Hindi
Panneriy announces his next, A Little Heaven in Me
MUMBAI: Indo-Canadian filmmaker Keshhav Panneriy announced the launch of his movie A Little Heaven in Me at a press conference on 7 November at The Leela, Mumbai. Not only this, Panneriy and US based children’s fiction writer Purnima Mead also unveiled the digital poster of the movie at the event.
The movie will star upcoming actress and model Pragya Jaiswal in the lead role.
The film is based on a story written by Purnima, who is renowned for her fiction writing for children and will be directed by Panneriy who has 10 years of experience in filmmaking in India and abroad. The movie will be produced by Purnima and Stanton Meda.
(L-R) Keshhav Panneriy (Director), Pragya Jaiswal ( Lead actress), Purnima Mead (Writer and producer) and Stanton Mead (Producer)
Talking about the film, Panneriy during the conference said: “I am glad to be back in India to make this film. It has been a long cherished dream to make a film for the Indian audience who love cinema and relate to it so much. Filmmaking is my passion and this is the only medium with which I can touch the viewers’ chord. Our efforts will be to sensitise them and convey a relevant message about the girl child through A Little Heaven in Me.”
Pragya presented a small skit to give a glimpse of the film’s theme at the event.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
