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The DTH Opportunity

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It came somewhat like manna to travellers lost in the desert. The Union Cabinet’s decision on 2 November 2000 to lift the four-year ban on DTH has been long- awaited by Indian and foreign broadcasters. And now that it has come, it should open up the floodgates with a slew of them taking a shot at it.

Among those who could make attempts include: Star TV, Zee TV, C. Sivasankaran, Reliance, HFCL, Lalit Modi’s Modi Entertainment Group, Sun TV. One cannot exclude tyros attempting to enter the DTH fray. One does not know if all of them will survive.

A lot of thought has gone into the drafting of the notification. It appears as if the government is taking clear steps to prevent the emergence of television monopolies. That is why it has placed a 20 per cent restriction on foreign direct investment, with the total foreign investment being permitted being 49 per cent. Additionally, it has stated broadcasters and cable TV operators – without further explaining whether these players should be operating in India or overseas – will be permitted to hold only 20 per cent in a DTH platform. Now is this 20 per cent the limit for several broadcasting investors in a single DTH venture; or is it the cap that each can have in a DTH venture? Will we see Sony, Star and Zee holding 60 per cent in a DTH operation or will they be permitted to hold just 6.33 per cent each – totting up to 20 per cent? This is an issue that will need clarification.

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If one takes these clauses at face value then Star TV, Zee TV, Sun TV, Eenadu, Sony will simply have to be satisfied with a minority stake each in a platform. It would not be surprising if three of them choose to come together for a new DTH operational company. The other option they will have is to become innovative in the equity holding pattern and incorporation of the DTH firm. With penalties of Rs 500 million one wonders whether they will take the risk? Hence it is more likely that unusual alliances are going to be formed, which one never thought possible in the past.

The government has also made it mandatory for the DTH operator to uplink from within Indian shores within 12 months to any satellite, be it foreign or Indian. Preferential treatment will be given to those uplinking to Indian birds, the notification says. An open architecture has been mandated with the set top box working with the smart cards and encryption technologies that the various operators choose to use. This is a big plus for consumers as they will be able to switch between services easily or subscribe to more than one.

Licence fees of Rs 100 million and a bank guarantee of Rs 400 million are not all that high at all. What could prove high is the 10 per cent revenue share that DTH operators will have to dole out to government each year. Sure the operator will build this into its subscription fees; but should targets of subscription be failed to be met; things could get quite tough.Remember, there will be fierce competition between the various services with each of them trying to woo subscribers with freebies and price-off offers. If such a scenario arises, 10 per cent could be the company’s margin which would mean that the DTH company will end up making losses. It’s quite likely the DTH company will make losses anyway for the first two-to-three years because the market will have to be created. And there’s already a relatively cheaper option available in cable TV which is priced at Rs 150-200.

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Of course, the government has protected the state-owned broadcaster Prasar Bharati by mandating carriage of all its channels at the most favourable terms provided to an occupant of the platform.

The I&B ministry’s programming and advertising code will have to be followed to a T, the notification states. The problem is that a watchdog and adjudicator have yet to be set up. And if the government is banking on the convergence authority to keep tabs on content, it will have to move fast and enact convergence regulation.

How many platforms can coexist in India? Indications are that just one or two and if one stretches one’s imagination, three. There’s just not enough content in terms of programming going around. Not many channels are going to take the option of getting exclusively onto DTH, after all cable TV offers them their lifeblood revenue, either in the form of subscription or advertising. They have stuck it out for so long; bleeding in the Indian market for seven years to build up a cable TV business. They will not throw it away for DTH. What one will see is the development of new channels with diverse programmes – both old and new shows – being packaged innovatively for the DTH platform. Other niche channels will also be developed.

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One advantage is that set top boxes have become cheaper over the past three years and are priced at anywhere between Rs 5,000 and Rs 10,000 (it could be lower should the DTH provider gives a higher subsidy). Three years ago, the sticker price was a hefty Rs 20,000-25,000. Monthly subscription packages could range from Rs 200 going up to Rs 350.

The DTH market on the upside is about two to three million strong, with 350,00 of them likely to come on board in year one. This could go up to 700,000 in year two and finally to a million in year three. The two million could take up to six to seven years to achieve. Or even longer. One can’t forget: cable TV will be fighting back. As will other newer options, such as broadband, which will make their appearance.

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DTH

DD Free Dish e-auction revenue dips to Rs 642 crore as slot sales fall

Revenue dips as revised norms reshape bidding in 94th round

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NEW DELHI: Prasar Bharati’s DD Free Dish has closed its 8th annual, and 94th overall, e-auction for MPEG-2 slots with total collections of Rs 642 crore for the period April 1, 2026 to March 31, 2027.

That is lower than last year’s Rs 780 crore haul, with 55 slots sold compared with 61 in FY25–26. The softer topline reflects both a slimmer inventory and a recalibrated auction framework.

This was the first auction conducted after amendments to the e-auction methodology, including tighter eligibility norms and a revised reserve price structure for MPEG-2 slots. The stated aim was greater transparency and more serious participation. The immediate outcome appears to be more measured bidding in certain categories.

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Day one set the tone. Eight slots were sold, six in the premium Bucket A+ and two in Bucket A. The strong early action in A+, which typically houses Hindi GECs and movie channels, reaffirmed the enduring appeal of mass Hindi programming on the platform.

Among the broadcasters securing slots in the initial rounds were Zee Entertainment Enterprises, Sony Pictures Networks India, Viacom18’s Colors network, Sun Network and Shemaroo Entertainment. Their continued presence signals that, despite the pull of digital platforms, Free Dish remains a strategic must have for legacy networks chasing scale in price sensitive markets.

The final bouquet of 55 channels leans heavily towards Hindi news, movies, devotional fare, Bhojpuri and regional programming.

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In Hindi news, familiar heavyweights such as Aaj Tak, ABP News, India TV, News18 India, Republic Bharat and Zee News made the cut. Entertainment and movie offerings include Colors Rishtey, Star Utsav, Dangal TV, Sony Pal, Shemaroo TV, Goldmines, B4U Movies and Zee Biskope. Devotional viewers will find Aastha, Sanskar and Sadhna Gold among the selected channels.

Regional representation includes Sun Marathi, Fakt Marathi, PTC Punjabi and GTC Punjabi.

Equally telling were the absences. Broadcasters such as Big Magic, Filamchi Bhojpuri, India News, Bharat Express, Movieplex Maithili, TV9 Marathi, Shemaroo Marathibana, Zee Chitra Mandir and Satsang did not participate. The pullback is particularly visible across Marathi, Bhojpuri, Maithili and spiritual programming. Industry observers point to the revised reserve prices, tighter eligibility norms and a reassessment of commercial viability as possible factors.

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DD Free Dish continues to beam into over 40 million homes, largely in rural and semi urban India. For advertisers and broadcasters alike, it offers efficient access to Bharat markets where pay TV penetration remains uneven and OTT subscriptions are limited.

The moderation in revenue this year may be read as a pause rather than a retreat. Fewer slots, a reworked auction playbook and evolving broadcaster strategies have clearly shaped outcomes. Yet premium Hindi entertainment retains its pull, and the platform’s mass reach remains hard to ignore.

As the FY26–27 line-up settles in, the mix of winners and walkaways will define the private satellite channel landscape on DD Free Dish for the year ahead.

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