Hindi
Release of Jism 2 to release on 27 July
MUMBAI: Mahesh Bhatt‘s Sunny Leone-starrer Jism 2 is set to be preponed. The film that was to release on 3 August. It will now release on 27 July.
The Bhatts decided to prepone the film‘s release date to avoid a clash with Ekta Kapoor‘s Kya Super Kool Hai Hum that stars Tusshar Kapoor and Riteish Deshmukh.
It may be recalled that producer-director Mahesh Bhatt entered the house of Bigg Boss last year for a couple of hours to sign Leone and cast her as the lead actress in this sequel of Jism that had Bipasha Basu and John Abraham.
The film, being directed by Pooja Bhatt, has Leone playing Izna, a quintessential seductress. Randeep Hooda plays Kabir, who can be described as the warrior and Arunoday Singh plays Ayaan, who can be described as the swashbuckler while Imran Zahid is playing the role of a narcotics sleuth hailing from Delhi.
While Leone plays the female lead, the film will have two male protagonists. Currently Pooja Bhatt has signed Randeep Hooda and Arunoday Singh as lead actors. Imran Zahid is reportedly playing a role of a narcotics sleuth hailing from Delhi, in the film.
In Jism 2 Sunny Leone plays Izna, can be said the quintessential seductress. Randeep Hooda plays Kabir, who can be described as the warrior, and Arunoday Singh plays Ayaan, who can be described as the swashbuckler. It‘s a love triangle.
Besides directing “Jism 2”, actress-turned-filmmaker Pooja Bhatt is set to lend her voice to lead star Sunny Leone‘s character in the film.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
