Hindi
Q releases a dark and scary trailer for his film ‘Ludo’
MUMBAI: While it isn’t surprising coming from the director of the infamous film Gandu, Q, but his upcoming film in collaboration with Nikon, Luda has sent chills down the spines of those who saw the trailer.
This much anticipated fantasy thriller, produced by Idyabooster and Starfire Movies is co-produced by Oddjoint and Celine Loop’s production house.
The plot follows four desperate teenagers who decide to spend one fateful night in the big city. Horny and broke, the teenagers take shelter inside a gigantic shopping mall, after attempts to get a hotel room fail. At the mall all plans go haywire, as an old couple appears from nowhere inviting them to play a game — the simple but deadly of Ludo.
If you think it will rolls out like the tried and tested formula of thriller movies in mainstream cinema, trust the Tasherdesh maker to shock you. Teenagers looking for sex with the whole thing devolving into a bloodbath is a formula familiar from scores of American horror films but what Q and Nikon are doing here is something very different. This film is poised to reshape the thriller-horror genre in India, while presenting a global product for the international markets.
The trailer is very edgy and intriguing and we simply can’t wait to know more about the film.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
