Animation
Ssoftoons Entertainment Media LLP launches new animated series – ‘Twinkle Sharma #0007’
Mumbai: Ssoftoons Entertainment Media LLP, known for bringing some of the most popular animated series that have been loved by kids, has announced the release of their latest creation, “Twinkle Sharma #0007”. Bringing in a new genre of storytelling, led by a girl protagonist, the series has premiered on the Disney Channel.
An action-adventure series, “Twinkle Sharma #0007” introduces audiences to a young girl, Twinkle Sharma, who is known for her courage and a heart of gold. Sharma’s seven ghost friends, Sa, Re, Ga, Ma, Pa, Dha, and Ni, help her fight against the evil magician Giligili and his agents Natwar and Durmush, who are after the ghosts for their unique powers. Twinkle is often accompanied by her supportive best friend Bablu, along with Pinku, the neighbourhood bully, who learns to respect her strength and courage. Each episode promises a tale of heroism, along with elements of mystery, fantasy and magic.
“We are thrilled to launch ‘Twinkle Sharma #0007’ on a credible and popular television channel- Disney Channel’ It is a dream come true for us to see our beloved characters reach a wider audience and inspire more children,” said Sourav Mondal, the CEO of Ssoftoons Entertainment Media LLP CEO Sourav Mondal.
“We are proud to have created a series that has the potential to reach and win the hearts of kids across the country. Our team has put in a lot of hard work and dedication into this project, and we are excited to see it reach new heights with the support of Disney Channel,” added Ssoftoons Entertainment Media LLP COO Hansa Mondal.
“Our stories have always been bringing in entertainment that best represents kids; indulging their creativity, imagination and their world. Twinkle Sharma is one such wholesome narrative – told through the lens of a 10 year old girl. We are happy to have associated with Ssoftoons for the series and looking forward to launching the series as a part of our robust summer offering,” said a Disney Channel spokesperson.
Animation
A new chapter unfolds as Lens Vault Studios debuts Bal Tanhaji
MUMBAI: History is getting a fresh rewrite this time with code, creativity and a longer arc in mind. Lens Vault Studios has announced its first original production, Bal Tanhaji, marking the official entry of the newly launched, tech-driven studio into India’s evolving entertainment landscape.
Arriving six years after the box-office success of Tanhaji: The Unsung Warrior, the new project expands the universe rather than revisiting familiar ground. Bal Tanhaji explores uncharted narrative territory, signalling a clear shift from one-off cinematic spectacles to long-format, world-building storytelling designed for digital-first audiences.
At the heart of this ambition is Prismix Studios, the in-house generative AI and technology arm powering the creative engine behind the show. The studio’s approach blends storytelling with next-generation tools, aiming to reimagine how Indian IPs are created, scaled and sustained beyond theatrical releases.
For Lens Vault Studios chairman Ajay Devgn the new venture represents a deliberate step beyond traditional cinema. The focus is firmly on building long-form intellectual properties across fiction and non-fiction, tailored to changing viewing habits and platform-led consumption. He said the studio intends to explore formats that remain largely untapped, while drawing on the team’s experience with large-scale cinematic storytelling.
Lens Vault Studios founder and CEO Danish Devgn echoed that sentiment, describing Bal Tanhaji as the studio’s first generative-AI-led IP and the starting point of a broader vision. The aim, he noted, is to carry forward the legacy of the Tanhaji universe while connecting with younger audiences through a blend of powerful narratives and emerging technologies.
With Bal Tanhaji, Lens Vault Studios is planting its flag early not just launching a show, but signalling a larger play for cinematic universes that live, grow and evolve across platforms. If this debut is any indication, the future of Indian storytelling may be as much about imagination as it is about innovation.








