GECs
Sincerely yours: Key to longevity in the Hindi GEC category
MUMBAI: From the start of daily soaps in 2000, Hindi GEC fiction has witnessed multiple ‘eras’: From the now-notorious saas-bahu dramas in the first decade, to shows addressing societal evils and women empowerment,to family-based love stories that brought in the younger viewers. With each passing era, characters in the Hindi GEC category have become smarter, more fashionable and more progressive in their outlook. What’s interesting, however, is that characters who have managed to retain long-term popularity among the audience have one aspect common to their personalities: they are generally over-indexed on the personality dimension ‘sincerity’.
In her brand personality framework, psychologist Jennifer Aaker identifies five dimensions to a personality –sincerity, excitement, competence, sophistication and ruggedness. Most brands will have some image associations with these dimensions, but the more enduring brands largely have one emphasised primary dimension, and optionally a secondary one.
While originally designed for brands, the framework works equally well for celebrities and characters. In the Hindi GEC category, the one emphasised dimensionacross most long-standing popular fiction characters is the sincerity dimension. Five of the seven popular Hindi GEC characters between 2016-19 (based on Ormax Characters India Loves)had sincerity as their strongest, or a strong number two, dimension. These five characters span a width of age, profession and content genres. There’s themiddle-aged shop keeper and familyman Jethalalin a sitcom; young dentist Ishita engulfed in across-cultural family drama where she falls in love with a divorced father;the quintessential girl-to-bahu journey of Akshara; the young and quirky Pragya who marries a rock star accidentally; and the talentedvillage singing prodigy Kullfi,who moves to the city in search of her father.
The trend continues in 2020. The undisputed success story of this year has been Star Plus’July launch Anupamaa. The show has achieved record ratingsin a challenging and disruptive Covid2019 period. The lead character of the show raced to number two on Ormax Characters India Loves within a month of the show’s launch, a new record in character popularity tracking in the last decade.
Anupamaa’s rapid growth is a combination of various factors, such as a unique yet relevant concept (it addresses the ‘anti-family’ topic of extra-marital relationship in a very family-palatable way), strong writing and direction, and the performance by thelead actor herself. It is no surprise, however, that Anupamaa’s character too is heavily loaded on the sincerity dimension, even more than the five characters listed above.
So why do ‘sincere’ characters strikesuch adeep chord with the audience?
Storytelling on Indian televisionis different from films and web-series, because in serials, audience look for ideas that are important to them. They connect with characters that are ‘avatars’ of themselves. They feel their feeling, live their emotions. As a collectivistic society, most Indians value family cohesion and cooperation as a non-negotiable aspect of their identity. They take great pride, and seek comfort, in the strong emotional bonds they share with their family members. Watching stories driven by characters who reinforce family values give these shows a higher purpose beyond entertainment.
In this context, characters like Jethalal and Anupamaa are the quintessential Indianfamily man and Indian family woman respectively, who value their families and relationships above everything else. While the former is in a sitcom and the latter leads a family drama, it is their fundamentally earnest personalities thatendear them to the Indian value system. Coupled with good storytelling, such characters build long-term equity, engaging the audience with their journeys that fundamentally revolve around their large families in a manner that’s truly Indian at heart, i.e.,sincere!
Story and storytelling will continue to get more progressive with time. But the cherished place characters high on sincerity have in the hearts of Indian TV audience is unlikely toweaken anytime soon.
(The author is Ormax Media partner. Indiantelevision.com may not subscribe to their views.)
GECs
Sony to launch Tum Ho Naa game show hosted by Rajeev Khandelwal
MUMBAI: Lights, camera… connection because this time, the game isn’t just about winning, it’s about who’s with you. Sony Pictures Networks India is gearing up to launch a new reality game show, Tum Ho Naa, expanding its unscripted slate with a format that promises both emotion and engagement.
The show will premiere soon on Sony Entertainment Television and stream on Sony LIV, with Rajeev Khandelwal stepping in as host. Known for his measured screen presence and selective choices, Khandelwal’s return to television adds a layer of familiarity and credibility to the upcoming format.
While specific details of the gameplay remain under wraps, the positioning suggests a reality format that leans as much on emotional resonance as it does on competition, an increasingly popular blend in Indian television, where audiences are gravitating towards content that offers both stakes and storytelling.
Khandelwal, reflecting on his return, noted that his choices have often been guided by instinct rather than convention, describing Tum Ho Naa as a project that feels “close to the heart”. His association also signals Sony’s continued focus on anchoring new formats with recognisable faces who bring both relatability and depth.
The launch comes at a time when broadcasters are doubling down on original non-fiction formats to drive appointment viewing, even as digital platforms expand parallel reach. By placing the show across both linear television and OTT, Sony appears to be aiming for a dual-audience strategy capturing traditional viewers while engaging digital-first consumers.
As the countdown to premiere begins, Tum Ho Naa positions itself not just as another game show, but as a reminder that sometimes, the biggest prize on screen isn’t the jackpot, it’s the journey shared along the way.






