Hollywood
The Batman soars to a solid box office opening
Mumbai: Actor Robert Pattinson’s childhood dream of playing Batman turned into box office success and a dream-come-true for Warner Bros as “The Batman” packed a punch, exceeding expectations and grossing $128.5 million domestically in its opening weekend. It was the best opening weekend for a film since Sony Picture Entertainment’s “Spider-Man: No Way Home” earned $260.1 million in its December debut, according to box office tracker, Comscore.
The opening also served as a signal light of hope that moviegoers are eager for a return to theatres. Warner Bros has reportedly committed to a 45-day window of exclusivity in theatres. Following that 45-day period, “The Batman” will hit HBO Max for streaming.
Internationally, “The Batman” loomed large collecting $120 million in box office receipts in 74 overseas markets. The film had the best turnout in the United Kingdom, where it earned $18.4 million, followed by Mexico, where it earned $12 million. Other top territories include Australia ($9.2 million), Brazil ($8.8 million), France ($8.5 million), Germany ($5.1 million) and Korea ($4.4 million). The Batman doesn’t open in China, which is currently the world’s biggest theatrical market, until 18 March. It won’t play at all in Russia after Warner Bros opted to pull its release following the country’s invasion of Ukraine.
In India, “The Batman” opened on 4 March to enthusiastic audiences and, according to BoxOfficeIndia, the film has raked in Rs 7.5 crore net on the second day of its release. Now, the total collection of the film in India is Rs 14 crore. The film is doing well in the metro cities and with Maharashtra allowing cinema halls at 100 per cent occupancy, this has boosted the collections.
The dark take on the character, in which Batman investigates corruption in Gotham following the murders of several of the city’s prominent figures by the sadistic serial killer, the Riddler, has earned positive reviews. Variety’s Peter Debruge naming it a critic’s pick and writing that the “grounded, frequently brutal and nearly three-hour film noir registers among the best of the genre, even if, or more aptly because of its willingness to dismantle and interrogate the very concept of superheroes.”
Audiences are also being extremely receptive, with the film scoring an ‘A-‘ CinemaScore, indicating strong approval from general ticket buyers. In addition, critics have praised Robert Pattinson for his fresh/gritty interpretation of the character.
Pattinson, who rose to global fame with the Twilight movies, follows in the footsteps of Adam West, Val Kilmer, Michael Keaton, Christian Bale and, more recently, Ben Affleck, among others, to play Bruce Wayne/Batman. Zoë Kravitz, who plays Catwoman was also singled out for critical commendation. Directed by Matt Reeves, “The Batman” also stars Colin Farrell, Andy Serkis and Paul Dano.
As reported in Variety, domestic audience demographics revealed a heavily male crowd for “The Batman” at 67 per cent, with the 18-34 crowd at 62 per cent, per PostTrak. Diversity draw was 41 per cent Caucasian, 26 per cent Latino and Hispanic, 17 per cent Black, and 16 per cent Asian/other.
Other CinemaScore audience diagnostics are showing males at 65 per cent, giving the movie an A-, females a B+ at 35 per cent. Those over 35 factored at 31 per cent of the crowd, while those over 50 showed up at 11 per cent. A- grades largely throughout all demos.
Prior to this weekend, Tom Holland’s video game adaptation “Uncharted” held the title for the biggest opening weekend of the year with $44 million in initial sales. Now in second place, the Sony Pictures film pocketed $11 million from 3,875 theaters between Friday and Sunday, pushing “Uncharted” past $100 million at the domestic box office. Overseas, the PG-13 “Uncharted” added another $17.4 million from 64 foreign markets. Those revenues take the film to $171.3 million internationally and $271.5 million globally.
Elsewhere, Channing Tatum’s canine adventure “Dog” landed in third position with $ six million from 3,507 theaters. The road-trip buddy comedy is somewhat of an anomaly because it has managed to entice audiences without involving superheroes or intense CG-action sequences. “Dog” continues to surprise at the box office, crossing $40 million in North America over the weekend.
Holdovers “Spider-Man: No Way Home” and “Death on the Nile” took spots four and five on domestic box office charts.
Hollywood
Remembering Chuck Norris: the man, the myth, the legend at 86
From martial arts legend to internet folklore, fans honour his final level up
KAUAI: The world lost a legend on 19 March 2026, when Chuck Norris died aged 86. For a man long treated as immortal in internet folklore, the news felt almost unreal. Yet in true Norris fashion, the farewell has been less about mourning and more about myth-making.
Just days before his passing, on his 86th birthday, Norris shared a video from Kauaʻi, Hawaii, showing him sparring under the sun. His caption was characteristically wry: “I don’t age. I level up.” It now reads like a final wink to fans who had spent years elevating him to near-superhuman status.
His death followed a sudden medical emergency while on holiday. He passed away peacefully, surrounded by family, who described him not just as a global symbol of strength, but as a devoted husband, father and grandfather.
Online, grief quickly gave way to tribute in the language Norris helped popularise. Social media filled with one last wave of “Chuck Norris Facts”, the tongue-in-cheek myths that turned him into a digital demigod. The jokes wrote themselves, as always. Death did not take Norris, it finally dared to meet him.
Behind the humour, however, lies a formidable real-world legacy.
Long before the memes, Norris was Carlos Ray Norris, a decorated martial artist. After serving in the US Air Force, he rose to become a six-time world professional middleweight karate champion. His on-screen duel with Bruce Lee in Way of the Dragon remains one of cinema’s most iconic fight sequences.
Through the 1980s, he became the face of action cinema with films such as Missing in Action and The Delta Force, embodying a stoic, no-nonsense hero. In the 1990s, he reached living rooms worldwide as Cordell Walker in Walker, Texas Ranger, blending Western grit with martial arts flair.
Off-screen, his work carried equal weight. His foundation, Kickstart Kids, continues to teach martial arts to at-risk youth, focusing on discipline and self-worth. He also founded Chun Kuk Do, a martial arts system that trained thousands.
What made Norris unique was not just his strength, but his willingness to laugh at it. When the internet transformed him into an exaggerated symbol of invincibility, he embraced the joke. In doing so, he bridged generations, from cinema-goers to meme-makers.
His passing marks more than the loss of an action star. It signals the fading of a rare cultural crossover, where genuine athletic prowess met Hollywood heroism and early internet humour.
For many, remembering Chuck Norris means recalling a time when heroes were simple, punches were decisive and the internet still felt like a playground of shared jokes.
And if the myths are to be believed, this is not quite the end. It is simply Chuck Norris moving on to his next level.
