Hindi
PVR to celebrate 85th Academy Awards from 15-21 Feb
MUMBAI: PVR, the leading entertainment company in India, will be celebrating the 85th Academy Awards by showcasing popularly celebrated movies at the Oscars at PVR multiplexes from 15-21 February in Delhi, Mumbai, Bangalore, Pune and Ahmedabad.
The multiplex brand, PVR intends to keep the movie lovers hooked with an interesting showcase of movies like Silver Linings Lincoln, Zero Dark Thirty, Argo, Life of PI, Les Miserables and The Impossible.
PVR JMD Sanjeev Bijli said, “We feel delighted to showcase the Oscar nominated movies known for its excellence in cinematic achievements at PVR cinemas. With the film fraternity looking up to the Academy Awards for its quality cinema and global outlook, it is a feeling of pride to celebrate the Oscars.
“Over the years, PVR has offered to its movie aficionados an interesting mix of movies, satiating the appetite of entertainment of different classes. We at PVR cinemas intend to bring quality entertainment to our audience so that it does not have to wait to catch its favorite stars, action and drama for long.”
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
