Hindi
Priyanka Chopra beats Deepika Padukone as 2015’s Hottest Woman
NEW DELHI: Actor Priyanka Chopra, who surprised audiences with her performance in Mary Kom, has won two interesting accolades: ‘World’s Sexiest Asian Woman’, and ‘Hottest Woman of 2015’.
Over 10 million people from across the world voted for her as the Sexiest Asian Woman also edged out Deepika Padukone as the ‘Hottest Women of 2015’, getting a whopping 53 per cent votes with Padukone receiving 35 per cent of the votes.
This is not the first time that Chopra has beaten Padukone at a poll. She topped the Sexiest Woman in a Bikini poll, bagging 22,552 votes out of the 23,775 votes that came in, winning by a huge margin.
Chopra also made it to the numero uno spot on the Ultimate Guys Guide – Maxim India’s Hottest List for 2013.
This was the second consecutive year that Chopra made it to the top rankings on the magazine’s Hottest List, an annual poll with some of the most gorgeous women competing for the crown.
The ‘Exotic’ singer and power player beat the likes of Grammy award winner Beyonce and Victoria’s Secret model Adriana Lima to the number 1 spot.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
