Hindi
Riteish Deshmukh’s Balak Palak mesmerises audiences
MUMBAI: India‘s first ever virtual premiere show of Riteish Deshmukh‘s Marathi film Balak Palak on 3 January seems to have mesmerised audiences in five UFO theatres across Mumbai, Pune, Latur, Thane and Nallasopara, thanks to the unique satellite technology.
Observed Riteish, “I am very proud that my first production venture Marathi film ‘Balak Palak‘ has become the first in the world to create a world record in the 101st year of Indian cinema, I am also happy that UFO‘s unique satellite technology has helped me to connect with my fans, friends, relatives and well wishers in remote locations such as Latur and Pune along with Mumbai, Thane and Nallasopara. I‘m overwhelmed by the audiences‘ enthusiastic reactions and response and it was an emotional moment on the eve of my film release.”
For the first time parents and children sitting in the UFO digital theatres were thrilled to ask questions to the cast and crew before the screening of the film. Ritesh‘s friends applauded his unique initiative and considered themselves lucky that they were actually present during this unique spectacles.
In fact there was overwhelming demand for asking questions in spite of the jam packed schedule. In fact, Ritesh himself was thrilled by way the moviegoers were asking questions appreciating the gesture of live interactive talk.
UFO and Valuable Edutainment‘s unique technology, successfully enabled audiences watching the preview show of the film at Sona Gold (Borivali East), Fun Fiesta (Nalasopara), Gold Digital (Thane West), Prabhat (Pune) and Big Rama Theatre (Latur), to get to interact with Ritesh on the big screen in front of them at the same time.
Hindi
Kridhan Infra enters film production with AI-led feature film
Infra firm debuts AI-powered film marking RSS centenary
MUMBAI: Kridhan Infra Limited is swapping hard hats for headsets. The infrastructure company has announced its entry into film production and media technology through its subsidiary, Kridhan Mediatech Private Limited, with the nationwide theatrical release of Shatak: Sangh Ke 100 Varsh, an AI-led feature film.
With Shatak, the company is not just stepping into cinema but staking a claim in what it describes as one of the world’s early full-length AI-driven feature films. Artificial Intelligence has been embedded across the creative and production process, from script visualisation and environment creation to modelling and production design.
The film commemorates 100 years of the Rashtriya Swayamsevak Sangh, tracing defining moments, personalities and historical phases that shaped its journey. By combining archival storytelling with algorithm-powered creativity, the project attempts to blend heritage with high technology.
For Kridhan Mediatech, this is only the opening scene. The subsidiary’s broader ambition spans AI, CGI, virtual production systems and scalable content models for both theatres and digital platforms. The move signals a strategic diversification for Kridhan Infra, traditionally rooted in engineering and construction.
The timing aligns with India’s growing push to become a global AI powerhouse. At the 2026 AI Impact Summit, prime minister Narendra Modi urged innovators to design in India and deliver to the world. Kridhan Mediatech’s initiative positions itself squarely within that narrative, aiming to export technology-enabled storytelling beyond domestic audiences.
India’s media and entertainment industry, valued at over Rs 2.5 lakh crore, alongside a rapidly expanding AI economy projected to cross Rs 1.4 lakh crore in the coming years, offers fertile ground at the intersection of cinema and code.
“With Shatak, we proudly present one of the world’s first AI-led full-length feature films while marking our strategic entry into film production and media technology through our subsidiary,” the company said in a statement. “Our vision is to combine India’s rich narrative heritage with forward-looking innovation. This is just the beginning of building globally competitive, technology-enabled cinematic experiences.”
From infrastructure to imagination, Kridhan’s latest venture suggests that in today’s India, even storytelling can be engineered.
