English Entertainment
Ricky Gervais to return as host of Golden Globe Awards
MUMBAI: Returning to the same stage where he brought his acerbic sense of humor to Hollywood, Ricky Gervais has been named host of the 73rd Annual Golden Globe Awards, set for 10 January, 2016.
The three-hour ceremony serves as the official kick-off to awards season and will be aired live on NBC in the US.
“We’re excited to have Ricky Gervais back to host the most enjoyable awards show of the season in his own inimitable way. Disarming and surprising, Ricky is ready to honor – and send up – the best work of the year in film and television. Fasten your seats belts,” said NBC Entertainment chairman Robert Greenblatt.
“Ricky Gervais left us with a lasting impression and we are thrilled to have him back in our show as we honor the best in film and television. His off-the-cuff wit and quirky charm will surely have the room and audiences around the world at the edge of their seats,” said Hollywood Foreign Press Association president Lorenzo Soria.
“What will he say? What will he do? We can’t wait to find out, and we are so happy that he’s back!,” said 73rd Annual Golden Globe Awards executive producer and dick clark productions EVP – television Barry Adelman.
Gervais hosted the Globes for three consecutive years (2010-12) when the network registered ratings gains from the previous two telecasts. Over that 2010-12 span, the Golden Globes averaged a 5.2 rating in the 18-49 demo and 17 million viewers overall, which was a six per cent increase from the 2009 telecast in the demo and 14 per cent or 2.1 million persons in total viewers (17 million vs. 14.9 million).
A winner of seven BAFTA Awards, three Golden Globes and two Emmys, Gervais remains one of the most talented and respected comedian-actors working today. He created and currently stars in the Netflix series Derek, for which he has been Emmy nominated for two consecutive years.
Gervais first introduced himself to global audiences with his 2001 British TV hit The Office, in which he starred as his tragic creation, David Brent. He has also starred in shows like Extras, Life’s Too Short and The Ricky Gervais Show, Curb Your Enthusiasm, Louie, Sesame Street, The Simpsons and Family Guy.
On the film side, Gervais co-starred in several features, including the Night at the Museum franchise, Muppets Most Wanted, Ghost Town and The Invention of Lying, and is currently putting final touches to Special Correspondents, which he wrote and co-directed.
As a stand-up comedian, Gervais has sold over two million tickets in arenas around the world. He is also the author of the popular children’s book series Flanimals.
Nominations for the Golden Globes will be announced on 10 December. Winners in 25 categories – 14 in film and 11 in television – are voted on by the Hollywood Foreign Press Association.
Produced by dick clark productions in association with the HFPA, the Golden Globe Awards include both motion picture and television achievements.
UK: The aerial is losing its grip. As broadband becomes the default way Britons watch television, the UK is edging towards a decisive, and divisive, question: should Freeview be switched off by 2034? The issue, highlighted in reporting by The Guardian, has exposed deep fault lines over access, affordability and the future of public service broadcasting.
For nearly 25 years, Freeview has delivered free-to-air television from the BBC, ITV, Channel 4 and Channel 5 to almost every corner of the country. Even now, it remains the UK’s largest TV platform, used in more than 16m homes and on around 10m main household sets. Yet the same broadcasters that built it are now pressing for its closure within eight years.
Their case rests on a structural shift in viewing. Smart TVs, superfast broadband and the Netflix-led streaming boom have pulled audiences online. Advertising economics have followed. By 2034, the number of homes using Freeview as their main TV set is forecast to fall from a peak of almost 12m in 2012 to fewer than 2m, making digital terrestrial television, or DTT, increasingly costly to sustain.
But critics say the rush to switch off risks abandoning those least able, or least willing, to move online.
“I don’t want to be choosing apps and making new accounts,” says Lynette, 80, from Kent. “It is time-consuming and irritating trying to work out where I want to be, to remember the sequence of clicks, with hieroglyphics instead of words. If I make a mistake I have to start again.”
Lynette is among nearly 100,000 people who have signed a “save Freeview” petition launched by campaign group Silver Voices. She fears the government is about to “take [Freeview] away from me and others who either don’t like, can’t afford, or can’t use online versions”.
Official figures underline the fault lines. A report commissioned by the Department for Culture, Media and Sport estimates that by 2035, 1.8m homes will still depend on Freeview. Ofcom’s analysis shows those households are more likely to be disabled, older, living alone, female, and based in the north of England, Wales, Scotland and Northern Ireland.
Freeview is owned by the public service broadcasters through Everyone TV, which also operates Freesat and the newer streaming platform Freely. After two years of review, DCMS is expected to set out its position soon, drawing on three options proposed by Ofcom: a costly upgrade of Freeview’s ageing technology; maintaining a bare-bones service with only core PSB channels; or a full switch-off during the 2030s.
The broadcasters have rallied behind the third option. They argue that 2034 is the logical cut-off, when transmission contracts with network operator Arqiva expire. By then, they say, the cost of broadcasting to a dwindling audience will far outweigh the returns from TV advertising.
Ofcom agrees a crunch point is approaching. In July, the regulator warned of a “tipping point” within the next few years, after which it will no longer be commercially viable for broadcasters to carry the costs of DTT.
Others see risks beyond economics. Questions remain over whether internet TV can reliably deliver emergency broadcasts, such as the daily Covid updates, in the way that universally available DTT can. The UK radio industry has also warned that an internet-only future for TV could push up distribution costs and force some radio stations off air if PSBs no longer share Arqiva’s mast network.
“It is a political hot potato,” says Dennis Reed, founder of Silver Voices, who says he has “dissociated” his organisation from the government’s stakeholder forum, which he believes is “heavily biased” towards streaming.
The Future TV Taskforce, representing the PSBs, counters that moving online could “close the digital divide once and for all”. “We want to be able to plan to ensure that no one is left behind,” a spokesperson says, adding that rising DTT costs could otherwise mean cuts to programme budgets.
The numbers show the scale of the challenge. Of the 1.8m Freeview-dependent homes projected for 2035, around 1.1m are expected to have broadband but not use it for TV. The remaining 700,000 are forecast to lack a broadband connection altogether.
Veterans of the analogue switch-off, completed in 2012 after 76 years, recall similar fears of “TV blackout chaos”. Around 6 per cent of households were labelled “digital refuseniks”, yet a targeted help scheme and a national campaign, fronted by a robot called Digit Al voiced by Matt Lucas, delivered a largely smooth transition.
This time, the BBC is less keen to foot the bill. Tim Davie, the outgoing director general, has said the corporation should not fund a comparable support programme for a Freeview switch-off.
Research for Sky by Oliver & Ohlbaum suggests that with early awareness campaigns and digital inclusion measures, only about 330,000 households would ultimately need hands-on help ahead of a 2034 shutdown.
Meanwhile, viewing habits continue to fragment. Audience body Barb says 7 per cent of UK households no longer own a TV set, choosing to watch on other devices. In December, YouTube overtook the BBC’s combined channels in total UK viewing across TVs, smartphones and tablets, albeit measured at a minimum of three minutes.
That shift may accelerate. YouTube has recently blocked Barb and its partner Kantar from accessing viewing session data, limiting transparency just as online platforms consolidate power.
“When the government chose British Satellite Broadcasting as the ‘winner’ in satellite TV it was Rupert Murdoch’s Sky instead that came out on top,” says a senior TV executive quoted by The Guardian. “There already is such an outsider ready to be the winner in the transition to internet TV; it is YouTube.”
Freeview’s future now hangs on a familiar British dilemma: modernise fast and risk exclusion, or protect universality and pay the price. Either way, the aerial’s days as king of the living room look numbered.
