Hindi
Sri Adhikari Brothers’ Katalyst Creates back with ‘Tere Bin Laden’ sequel
MUMBAI: Sri Adhikari Brother’s creative arm Katalyst Creates is back with Tere Bin Laden – Dead or Alive, a sequel of the movie Tere Bin Laden.
Katalyst Creates was behind the visual effects and visual packaging of the sequel as well.
Director of the film Abhishek Sharma said, “Katalyst Creates under the creative leadership of Parth has become a one stop shop for world class VFX and out of the box promo production. He and his team have successfully generated intrigue and buzz around Tere bin Laden’s sequel besides creating amazing TV promos as well. Apart from the promotional material Katalyst Creates has done incredible VFX work on my film. The CG choppers and various terrains created by the team have garnered great response from the industry experts. Often such high quality work comes with unviable budgets but Katalyst Creates is unlike most others. I must say Katalyst Creates is a dream studio for any Indian filmmaker aiming to work at an international level.”
“We have had a long association with Walkwater Media and Abhishek Sharma since Tere Bin Laden. With this current project, we have taken our relationship to the next level. I have been associated with this project right from the beginning and have left no stone unturned to bring out the best since. At Katalyst Creates we believe in creating industry benchmarks in the space of creative services and superseding the client requirements,” added Katalyst Creates creative and business head Parthsarthi Iyer.
Walkwater Media’s Pooja Shetty said, “Katalyst creates has proven to be a very quality conscious and budget conscious film makers dream studio under the creative supervision of a very passionate technician Parthsarthi Iyer. Not only did we complete the job well within the budget than the industry norm but had constant support from Parth, which is invaluable.”
Sri Adhikari Brothers Group CEO Manav Dhanda added, “VFX industry is fast evolving and we are proud that in an industry where the bar is forever being raised within a very short span of time, Katalyst Creates has successfully executed multiple marquee projects, which have created a base for us to take things to the next level. We also thank Pooja Shetty for reinstating trust in our team, after all only long term partnerships result in greater success.”
Hindi
Kridhan Infra enters film production with AI-led feature film
Infra firm debuts AI-powered film marking RSS centenary
MUMBAI: Kridhan Infra Limited is swapping hard hats for headsets. The infrastructure company has announced its entry into film production and media technology through its subsidiary, Kridhan Mediatech Private Limited, with the nationwide theatrical release of Shatak: Sangh Ke 100 Varsh, an AI-led feature film.
With Shatak, the company is not just stepping into cinema but staking a claim in what it describes as one of the world’s early full-length AI-driven feature films. Artificial Intelligence has been embedded across the creative and production process, from script visualisation and environment creation to modelling and production design.
The film commemorates 100 years of the Rashtriya Swayamsevak Sangh, tracing defining moments, personalities and historical phases that shaped its journey. By combining archival storytelling with algorithm-powered creativity, the project attempts to blend heritage with high technology.
For Kridhan Mediatech, this is only the opening scene. The subsidiary’s broader ambition spans AI, CGI, virtual production systems and scalable content models for both theatres and digital platforms. The move signals a strategic diversification for Kridhan Infra, traditionally rooted in engineering and construction.
The timing aligns with India’s growing push to become a global AI powerhouse. At the 2026 AI Impact Summit, prime minister Narendra Modi urged innovators to design in India and deliver to the world. Kridhan Mediatech’s initiative positions itself squarely within that narrative, aiming to export technology-enabled storytelling beyond domestic audiences.
India’s media and entertainment industry, valued at over Rs 2.5 lakh crore, alongside a rapidly expanding AI economy projected to cross Rs 1.4 lakh crore in the coming years, offers fertile ground at the intersection of cinema and code.
“With Shatak, we proudly present one of the world’s first AI-led full-length feature films while marking our strategic entry into film production and media technology through our subsidiary,” the company said in a statement. “Our vision is to combine India’s rich narrative heritage with forward-looking innovation. This is just the beginning of building globally competitive, technology-enabled cinematic experiences.”
From infrastructure to imagination, Kridhan’s latest venture suggests that in today’s India, even storytelling can be engineered.
