Hindi
Sobhita Dhulipala joins the list of Indian-origin actors making waves globally
Mumbai: Sobhita Dhulipala is the latest Indian actor to make her Hollywood debut in the upcoming film Monkey Man, directed by and starring Dev Patel. The movie also stars other Indian actors such as Sikander Kher, Vipin Sharma, and Adithi Kalkunte. These actors join an illustrious list of Indian-origin actors who are currently making a splash globally for their critically acclaimed performances, including but not limited to Ambika Mod (One Day), Avantika Vandanapu (Mean Girls), Geraldine Viswanathan (Drive-Away Dolls), and Sarayu Blue (Expats).
You can learn more about these actors and their diverse body of work on IMDb and check out this ever-growing gallery to keep up with Indian-origin actors who have carved a niche for themselves in international titles.
Indian Origin Actors Making a Splash Globally:
- Ambika Mod
- Anirudh Pisharody
- Anupam Kher
- Avantika Vandanapu
- Charithra Chandran
- Dev Patel
- Geraldine Viswanathan
- Himesh Patel
- Naveen Andrews
- Nikesh Patel
- Padma Lakshmi
- Poorna Jagannathan
- Priya Kansara
- Priyanka Chopra Jonas
- Ritu Arya
- Sarayu Blue
- Sarita Choudhury
- Sendhil Ramamurthy
- Simone Ashley
- Sobhita Dhulipala
- Sunita Mani
- Suraj Sharma
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
