Hindi
Ratan Thiyam bags Lifetime Award, Mein Huun Yusuf aur Yeh Hai Mera Bhai bags four awards at annual Theatre Awards
NEW DELHI: National School of Drama Chairman Ratan Thiyam was conferred the lifetime achievement award at the 11th Mahindra Excellence in Theatre Awards (META) last night.
The annual awards, which recognize excellence in theatre nationally, celebrate the intrinsic diversity and rich cultural traditions of India.
META is India’s most comprehensive award and a premier honour for the theatre fraternity, awarding on-stage and off-stage talent across 14 award categories including the Lifetime Achievement Award.
The glittering award night saw the presence of Kalki Koechlin, Shabana Azmi, Lillete Dubey, Ira Dubey and performance by Niazi Nizami Brothers, Shabnam Virmani and Goura Prema. The META Awards Night was hosted by Kabir Bedi and Shivani Wazir
Mein Huun Yusuf aur Yeh Hai Mera Bhai stole the limelight, bagging four awards (Best Direction, Best Production, Best Light Design, Best Sound/Music Design) and a Jury Special Mention for Best Actor in a Lead role (Male).
Noted theatre guru and Padma Shri recipient Ratan Thiyam receive his award from Shabana Azmi. The Lifetime Achievement Award carries with a prize money of Rs. 5 lakh.
Thiyam said, “I feel deeply honoured by this prestigious award. It’s a kind of gesture of encouragement for us who are working in the field of theatre. I am happy.”
The 2016 META Jury comprised author Kunal Basu, actor Kusum Haider, director and theatre and film actor M.K. Raina, dancer- choreographer Tanushree Shankar, and actor-director Sushma Seth.
Plays in diverse Indian Languages shone at the META Awards Nights this year with Shantanu Ghosh and Dyuti Ghosh of the Bengali play Haoai – The Eleventh Planet bagging the META for Best Actor in Supporting Role – Male & Female respectively for their portrayals of the shy Polu and the excitable Mrinmoyee.
The Best Original Script was won by Kannada play Akshayambhara with its unique amalgamation of modern theatrical tools and the traditional Yakshagana dance theatre creating a contemporary narrative raising questions on female representation and male ownership. Prasad Cherkady, who plays a male actor in streevesha as Draupadi inAkshayambhara, won the Best Actor in Lead Role (Male).
Sayalee Phatak won the Best Actor in Lead role (Female) for her depiction of the aggressive but troubled Mitra in search for her sexual identity in the play A Friend’s Story, an English adaptation of Vijay Tendulkar’s brilliant Marathi drama, Mitrachi Goshta.
Malayalam play The Balcony was awarded the Best Costume Design for the authenticity of the costumes which transported the audience into the world of the production and Tamil play Kuhaimaravasigal bagged the Best Choreography Award for the rustic quality of the movements which were well in tune with the symbolism depicted all through the play.
A unique stage adaptation of the 1920’s German silent horror film, The Cabinet of Dr. Caligari – set inside a rundown warehouse space featuring distinctive on-stage elements – won Best Stage Design.
The Best Ensemble was presented to 07/07/07 based on the legal battle to save Reyhaneh Jabbari from the gallows.
A spate of performances celebrated theatre’s big night and enthralled the audence including Qawalli by the Niazi Nizami Brothers, Shabnam Virmani’s spiritual musical journey through an exploration of Kabir’s poetry, a contemporary meets classical dance performance by Goura Prema and the Natya Nectar Dance Company and award-winning actress Kalki Koechlin’s chilling rendition of her poem The Printing Machine.
Jay Shah, Head of Cultural Outreach, Mahindra and Mahindra Ltd., said, “Every passing year of META strengthens our commitment to theatre. Seeing the astonishing levels of talent in our country and playing a role in bringing this to the nation’s notice fills the Mahindra Group with immense pride and satisfaction. This year was no different – it deepened our admiration for both theatre folks and audience.”
Over the past few days, theatre enthusiasts in the capital were treated with a feast of 10 nominated productions from across the country, which were showcased on the META stage this year. The bevy of topics included contemporary interpretations of mythological texts, prostitution, molestation, false executions, human-like obsession, jealousy, betrayal and search for redemption.
Commenting on META 2016 Teamwork Arts MD and Producer META Sanjoy Roysaid, “With every passing year META has witnessed trend-setting plays which have reflected the diversity of India and shone a light on the many issues that continue to challenge the world in these times.”
