Hollywood
Ten projects selected for 13th Fast Track film financing market at LA Film Festival
NEW DELHI: Ten projects were selected today for participation in the 13th annual Fast Track film financing market organized by Film Independent.
Held during the Los Angeles Film Festival, Fast Track is designed to help producer-director teams “fast track” their projects forward through sixty meetings with top industry executives–financiers, agents, managers, distributors, granting organizations, and production companies. During three days of intensive meetings, participants gain valuable exposure and build vital relationships as they propel their films towards completion.
Fast Track is supported by Film Independent Artist Development lead funder Time Warner Foundation, the Alfred P. Sloan Foundation, NEA Art Works, EFILM, Loyola Marymount University School of Film and Television, and Netflix.
“We are thrilled to bring this group of visionary filmmakers together with such esteemed industry executives at the 2015 Los Angeles Film Festival. Our annual Fast Track finance market is a unique opportunity for filmmakers to gain critical support for their films, and for the executives to discover some of the outstanding talent that Film Independent curates and develops year-round through our Artist Development initiatives. This year’s projects are truly exceptional,” said Film Independent director of artist development Jennifer Kushner.
Film Independent presented two Alfred P. Sloan grants to support films that explore science and technology themes or that depict scientists, engineers and mathematicians in engaging and innovative ways at the annual Fast Track Welcome Dinner.
Film Independent’s inaugural Alfred P. Sloan Distribution Grant was awarded to Michael Almereyda’s Experimenter produced by Uri Singer, Fabio Golombek, Isen Robbins, and Aimee Schoof. The filmmakers will receive $50,000 in funds to support the release of the film. Experimenter premiered at the 2015 Sundance Film Festival and was acquired by Magnolia Pictures with a release planned for fall 2015. Additionally, the sixth annual Alfred P. Sloan Fast Track Grant, a $20,000 production grant, was awarded to writer/director Elena Greenlee and producer Márcia Nunes for their narrative fiction film in development, Dark Forest.
The ten projects shortlisted are: A Paso de Mangles by co-writer/director Paola Mendoza; Dark Forest by writer/director Elena Greenlee; Ethel by producer Anil Baral; First Match by producers Chanelle Elaine and Veronica Nickel; Give Me Liberty (writer/producer/director Kirill Mikhanovsky); Last Call (documentary) by director/producer Lana Wilson; Millie to the Moon by director Jen McGowan; Shot in the Dark (documentary) by director Dustin Nakao Haider; The Bad Kids (documentary) by director Lou Pepe; and Wild Nights by director Kyle Henry.
Current industry participants include: Alchemy, Amasia Entertainment, Amazon Studios, And So It Begins Entertainment, Apex Entertainment, Black Label, Bloom Project, Broad Green, CAA, Canana, CBS Films, Chicken & Egg/Gamechanger, Cinedigm, CNN Films, Cold Iron Pictures, Dreambridge Capital, Electric City Entertainment, Electric Entertainment, Endgame Entertainment, Europacorp., Film Finances, Inc., Fluency Studios, Fortitude Int’l/BiFrost, Fox Digital, Fox International Channels, Fox Searchlight, Haven, Heidi Levitt Casting, ICM, Indian Paintbrush, Joanna Colbert Casting, Junto Box Films, Loeb & Loeb, Los Angeles Film Festival, Los Angeles Media Fund, Mosaic, Participant Media, Playback Motion Pictures. Preferred Content, Radiant Films, Rhino Films, River Road, Roadside Attractions, San Francisco Film Society Filmmaker360, Sandbar Pictures, Shoreline Entertainment, Slated, Sony Pictures Worldwide Acquisitions, Straight Up Films, Sundance Documentary Fund, Sundance Institute, Super Crispy Films, The Film Collaborative, Treehouse Pictures, UTA, Vega Baby, Voltage Pictures, WME, and XYZ Films.
Hollywood
Iger’s final act: Disney boss wraps up epic saga with a new captain at the helm
After 15 turbulent years, two stints in the c-suite, and billions spent on blockbuster acquisitions, Bob Iger is stepping away from the Magic Kingdom.
CALIFORNIA: The 75-year-old chief, hailed as one of the most transformative leaders in modern media, officially hands over to former parks chief Josh D’Amaro on 18 March. And this time, he’s getting the succession right.
Iger’s legacy glitters with big bets and epic wins: the $7.4bn Pixar buy, $4bn Marvel swoop, and the colossal $71bn 21st Century Fox deal. He dragged Disney into the streaming age, fought off activist investor Nelson Peltz, and saw off a political scrap with Florida governor Ron DeSantis.
But it hasn’t all been pixie dust. The forced return of Iger in 2022—after the short, shaky reign of successor Bob Chapek—tarnished an otherwise stellar run.
Now, D’Amaro takes the wheel with a streamlined leadership team and Disney firing on all cylinders. The firm’s streaming business is in the black, theme-park attendance is soaring, and five global films have hit $1billion at the box office in the past two years. Not bad for a firm that was on the ropes just months ago.
D’Amaro’s first move? A slick reorg under new president and chief creative officer Dana Walden, folding film, tv, streaming and gaming into one punchy unit. Sean Shoptaw, heading up the gaming division, now reports directly to Walden—bringing Fortnite and Epic Games collaborations closer to Disney’s creative heart.
Iger isn’t sailing off into the sunset just yet. He’ll keep busy with Angel City FC, the women’s football club he owns with his wife. And as Ann Mooney Murphy of Stevens Institute predicts: “A guy like that never truly retires.”
One era ends. Another begins. And the House of Mouse bets big on a future beyond the king.
