GECs
SET Discovery targets Rs 4.5 billion in FY07 on back of World Cup
MUMBAI: Riding high on the ICC cricket World Cup wave, SET Discovery expects to garner a revenue of Rs 4.5 billion in 2006-07. This would mean a growth of 40 per cent in a tight subscription market with cable operators resisting any big increase in payouts to broadcasters.
“SET Discovery is targeting a total income of Rs 4.5 billion in 2006-07. This will include for the first time income from direct-to-home (DTH) which should be contributing eight per cent of the overall kitty,” says a source in the industry who is close to the company.
SET Discovery signed a contract with DTH service provider Dish TV in June 2006 and subsequently with Tata Sky.
When contacted, SET Discovery president Anuj Gandhi declined to talk on the financials of the company. “We had set an aggressive target this year and we are going to hit it,” he said.
Despite a slide in Sony TV’s ratings, analysts say SET Discovery’s growth in the fiscal would be greatly helped by a rich lineup of cricketing properties that include ICC Champions Trophy and the ICC World Cup.
SET Discovery’s revenue stayed flat in 2004-05 but rose 15 per cent to Rs 3.2 billion last fiscal as it added Ten Sports in its distribution bouquet. Sony signed a distribution deal with the sports channel which has key cricket properties that include the Pakistan, Sri Lanka and West Indies boards.
MUMBAI: Lights, camera… connection because this time, the game isn’t just about winning, it’s about who’s with you. Sony Pictures Networks India is gearing up to launch a new reality game show, Tum Ho Naa, expanding its unscripted slate with a format that promises both emotion and engagement.
The show will premiere soon on Sony Entertainment Television and stream on Sony LIV, with Rajeev Khandelwal stepping in as host. Known for his measured screen presence and selective choices, Khandelwal’s return to television adds a layer of familiarity and credibility to the upcoming format.
While specific details of the gameplay remain under wraps, the positioning suggests a reality format that leans as much on emotional resonance as it does on competition, an increasingly popular blend in Indian television, where audiences are gravitating towards content that offers both stakes and storytelling.
Khandelwal, reflecting on his return, noted that his choices have often been guided by instinct rather than convention, describing Tum Ho Naa as a project that feels “close to the heart”. His association also signals Sony’s continued focus on anchoring new formats with recognisable faces who bring both relatability and depth.
The launch comes at a time when broadcasters are doubling down on original non-fiction formats to drive appointment viewing, even as digital platforms expand parallel reach. By placing the show across both linear television and OTT, Sony appears to be aiming for a dual-audience strategy capturing traditional viewers while engaging digital-first consumers.
As the countdown to premiere begins, Tum Ho Naa positions itself not just as another game show, but as a reminder that sometimes, the biggest prize on screen isn’t the jackpot, it’s the journey shared along the way.