In a music industry that often rewards speed, spectacle, and instant recall, Navjot Ahuja’s journey feels refreshingly different. His story is not built on noise. It is built on patience, discipline, emotional honesty, and a quiet commitment to becoming better with every passing year. After 14 years of struggle, learning, performing, and writing, Navjot stands today as an artist whose success has not changed his centre. If anything, it has only made his purpose clearer.
For Navjot, music has never been about chasing fame alone. It has always been about expression. It is about writing more truthfully, singing more skillfully, understanding himself more deeply, and becoming a kinder human being in the process. That rare clarity is what gives his journey its beauty.
Where It All Began: A Writer Before a Singer
Indian singer and songwriter Navjot Ahuja’s musical journey began in the most familiar of places: school assemblies. But even then, what was growing inside him was not only the desire to sing. It was the need to write.
Long before he saw himself as a performer, he had already discovered the emotional release that writing offered him. For Navjot, words became the first true channel for feeling. Songwriting came before singing because writing was the only way he could let emotions flow through him fully. That inner pull shaped his artistic identity early on.
Like many young musicians, he sharpened his craft by creating renditions of popular songs.
Those experiments became his training ground. But the turning point came in 2012, when he wrote his first original song. That moment did not just mark the beginning of songwriting. It marked the beginning of self-definition.
A Calling He Did Not Chase, But Accepted
What makes the latest Indian singer-songwriter Navjot’s story especially compelling is the way he describes his relationship with music. He does not frame it as a career he aggressively pursued. In his own understanding, music was not something he chose. It was something that chose him.
There was a time when he imagined a very different future for himself. He wanted to become a successful engineer, like many young people shaped by ambition and conventional expectations. But life had a different script waiting for him. During his college years, around 2021, music entered his life professionally and began taking a firmer shape.
That shift was not driven by image-building or industry ambition. It came from acceptance. Navjot embraced the fact that music had claimed him in a way no other path could. That sense of surrender continues to define the artist he is today.
An Artist Guided by Instinct, Not Influence
Unlike many singers who speak openly about idols, icons, and musical role models, Navjot’s creative world is built differently. He does not believe his music comes from imitation or inherited influence. He listens inward.
He has never considered himself shaped by ideals in the traditional sense. In fact, he admits that he does not particularly enjoy listening to songs, especially his own. His decisions as a songwriter and singer come from instinct. He writes what feels right. He trusts what his inner voice tells him. He positions his music according to what he honestly believes in, not what trends demand.
That creative independence gives his work a distinct emotional sincerity. His songs do not feel calculated. They feel alive.
The Long Years of Invisible Struggle
Every artist carries a chapter of struggle, and Navjot’s was long, demanding, and deeply formative. One of the biggest challenges he faced was building continuity as the best new indian singer songwriter in an era where musical collaboration is increasingly fluid.
For emerging singers, especially those trying to build with a band, consistency can be difficult. Instrumentalists today have more opportunities than ever to freelance and perform with multiple artists. While that growth is positive and well deserved, it can make things harder for singers who are still trying to establish a steady team and sound around their work.
For Navjot, one of the most difficult phases came during 2021 and 2022, when he was doing club shows almost every day. It was a period of relentless performance, but not always personal fulfillment. He was largely singing covers because clubs were not open to original songs that audiences did not yet know.
For a new Indian singer and songwriter, that can be a painful compromise. To perform constantly and still not have the freedom to share your own voice requires not just resilience, but restraint.
“Khat” and the Grace of Staying Unchanged
After 14 years of effort, Navjot’s new love song Khat became a defining milestone. Professionally, he acknowledges that the song changed how society viewed him as a musician. It strengthened his place in the public eye and altered his standing in meaningful ways.
Yet personally, he remains unchanged.
That is perhaps the most striking part of his story. Navjot says his routine is still the same. His calm is still the same. His writing process is still the same. He does not want success or failure to interfere with the purity of his art. For him, emotional detachment from public outcomes is essential because the moment an artist becomes too attached to validation, the writing begins to shift.
His joy comes not from numbers, but from the attempt. If he has tried to improve his skill today, if he has written his heart out more honestly than before, then he is at peace.
Growth, Not Glory, Remains the Real Goal
Even now, Navjot is not consumed by labels such as singles artist, performer, or digital success story. His focus remains deeply personal. He wants to sing better. He wants to play instruments better. He wants to understand himself more. And he wants to become a kinder person.
That is what makes Navjot Ahuja’s journey so moving. It is not simply the story of a musician finding recognition. It is the story of an artist who continues to grow inward, even as the world begins to look outward at him. In an age obsessed with applause, Navjot reminds us that the most meaningful success often begins in silence, honesty, and the courage to remain true to oneself.
