iWorld
SPNI tells TRAI OTT platforms can’t be compared to broadcasting services
MUMBAI: Sony Pictures Networks India (SPNI) has again batted for the policy of forbearance for the fullest potential growth of the OTT industry. The broadcaster has also strongly advocated that OTTs providing content/media cannot be brought within the ambit of substitutability with broadcasting service.
SPNI is of the view that since OTT distribution platforms are not granted permission/licence by the Ministry of Information and Broadcasting (MIB), they are not comparable with broadcasters. According to the broadcaster, the licensing/regulatory provision applicable to broadcasters cannot be applied to OTT distribution platforms. It explained that OTT services also do not use spectrum for providing their services but ride on the top of data services provided by licensed telcos unlike broadcasters who require uplink/downlink spectrum for transmission of signals.
The broadcaster made these suggestions as part of its counter comments to a TRAI consultation paper. It has also disagreed with earlier comments of some of the stakeholders that emergency services should be made mandatorily accessible via OTT content service providers. SPNI has explained that OTT content, except for live content, are consumed at consumer’s discretion not on real time basis. Hence, it has noted that display of such communications over OTT content platforms may not reach the consumers on a real-time basis which would defeat the purpose of making emergency communications available on OTT content platforms.
Earlier, public broadcaster Prasar Bharati has suggested to the TRAI that certain norms be made mandatory for OTT providers, in order to bring them on a level playing field with TV broadcasters and not just limit their comparison to telecom service providers (TSPs). It also stated that OTT providers should abide by certain rules including one that OTT platforms streaming live TV should mandatorily carry all Doordarshan channels like DTH, MSOs or cable operators do. OTT service providers offering news content should be registered with MIB.
SPNI has clearly disagreed with this view without taking the name of the stakeholder. It also added that the mode of operation, revenue generation and the nature of offerings of OTT service providers are not comparable with that of broadcasters/TSPs. Hence, the same yardsticks cannot be made applicable to two inherently distinct platforms. However, it noted that on the carriage of Doordarshan channels, those that are unencrypted and FTA may be made available at the option of the OTT service providers.
“On the recommendation for audience measurement system to be devised for OTTs carrying live television channels by certain stakeholders, the OTT players already have their internal mechanisms in place for audience measurement systems. This apart there are several private players providing audience measurement services. Hence attempting to mandate one only for those OTT players carrying television content will be a fruitless exercise. The way forward would be to unify the broadcast TV measurement system so that it captures,” it added.
SPNI has also spoken against a claim from one of the stakeholders alleging certain broadcasts on OTT platforms being against national security. It has highlighted that in light of the entire set of regulations governing the OTT platforms coupled with judicial interventions from time to time, there are sufficient checks and balances in place to ensure that content provided on such platforms are not in violation of the law of land.
iWorld
Banijay Asia’s The 50 tops OTT charts with 8.1 million JioHotstar views
Reality competition becomes most watched show on JioHotstar in debut week.
MUMBAI: Fifty contestants walked into a palace, but millions of viewers showed up for the drama. Reality competition The 50, produced by Banijay Asia, has emerged as the most watched show on JioHotstar, clocking 8.1 million views in its debut week. The figure, reported by Ormax Media, places the show at the top of the OTT viewership charts and marks a strong opening for the digital reality format.
Adapted from a popular French format, The 50 brings together 50 personalities from television, digital platforms, music and reality shows inside a grand palace setting. Over the course of a 50 day competition, participants form alliances, compete in unpredictable tasks and navigate eliminations as the field steadily narrows.
Guiding the game is a mysterious figure known as The Lion, an unseen game master whose voice introduces twists, challenges and strategic turns throughout the show, adding an extra layer of suspense to the contest.
What distinguishes The 50 from typical reality competitions is its audience driven prize structure. Instead of the winner taking home the final reward, the prize is awarded to one of the winner’s registered followers through the show’s dedicated app. The mechanism effectively turns viewers into participants, allowing fans to have a direct stake in the outcome.
The contestant lineup features a mix of television actors, reality stars and digital creators, including Karan Patel, Urvashi Dholakia, Divya Agarwal, Mr Faisu and Dushyant Kukreja, each bringing their own fan following to the show.
With its blend of celebrity personalities, strategic gameplay and interactive viewer participation, The 50 has quickly carved out a strong foothold in India’s digital entertainment landscape. Its 8.1 million views in the opening week underline the growing appetite for large scale reality formats designed specifically for OTT audiences.
