Hindi
Reviving cinema culture: Why National Cinema Day needs a rethink
National Cinema Day, a day ostensibly designed to promote the cinematic experience, has become a hollow gesture. While the intent is noble—to encourage more people to experience the magic of the big screen—it’s a misguided approach that’s actually hurting the industry.
The concept is simple: offer massive discounts for one day only to entice audiences into theatres. But this artificial boost in attendance numbers is a temporary fix that masks a deeper problem: audiences are losing interest in cinema. The reason isn’t a lack of affordability; it’s a lack of value.
Reducing ticket prices inadvertently reinforces the notion that cinema is a cheap commodity. It’s as if the industry is saying, “We know our product isn’t worth much, so we’ll give it to you at a discount.” This is a self-defeating strategy that undermines the very essence of cinema.
Instead of resorting to gimmicks to artificially inflate attendance numbers, the industry should focus on creating engaging, high-quality content. Movies like Stree 2 demonstrate that good cinema can still draw crowds without the need for massive discounts.
National Cinema Day is a misguided attempt to address the decline of cinema attendance. Instead of relying on short-term gimmicks, the industry must focus on creating high-quality content, investing in the theatrical experience, and embracing innovative data. By doing so, we can ensure that cinema remains a vibrant and essential part of our culture.
The decline of cinema attendance
The decline in cinema attendance is a multifaceted issue with roots in both industry practices and societal shifts. According to some reports, Indian cinemas had been pulling in a tad over 1.4 billion footfalls before the pandemic.
The rise of streaming platforms has offered audiences a convenient and affordable alternative to the traditional theatrical experience. Blockbuster franchises, often prioritised over original content, have led to a sense of cinematic fatigue among audiences. The increasing cost of tickets, concessions, and transportation has also made going to the movies a less appealing option for many.
However, while streaming platforms offer convenience, the theatrical experience remains irreplaceable. The immersive power of the big screen, coupled with the shared experience of watching a film with an audience, creates a unique and unforgettable atmosphere. The film industry must invest in technologies and amenities that enhance the theatrical experience and make it a compelling choice for audiences.
The dangers of discount culture
National Cinema Day, with its promise of heavily discounted tickets, perpetuates a culture of discounting in the film industry. This culture sends a message to audiences that cinema is not worth its full price, eroding the perceived value of the theatrical experience. It also incentivizes studios to prioritise short-term gains over long-term sustainability.
The key to revitalising the film industry lies in a renewed commitment to quality content. Studios should focus on producing original, thought-provoking films that resonate with audiences on an emotional level. Diverse storytelling, featuring voices from different backgrounds and perspectives, can also help to attract a wider audience.
Recent reports acknowledge that the biggest hindrance to cinema-going is the sizable variance in the quality of the movies being created. Uncertainty about the quality of films, and the absence of a strong string of films as a given, prevents people from investing time, energy, and money in going to cinemas. Unless the movie industry tackles this challenge head-on, footfalls in cinemas are unlikely to increase.
Data: The missing piece of the puzzle
The film industry must embrace data analytics to better understand audience preferences and tailor content accordingly. By analysing audience behaviour, demographics, and social media trends, studios can identify emerging trends, identify gaps in the market, and develop films that resonate with specific audiences. Data analytics can also help optimise marketing campaigns, ensuring that films reach the right people at the right time.
National Cinema Day is a fake obituary for cinema. It’s a desperate attempt to keep the lights on in theatres, but it’s not a sustainable solution. The real cure lies in making movies that people actually want to see. It’s time to stop treating cinema as a commodity and start recognizing it as an art form.
The article has been authored by MovieMe founder & CEO Bhavesh Joshi.
Hindi
Dhurandhar returns to theatres worldwide on March 13 ahead of Dhurandhar The Revenge release
Jio Studios re-releases blockbuster across 500 screens globally before sequel
MUMBAI: The spy saga of Dhurandhar is gearing up for a big-screen encore before its next chapter arrives.
Ahead of the release of Dhurandhar The Revenge on March 19, Jio Studios and B62 Studios are bringing the original Dhurandhar back to cinemas worldwide in a rare international theatrical re-release.
The global blockbuster is returning across nearly 500 screens, including around 250 in India from March 12 and another 250 overseas beginning March 13.
For fans of the franchise, the move offers a chance to revisit the film that ignited the high-octane spy-action universe just days before the sequel lands in theatres. It also sets up a rare back-to-back big-screen experience, allowing audiences to relive the original before diving straight into the next chapter.
While re-releases of popular films are occasionally seen in India, international re-runs of Hindi films remain uncommon. The scale of the rollout reflects the growing global appetite for the franchise.
In North America alone, Dhurandhar will return to theatres across nearly 185 screens, highlighting the strong anticipation surrounding the upcoming sequel.
The excitement is set to build further with special Wednesday premiere shows of Dhurandhar The Revenge scheduled across the US and Canada on March 18, a day ahead of its global release. Many of these premieres will be hosted on premium large format screens, featuring wall-to-wall displays, immersive sound systems such as Dolby Atmos, enhanced projection and luxury seating.
These formats are typically reserved for major Hollywood event films, and early bookings suggest strong demand with several shows already sold out.
The recently released trailer of Dhurandhar The Revenge has also sparked buzz among exhibitors and trade circles, with expectations running high for the film’s international performance.
Dhurandhar The Revenge is written, directed and produced by Aditya Dhar. The film is produced by Jyoti Deshpande and Lokesh Dhar.
Jio Studios presents a B62 Studios production, an Aditya Dhar film.
The spy-action thriller will release worldwide on March 19, 2026, in five languages including Hindi, Tamil, Telugu, Malayalam and Kannada.
The film arrives in theatres globally on the occasion of Gudi Padwa and Ugadi, just ahead of Eid, setting the stage for a festive box office run.








