MUMBAI: Epic just merged its creative superheroes under one cape because when films and OTT need to fight for attention together, you don’t keep them in separate universes. The Epic Company has launched Epic Studio, a next-generation creative and production powerhouse that unites Juggernaut Productions and Movieverse Studio under a single banner. The move creates a streamlined, scalable platform for premium storytelling across theatrical films, OTT originals, television, digital-first formats and branded content.
Vivek Krishnani has been appointed chief executive officer, Epic Studio (Films), overseeing the theatrical and film business with a focus on culturally resonant narratives across Hindi, Telugu, Tamil, Gujarati and Malayalam cinema. Samar Khan continues as chief executive officer, Epic Studio (OTT & Television) and retains his role as chief content officer for Docubay and Epic On.
The Epic Company managing director Aditya Pittie said, “Epic Studio brings together our entire creative ecosystem under one unified studio vision. This is not just an integration of verticals, but the creation of a collaborative environment where writers, filmmakers, creators, and brand partners can seamlessly develop and scale stories across formats and screens.”
Vivek Krishnani added, “We are building an audience-focused mainstream film studio committed to delivering fresh, engaging, and innovative stories for both theatrical and streaming platforms.”
Samar Khan commented, “This alignment allows us to approach storytelling with a unified studio mindset. We are building IP under one creative umbrella, with scale and longevity in mind from inception.”
The unified structure eliminates silos, enabling ideas to flow fluidly from concept to screen while adapting to evolving audience behaviour. Epic Studio positions itself as a creator-led ecosystem championing purposeful, resonant storytelling with commercial strength.
In an entertainment landscape where stories now leap between screens faster than plot twists, Epic isn’t just building a studio, it’s crafting a single launchpad where every tale gets the best shot at soaring across every platform.
