News Broadcasting
RIL’s M&E biz EBITDA margin rises to 17% in FY21
KOLKATA: Despite all odds, Reliance Industry Limited’s (RIL) media & entertainment business has recorded profitability during the pandemic-hit financial year. According to the company’s latest annual report, Network18’s consolidated operating margins expanded to 17 per cent in FY 21, up from 11.5 per cent in FY 20, RIL’s annual report said.
Consolidated EBITDA of the business rose 29 per cent y-o-y to Rs 796 crore despite the pandemic impact dragging revenue down by 12 per cent y-o-y. The company’s overall profitability was attributed to cost controls and concerted efforts to increase annuity-style revenue streams, including subscription and syndication.
The margins of the news business expanded all through the year, despite pandemic-linked logistics constraints and blackout of BARC ratings in the second half of the financial year, the report added. Overall news segment’s operating margins expanded to 13 per cent. The TV News operating margin expanded to 16 per cent, marking four years of continuous improvement. In addition to that, digital news broke even on a full-year basis, driven by accelerated revenue growth.
Despite the Covid-19 impact, entertainment margins went up to 19 per cent thanks to operating leverages. TV Entertainment grew viewership share by two per cent to 10.9 per cent. One in two Indians watch Network18 television channels that reach more than 95 per cent of TV homes in India annually, as per the report.
The entire M&E industry started on a weak note in FY21 due to the onset of the pandemic, but there was a turnaround during the second half of the year. For Network18, TV News advertising recovered by the second quarter itself growing across the year. Entertainment advertising revived fully by the third quarter, led by a full content roster. Strong viewership trends for Hindi GECs, both pay, and FTA, drove underlying ad growth into high-single digits by the fourth quarter.
Digital media platforms witnessed an increase in content consumption. Digital advertising gained momentum from the platforms’ inherent advantages of being able to target audiences, drive personalisation, and lower costs.
“Digital engagement continued to grow due to the volume of high-quality content and key events. Industry sources indicate a ten per cent y-o-y increase in OTT video consumption. Increased propensity to pay has been witnessed, amidst domestic OTTs increasing prices selectively, while global players create India-specific cheaper offerings. Digital subscription revenue continued to rise sharply, albeit off a low base, both from B2C (direct) and B2B (telco-driven) distribution of OTT platforms,” the company stated on Thursday. The company was also satisfied with domestic subscription revenue in the M&E segment which remained strong, despite the stress in international. Improved distribution tie-ups for TV and Digital have driven the subscription growth.
The leading OTT platform under RIL’s M&E bouquet, Voot, garnered 12 billion minutes of watch time during FY21 and was the number two broadcaster-OTT, it said in its report. According to the company, Voot Select was the fastest to reach one million D2C subscribers, thanks to original content, digital-first TV content, and digital-only spin-offs.
News Broadcasting
News TV viewership jumps 33 per cent as West Asia war draws audiences
BARC Week 8 data shows news share rising to 8 per cent despite T20 World Cup
NEW DELHI: Even as individual television news channel ratings remain under a temporary pause, the genre itself is seeing a clear surge in audience attention.
According to the latest data from Broadcast Audience Research Council India, television news recorded a 33 per cent jump in genre share in Week 8 of 2026, covering February 28 to March 6.
The news genre accounted for 8 per cent of total television viewership during the week, up from 6 per cent the previous week. The spike in attention coincided with escalating geopolitical tensions involving the United States, Israel and Iran, which have kept global headlines firmly fixed on West Asia.
The rise is notable because it came at a time when cricket was dominating television screens. The high-stakes stages of the ICC Men’s T20 World Cup, including the Super 8 fixtures and semi-finals, were being broadcast during the same period.
Despite the cricket frenzy, viewers appeared to be toggling between sport and global affairs, boosting the overall share of news programming.
The surge in genre share comes even as the government has enforced a one-month pause on publishing ratings for individual news channels. The move followed regulatory scrutiny of the television ratings ecosystem.
While channel-level rankings remain temporarily out of sight, the genre-level data suggests that when global tensions escalate, audiences continue to turn to television news for real-time updates.
