DTH
Sky to launch new pay service on DTT in UK
MUMBAI: UK pay TV service provider Sky is developing plans for the launch of a subscription television service on digital terrestrial television (DTT) this year.
The new service will allow programmes – including sport and movies – through a conventional rooftop aerial and a DTT box for a monthly subscription.
By bringing back pay-TV content to the DTT platform, Sky aims to create more choice for customers who are interested in upgrading from free-to-air to pay-TV. This the firm says represents an attractive commercial opportunity, benefitting from existing investments in programming and infrastructure, and attracting new customers to Sky over and above current plans for the growth of Sky’s satellite service.
The line-up of channels on the new service will offer a range of content including sports, movies, entertainment and news. The sports service will include live coverage from the Barclays Premiership and other events. Full details, including branding, pricing and the complete channel line-up, will be revealed closer to launch.
The new service will make use of existing capacity that Sky currently uses to broadcast Sky Three, Sky News and Sky Sports News. As a result, these channels will cease to be available free-to-air via DTT in advance of the launch of the pay-TV service.
Sky plans to broadcast its pay-TV channels on DTT using the more efficient MPEG4 compression technology, bringing innovation to the platform and enabling Sky to offer four 24-hour video streams in place of the three Sky channels currently available, with further improvements expected in future. The pay-TV service will use a highly secure conditional access (CA) system similar to the one that Sky uses for its satellite television service.
To access the service, customers will buy a new set-top box that includes the relevant CA software and MPEG4 decoder. It is anticipated that once the service launches multiple manufacturers will have the opportunity to produce compatible set-top-boxes and other DTT receivers.
The launch of the new service is subject to approval by Ofcom of the necessary variations to licences held by Sky and National Grid Wireless, which provides DTT transmission and multiplexing services to Sky.
Sky COO Mike Darcey said, ” We look forward to bringing some of Sky’s most popular content to digital terrestrial viewers. This will give families more choice and increase the availability of leading content and channel brands.”
DTH
Prasar Bharati’s WAVES earns Rs 2.9 crore in first year
Platform scales content, users but monetisation gaps limit revenue growth.
MUMBAI: Big waves, small ripples at least for now. When Prasar Bharati launched its OTT platform WAVES at the 55th International Film Festival of India in November 2024, it pitched a bold vision: a homegrown rival to global and domestic streaming giants, blending video, audio, gaming and commerce into a single digital ecosystem. Five months into FY2024–25, however, the platform’s revenue stands at just Rs 2.90 crore, a figure that underscores the gap between ambition and monetisation.
On paper, WAVES looks anything but modest. The platform has ingested 13,608 titles, totalling 9,495 hours of content, with over 13,000 titles already live. It has streamed more than 575 live events from the Mahakumbh Amrit Snan and the 76th Republic Day parade to the Hockey India League, Kabaddi World Cup and Mann Ki Baat while offering 74 live TV channels and 12 radio channels. With over 10 lakh registered users and more than 200 content partners onboarded, the scale resembles that of a fully operational streaming service rather than a pilot project.
The architecture supporting this scale is equally robust. Built under Prasar Bharati’s Central Archives vertical, WAVES runs on a cloud-based infrastructure with DRM, encryption and an integrated analytics dashboard. It includes dedicated units for content ingestion, quality control, publishing, graphics, marketing and billing, and is distributed across platforms such as OTTplay, Tata Play and BSNL. The offering extends beyond video to include audio-on-demand, e-games and even e-commerce via ONDC integration.
Yet, the numbers reveal a core disconnect. Despite its scale, WAVES generated just Rs 2.90 crore in a market where India’s OTT industry crossed Rs 23,000 crore in 2024. A key bottleneck lies in monetisation infrastructure: subscriptions cannot currently be purchased within the app and must be completed via an external website. In a mobile-first country where over 95 per cent of OTT consumption happens on smartphones, this extra step creates friction that most users are unlikely to overcome.
Ironically, content is not the problem, it is the platform’s biggest strength. Prasar Bharati holds one of the world’s richest broadcast archives, including 45,154 hours of digitised Akashvani programming and 35,723 hours from Doordarshan. For WAVES alone, over 3,800 hours of archival content have been made OTT-ready, including classics such as Ramayan and Shaktimaan, alongside rare cultural recordings and historical broadcasts.
There are early signs that this library holds commercial potential. Revenue from archival content licensing rose sharply to Rs 3.38 crore in FY24, up from Rs 67 lakh the previous year. Meanwhile, free digital platforms continue to drive massive reach, the PB Archives Youtube channel clocked 119.78 million views and added 4,02,000 subscribers in FY2024–25, crossing 1.7 million in total, while DD News has over 5.84 million subscribers.
That, however, presents a strategic dilemma. While free distribution builds scale, it also conditions audiences to expect content at zero cost making it harder to transition to paid models. WAVES, designed as a hybrid AVOD-SVOD platform with advertising and subscription layers, is yet to fully crack this balance.
The broader challenge is not technological but strategic. In an ecosystem dominated by platforms offering seamless payments, aggressive pricing and high-budget originals, WAVES is still bridging the gap between being a content repository and a commercially viable product.
For now, the platform reflects both promise and paradox. It has the scale, the content and the infrastructure but until monetisation catches up, WAVES remains less a revenue engine and more a digital showcase of what India’s public broadcaster could become.
